- •Iris murdoch 1919-1999
- •The canon of the dystopian genre. G. Orwell’s 1984. A Clockwork Orange by Anthony Burgess as a cult exploration of the nature of evil.
- •George orwell 1903-1950
- •Anthony burgess 1917-1993
- •The canon of post-war science fiction. John Wyndham’s and Arthur Clarke’s novels.
- •John wyndham 1903-1969
- •Arthur clarke 1917-2008
- •The canon of the modern fantasy literature. Christian symbolism in the works by John Ronald Reuel Tolkien and Clive Staples Lewis.
- •John Ronald Reuel Tolkien as the father of modern fantasy literature.
- •The Lord of the Rings: Synopsis
- •The Christian fantasy by Clive Staples Lewis.
- •Agatha christie 1890-1976 (cozy detective fiction)
- •James Hadley Chase 1906-1985 (hard-boiled detective fiction)
- •John Le Carré 1931- (spy detective fiction)
Arthur clarke 1917-2008
Sir Arthur Charles Clarke is a British author and inventor, most famous for his science-fiction novel 2001: A Space Odyssey, and for collaborating with director Stanley Kubrick on the film of the same name. Clarke is the last surviving member of what was sometimes known as the "Big Three" of science fiction, which included Robert A. Heinlein and Isaac Asimov.
Clarke was born in Minehead in Somerset, England, and as a boy enjoyed stargazing and enthusiastically read old American science-fiction magazines (pulp magazines, many of which made their way to England in ships with sailors who read them to pass the time). After secondary school, and studying at Richard Huish College, Taunton he was unable to afford a university education and got a job as an auditor in the pensions section of the Board of Education.
During the Second World War, he served in the Royal Air Force as a radar specialist and was involved in the early warning radar defence system which contributed to the RAF's success during the Battle of Britain. He was demobilised with the rank of Flight Lieutenant. After the war, he obtained a first class degree in mathematics and physics at King's College London.
In the postwar years Clarke became involved with the British Interplanetary Society and served for a time as its chairman. His most important contribution may be the idea that geostationary satellites would be ideal telecommunications relays. He first proposed this in a paper privately circulated among the core technical members of the BIS in 1945. The concept was published in Wireless World in October of that year. Clarke has also written a number of non-fiction books describing the technical details and societal implications of rocketry and space flight. The most notable of these may be The Exploration of Space (1951) and The Promise of Space (1968).
He has lived in Sri Lanka since 1956, immigrating when it was still called Ceylon, first in Unawatuna on the south coast, and then in Colombo. Clarke holds citizenship of both the UK and Sri Lanka.
Clarke's work is marked by an optimistic view of science empowering mankind's exploration of the solar system. His early published stories would usually feature the extrapolation of a technological innovation or scientific breakthrough into the underlying decadence of his own society.
Major works: Against the Fall of Night (1953), Childhood's End (1953), The City and the Stars (1956), The Deep Range (1957), 2001: A Space Odyssey (1968), Rendezvous with Rama (1973), Imperial Earth (1975), 2010: Odyssey Two (1982), The Songs of Distant Earth (1986), 2061: Odyssey Three (1988), A Meeting With Medusa (1988), The Hammer of God (1993), 3001: The Final Odyssey (1997).
The canon of the modern fantasy literature. Christian symbolism in the works by John Ronald Reuel Tolkien and Clive Staples Lewis.
Fantasy is a genre of art that uses magic and other supernatural forms as a primary element of plot, theme, or setting. The genre is generally distinguished from science fiction and horror by overall look, feel, and theme of the individual work, though there is a great deal of overlap between the three (collectively known as speculative fiction). In its broadest sense, fantasy comprises works by many writers, artists, filmmakers, and musicians, from ancient myths and legends to many recent works embraced by a wide audience today.
The genre of fantasy is generally distinguished from other works that may use things believed to be impossible by its internal consistency (the marvels do not alter their behavior without reason in a work) and its presentation as true in its context.
