- •Гуманитарный институт кафедра «иностранные языки в инженерно-техническом образовании» Английский язык
- •A rchitecture
- •I. Read and translate the text using the words given below.
- •VII. Make up your own sentences using the words from the vocabulary of the text.
- •VIII. Retell the information of the text. Architectural drawing
- •I. Read and translate the text using the words given below.
- •I. Read and translate the text using the words given below.
- •VII. Complete the sentences. Use the comparative of the adjectives in the brackets.
- •VIII. Retell the information of the text. Types of architectural drawing
- •St. Peter's Basilica in the Vatican
- •II. Learn the vocabulary to the text:
- •III. Give the English equivalents to the following word combinations:
- •IV. Give the Russian equivalents to the following word combinations:
- •V. Answer the following questions using the information from the text:
- •VI. Choose the right word.
- •VII. Make up your own sentences using the words from the vocabulary of the text.
- •VIII. Retell the information of the text. Computer-aided design
- •Basilica of St Francis of Assisi, Assisi, Italy
- •I. Read and translate the text using the words given below.
- •II. Learn the vocabulary to the text:
- •VII. Make up your own sentences using the words from the vocabulary of the text.
- •VIII. Retell the information of the text. Architectural reprographics
- •The Baroque Einsiedeln Abbey at Einsiedeln, Switzerland
- •I. Read and translate the text using the words given below.
- •VI. Put the verbs in brackets into the proper tense form.
- •VII. Make up your own sentences using the words from the vocabulary of the text.
- •VIII. Retell the information of the text. Texts for additional reading Sketches and diagrams
- •Isometric and axonometric projections
- •Architectural perspective
- •Architectural design competition
- •Types of plans
- •Size and scale
- •Elevation
- •Cross section
- •Detail drawings
- •Digital morphogenesis
- •Modern and post-modern architectures
- •Function of churches
- •Cathedral
- •Basilica
- •Basilica of St Francis of Assisi, Assisi, Italy Abbey
- •The Baroque Einsiedeln Abbey at Einsiedeln, Switzerland Mausoleum
- •Circular churches
- •Transept
- •Vertical emphasis
- •East end
- •External Decoration
- •Nave and aisles
- •Crossing and transept
- •Choir and presbytery
- •Choir stalls and organ
- •Font, lectern and pulpit
- •Decoration
- •Architectural styles Early Christian
- •Modern synagogue architecture
- •Architectural plan
- •Types of architectural plans Floor plan
- •Garden design
- •Landscape plan
- •Site plan
- •Urban plan
- •Architectural plan topics Plan
- •Plan view
- •Planning
- •Purpose
- •Virtual modelling
- •Materials
- •Modern concepts of architecture
- •Origins and vernacular architecture
- •Ancient architecture
- •Asian architecture
- •Islamic architecture
- •The medieval builder
- •Renaissance and the architect
- •Early modern and the industrial age
- •Modernism and reaction of architecture
- •Architecture today
- •Glossary
External Decoration
The external decoration of a cathedral or large church building is often both architectural and pictorial. Decorative architectural devices include columns, pilasters, arcading, cornices, moldings, finials and tracery. The forms taken by these features is one of the clearest indications of the style and date of any particular building. Pictorial elements may include sculpture, painting and mosaic.
Sculpture is the predominant pictorial decorative element in most regions where buildings are of stone construction. In the great medieval churches of France, Spain, England and much of Germany, figurative sculpture is found adorning facades and portals.
Churches of brick, such as those of much of Italy, are often adorned with mosaics, inlays, inset marble friezes and free-standing statues at the roofline. Mosaics were a particular feature of Byzantine architecture and are the main form of adornment of many Orthodox churches, both externally and internally.
The most common theme in the decoration, both external and internal, of any church, is the salvation of humankind by Jesus Christ. The decorative scheme often functions as a Poor Man's Bible, warning the church-goer that, in Biblical terms, the just rewards for his sinful nature is death, and that only through Jesus can forgiveness and redemption be gained. The scheme typically starts outside the church, on the west front, with the portrayal of Christ the Judge above the lintel of the main door. In Romanesque and Gothic buildings, this is usually a sculptural group, and may entail a whole scene of the Last Judgement with details of souls being weighed and rewarded, or dragged down to Hell by demons. In those churches in which painted rather than sculptured decoration prevails, the Last Judgement is often located on the interior of the west end, rather than the interior.
Nave and aisles
The main body of the building, making the longer arm of the cross, where worshippers congregate, is called the nave. The term is from the Latin word for ship. A cathedral is symbolically a ship bearing the people of God through the storms of life. In addition, the high wooden roof of a large church is similarly constructed to the hull of a ship.
The nave is braced on either side by lower aisles, separated from the main space by a row of piers or columns. The aisles facilitate the movement of people, even when the nave is full of worshippers. They also strengthen the structure by buttressing the inner walls that carry the high roof, which in the case of many cathedrals and other large churches, is made of stone. Above the roof of the aisle are the clerestory windows which light the nave.
In some large churches, particularly late Medieval churches, there are two aisles on either side of nave. Other churches have a single aisle and a row of chapels on either side. In some churches, particularly in Germany, the aisles are almost as high as the nave, forming a "hall church". In this case, because there is no clerestory, the aisle windows are often very tall, to admit light to the nave.
