- •Instinct); speech is a non-instinctive, acquired, "cultural" function.
- •Indulgent criticism, be termed an element of speech, yet it is obvious
- •Impressions or images that sentient beings have formed or may form of
- •In the brain, together with the appropriate paths of association, that
- •Visual speech symbolisms is, of course, that of the written or printed
- •Is the correspondence that they may, not only in theory but in the
- •Its later stages, we associate with literature is, at best, but a
- •Incapacity of an element to stand alone. The grammatical element,
- •It has not yet succeeded in this, apart, possibly, from isolated adverbs
- •Independent word or as part of a larger word. These transitional cases,
- •Vowel (_-mü_, animate plural). Such features as accent, cadence, and the
- •Its feeling of unity so long as each and every one of them falls in
- •Into the subject of discourse--_the mayor_--and the predicate--_is going
- •Instinctive utterance that man shares with the lower animals, they
- •Value which the others do not possess (think of _storm and stress_). If
- •In such a word as _please_. It is the frequent failure of foreigners,
- •I have gone into these illustrative details, which are of little or no
- •Voluntary speech movements with the all but perfect freedom of voluntary
- •Independent muscular adjustments that work together simultaneously
- •Variations in pitch which are present not only in song but in the more
- •Ignoring transitional or extreme positions. Frequently a language allows
- •It is highly doubtful if the detailed conditions that brought about the
- •In that the compounded elements are felt as constituting but parts of a
- •Incapable of composition in our sense. It is invariably built up out of
- •Ideas as delimit the concrete significance of the radical element
- •It is not always, however, that we can clearly set off the suffixes of a
- •It will not be necessary to give many further examples of prefixing and
- •Indicates activity done for the subject (the so-called "middle" or
- •Is characteristic of true verbal forms that they throw the accent back
- •Indicates that there is implied in this overburdened _-s_ a distinct
- •Interrogative sentence possesses an entirely different "modality" from
- •Is the outgrowth of historical and of unreasoning psychological forces
- •I have exaggerated somewhat the concreteness of our subsidiary or rather
- •Indeed, there is clear evidence to warrant such a reading in. An example
- •Independent word; nor is it related to the Nootka word for "house."]
- •Is indefinite as to aspect, "be crying" is durative, "cry put" is
- •Implication in terms of form. There are languages, for instance, which
- •Idea, say an action, setting down its symbol--_run_. It is hardly
- •Isolated elements in the flow of speech. While they are fully alive, in
- •Instead of "a rich man."
- •Its unique structure. Such a standpoint expresses only a half truth.
- •Independently and frequently. In assuming the existence of comparable
- •Various kinds. First and foremost, it has been difficult to choose a
- •Inferred from the context. I am strongly inclined to believe that this
- •Into more than one of these groups. The Semitic languages, for instance,
- •Involved in this difference than linguists have generally recognized. It
- •Is one that either does not combine concepts into single words at all
- •Isolating cast. The meaning that we had best assign to the term
- •Is at the mercy of the preceding radical element to this extent, that it
- •Its indicative suffix, is just as clearly verbal: "it burns in the
- •III will be understood to include, or rather absorb, group IV.
- •Indicate relations. All these and similar distinctions are not merely
- •Ignored; "fusion" and "symbolism" may often be combined with advantage
- •Ignored in defining the general form of the language. The caution is all
- •I need hardly point out that these examples are far from exhausting the
- •Into "isolating," "agglutinative," and "inflective" (read "fusional")
- •Interesting, however, to note that of the three intercrossing
- •In the technical features of language. That highly synthetic languages
- •In which we can cover up our fault by a bit of unconscious special
- •It is probable that rhythm is an unconscious linguistic determinant even
- •Is still not as difficult to reconcile with our innate feeling for
- •In certain paradigms particular cases have coalesced. The case system is
- •In later medieval and in modern times there have been comparatively few
- •It_. Can it be that so common a word as _its_ is actually beginning to
- •It. We could hold to such a view if it were possible to say _the dog
- •It is only animate pronouns that distinguish pre-verbal and post-verbal
- •Impatience of nuancing is the group _whence_, _whither_, _hence_,
- •Vocabulary is rich in near-synonyms and in groups of words that are
- •Is an interesting example. The English type of plural represented by
- •In other words, to state in a definitive manner what is the "phonetic
- •Is quite frequent in the history of language. In English, for instance,
- •In the singular (_foot_, _Fuss_) and modified vowel in the plural
- •In all manner of other grammatical and derivative formations. Thus, a
- •Itself in one way and another for centuries. I believe that these
- •Variations won through because they so beautifully allowed the general
- •I would suggest, then, that phonetic change is compacted of at least
- •Is identical with the old Indo-European one, yet it is impressive to
- •It was different in German. The whole series of phonetic changes
- •Instance, "umlaut" plurals have been formed where there are no Middle
- •Is often so small that intermarriages with alien tribes that speak other
- •Into England, a number of associated words, such as _bishop_ and
- •Imprint of the Sanskrit and Pali that came in with Hindu Buddhism
- •Is anywhere entering into the lexical heart of other languages as French
- •Its customary method of feeling and handling words. It is as though this
- •Is the presence of unaspirated voiceless stops (_p_, _t_, _k_), which
- •Is biological, sense, is supremely indifferent to the history of
- •Its colonies, represent a race, pure and single? I cannot see that the
- •Is such[183] as to make it highly probable that they represent but an
- •Intrinsically associated. Totally unrelated languages share in one
- •Various--political, cultural, linguistic, geographic, sometimes
- •Importance, while the linguistic division is of quite minor
- •Intelligible historical association. If the Bantu and Bushmen are so
- •In language and culture. The very fact that races and cultures which are
- •Is only apparently a paradox. The latent content of all languages is the
- •It goes without saying that the mere content of language is intimately
- •Intertwined two distinct kinds or levels of art--a generalized,
- •Indeed, is precisely what it is. These artists--Whitmans and
- •Is under the illusion that the universe speaks German. The material
- •Important are its morphological peculiarities. It makes a great deal of
- •Inherent sonority and does not fluctuate significantly as to quantity
- •Verse has developed along very much the same lines as French verse. The
- •Verse, on the principles of number, echo, and contrasting pitches. Each
- •Vocalic,
- •International donations are gratefully accepted, but we cannot make
- •Including how to make donations to the Project Gutenberg Literary
Vowel (_-mü_, animate plural). Such features as accent, cadence, and the
treatment of consonants and vowels within the body of a word are often
useful as aids in the external demarcation of the word, but they must by
no means be interpreted, as is sometimes done, as themselves responsible
for its psychological existence. They at best but strengthen a feeling
of unity that is already present on other grounds.
We have already seen that the major functional unit of speech, the
sentence, has, like the word, a psychological as well as a merely
logical or abstracted existence. Its definition is not difficult. It is
the linguistic expression of a proposition. It combines a subject of
discourse with a statement in regard to this subject. Subject and
"predicate" may be combined in a single word, as in Latin _dico_; each
may be expressed independently, as in the English equivalent, _I say_;
each or either may be so qualified as to lead to complex propositions of
many sorts. No matter how many of these qualifying elements (words or
functional parts of words) are introduced, the sentence does not lose
Its feeling of unity so long as each and every one of them falls in
place as contributory to the definition of either the subject of
discourse or the core of the predicate[7]. Such a sentence as _The mayor
of New York is going to deliver a speech of welcome in French_ is
readily felt as a unified statement, incapable of reduction by the
transfer of certain of its elements, in their given form, to the
preceding or following sentences. The contributory ideas of _of New
York_, _of welcome_, and _in French_ may be eliminated without hurting
the idiomatic flow of the sentence. _The mayor is going to deliver a
speech_ is a perfectly intelligible proposition. But further than this
we cannot go in the process of reduction. We cannot say, for instance,
_Mayor is going to deliver_.[8] The reduced sentence resolves itself
Into the subject of discourse--_the mayor_--and the predicate--_is going
to deliver a speech_. It is customary to say that the true subject of
such a sentence is _mayor_, the true predicate _is going_ or even _is_,
the other elements being strictly subordinate. Such an analysis,
however, is purely schematic and is without psychological value. It is
much better frankly to recognize the fact that either or both of the two
terms of the sentence-proposition may be incapable of expression in the
form of single words. There are languages that can convey all that is
conveyed by _The-mayor is-going-to-deliver-a-speech_ in two words, a
subject word and a predicate word, but English is not so highly
synthetic. The point that we are really making here is that underlying
the finished sentence is a living sentence type, of fixed formal
characteristics. These fixed types or actual sentence-groundworks may be
freely overlaid by such additional matter as the speaker or writer cares
to put on, but they are themselves as rigidly "given" by tradition as
are the radical and grammatical elements abstracted from the finished
word. New words may be consciously created from these fundamental
elements on the analogy of old ones, but hardly new types of words. In
the same way new sentences are being constantly created, but always on
strictly traditional lines. The enlarged sentence, however, allows as a
rule of considerable freedom in the handling of what may be called
"unessential" parts. It is this margin of freedom which gives us the
opportunity of individual style.
[Footnote 7: "Coordinate sentences" like _I shall remain but you may go_
may only doubtfully be considered as truly unified predications, as true
sentences. They are sentences in a stylistic sense rather than from the
strictly formal linguistic standpoint. The orthography _I shall remain.
But you may go_ is as intrinsically justified as _I shall remain. Now
you may go_. The closer connection in sentiment between the first two
propositions has led to a conventional visual representation that must
not deceive the analytic spirit.]
[Footnote 8: Except, possibly, in a newspaper headline. Such headlines,
however, are language only in a derived sense.]
The habitual association of radical elements, grammatical elements,
words, and sentences with concepts or groups of concepts related into
wholes is the fact itself of language. It is important to note that
there is in all languages a certain randomness of association. Thus, the
idea of "hide" may be also expressed by the word "conceal," the notion
of "three times" also by "thrice." The multiple expression of a single
concept is universally felt as a source of linguistic strength and
variety, not as a needless extravagance. More irksome is a random
correspondence between idea and linguistic expression in the field of
abstract and relational concepts, particularly when the concept is
embodied in a grammatical element. Thus, the randomness of the
expression of plurality in such words as _books_, _oxen_, _sheep_, and
_geese_ is felt to be rather more, I fancy, an unavoidable and
traditional predicament than a welcome luxuriance. It is obvious that a
language cannot go beyond a certain point in this randomness. Many
languages go incredibly far in this respect, it is true, but linguistic
history shows conclusively that sooner or later the less frequently
occurring associations are ironed out at the expense of the more vital
ones. In other words, all languages have an inherent tendency to economy
of expression. Were this tendency entirely inoperative, there would be
no grammar. The fact of grammar, a universal trait of language, is
simply a generalized expression of the feeling that analogous concepts
and relations are most conveniently symbolized in analogous forms. Were
a language ever completely "grammatical," it would be a perfect engine
of conceptual expression. Unfortunately, or luckily, no language is
tyrannically consistent. All grammars leak.
Up to the present we have been assuming that the material of language
reflects merely the world of concepts and, on what I have ventured to
call the "pre-rational" plane, of images, which are the raw material of
concepts. We have, in other words, been assuming that language moves
entirely in the ideational or cognitive sphere. It is time that we
amplified the picture. The volitional aspect of consciousness also is to
some extent explicitly provided for in language. Nearly all languages
have special means for the expression of commands (in the imperative
forms of the verb, for example) and of desires, unattained or
unattainable (_Would he might come!_ or _Would he were here!_) The
emotions, on the whole, seem to be given a less adequate outlet.
Emotion, indeed, is proverbially inclined to speechlessness. Most, if
not all, the interjections are to be put to the credit of emotional
expression, also, it may be, a number of linguistic elements expressing
certain modalities, such as dubitative or potential forms, which may be
interpreted as reflecting the emotional states of hesitation or
doubt--attenuated fear. On the whole, it must be admitted that ideation
reigns supreme in language, that volition and emotion come in as
distinctly secondary factors. This, after all, is perfectly
intelligible. The world of image and concept, the endless and
ever-shifting picture of objective reality, is the unavoidable
subject-matter of human communication, for it is only, or mainly, in
terms of this world that effective action is possible. Desire, purpose,
emotion are the personal color of the objective world; they are applied
privately by the individual soul and are of relatively little importance
to the neighboring one. All this does not mean that volition and emotion
are not expressed. They are, strictly speaking, never absent from normal
speech, but their expression is not of a truly linguistic nature. The
nuances of emphasis, tone, and phrasing, the varying speed and
continuity of utterance, the accompanying bodily movements, all these
express something of the inner life of impulse and feeling, but as these
means of expression are, at last analysis, but modified forms of the
