- •1. The drama after Shakespeare. Jacobean drama and theatre.
- •2. Ben Jonson and his plays. Volpone.
- •Volpone
- •3. Thomas Dekker and his plays. Old Fortunatus.
- •4. Thomas Heywood and his plays. A Woman Killed with Kindness.
- •5. Beaumont and Fletcher. The Knight of the Burning Pestle.
- •6. John Webster and his plays. The White Devil.
- •7. John Webster and his plays. The Duchess of Malfi.
- •9. Masque and music at the Stuart Court
- •8. Cyril Tourneur and his plays. The Revenger’s Tragedy.
- •10. Puritanism and its influence on English Literature.
- •11. The Restoration and Public Pleasures.
- •12. The Enlightenment and Neoclassicism
- •13. The Great Fire of London
- •14. Basic themes in Restoration comedy: the younger son, marriage and the matter of inheritance, money. Morality. Satire. The pamphlet.
- •15. The Physical Structure of the Restoration Theatre.
- •16. The Restoration Theatre, Audience, Actors.
- •17. The Restoration Comedy.
- •20. William Wycherley. The Country Wife.
- •21. William Congreve (1670-1729). The Way of the World (1700) – the masterpiece of Restoration drama.
- •22. High Tragedy and Pathetic Tragedy
- •23. Comedy of Manners
- •24. John Dryden and his plays. The Indian Queen.
- •25. Sir George Etherege and his plays. Man of Mode
- •26. Thomas Shadwell. Absalom and Achitophel
- •27. George Farquhar and his plays. The Beaux' Stratagem.
- •28. Sir John Vanbrugh and his plays. The Relapse (1696)
- •29. Drama in the early 19th century
- •30. Theatre Riots.
- •31. Early Victorian Drama and theatrical conditions.
- •32. Oscar Wilde and his literary contribution. Lady Windermere’s Fan
- •33. Oscar Wilde and his literary contribution. An Ideal Husband
- •34. Oscar Wilde and his literary contribution. The Importance of Being Ernest
- •35. Oscar Wilde and his literary contribution. A Woman of No Importance
- •36. George Bernard Show and his literary contribution. Pygmalion.
- •37. George Bernard Show and his literary contribution. Heartbreak House.
- •38. George Bernard Show and his literary contribution. Mrs. Warren’s Profession.
- •39. 19Th century theatre. Melodrama
- •40. The Well-Made Play
- •41. The Irish Renaissance
- •Irish Humour
- •Irish Blarney
- •42. John Millington Synge. Riders to the Sea.
- •43. John Millington Synge. The Tinkers Wedding.
- •44. John Millington Synge. The Playboy of the Western World.
- •45. Thomas Sterns Eliot. Murder in the Cathedral.
- •46. John Osborne. Look Back in Anger
- •47. John Galsworthy. The Silver Box
- •48. John Galsworthy. Strife
11. The Restoration and Public Pleasures.
Restoration
In 1660 the English Parliament that had ordered the execution of Charles I invited his son Charles II to return from exile and reclaim the throne. With the restoration of the monarchy, many old entertainments were restored. The theaters were reopened, public festivals were celebrated, and new fashions in clothes, food, and ideas flooded in from the European continent. Intellectual life began to flourish once more and set the stage for the burgeoning Enlightenment that took hold in England during the following century. Charles was a far cry from both his father and Oliver Cromwell. Known as the merry monarch, the good natured Charles enjoyed pleasures of all kinds, from courtly entertainments to his royal mistresses. Trying to break the cycle of retribution which had plagued England for so long, Charles forgave many of his father’s old enemies. His mercy did not extend, however, to most of the judges at his father’s trial and signers of the order of execution. Cromwell’s body, which had been buried in the Tower of London, was dug up, beheaded, and reburied in a common pit.
Public Pleasures
Charles II’s taste for pleasure was shared by many people, whose lives had been dreary under Puritan rule. Holidays such as Christmas were celebrated once more, horse races—and betting—started up again, and music and evening masquerade parties filled public pleasure gardens such as Vauxhall. Charles also reopened the theaters. Audiences had an insatiable appetite for comedies about the fashionable manners of the age. Bawdy, witty, and amoral, these Restoration dramas by such playwrights as William Congreve, William Wycherley, and George Farquhar reflect a cynical frivolity in matters of love and money. The plays seemed all the more scandalous because the new theaters allowed women to appear on the stage for the first time. One of the most popular playwrights of the day was Aphra Behn, the first woman in England to make her living as a professional writer. Behn was often accused of lewdness (bujaság), but there is no doubt that her vivacious comedies reflected the pleasure-loving attitude and carpe diem spirit of the Restoration.
Coffee and Tee
Drinking tea became popular in England during the Restoration. At that time, it was a very costly drink: a pound of tea cost 10 pounds. By 1700 the price was reduced to one pound, but this was still a big expense for ordinary British families, whose annual income ranged between 15 and 50 pounds a year. The first coffeehouse opened in London in 1652. By 1663 London had 82 coffeehouses; by 1700 the number had grown to somewhere between 500 and 2000.
12. The Enlightenment and Neoclassicism
The Enlightenment was a European philosophical and literary movement that in England is often called “The Age of Reason.” It is characterized by a profound faith in the power of human reason and a devotion to clarity of thought. With the Restoration came a return to Anglicanism as England's state religion and a realization that future monarchs would have to share their authority with Parliament, whose influence had increased substantially. A related literary movement was Neoclassicism, which reached its pinnacle in the poetry, prose, and criticism of Samuel Johnson. Its major tenet was the conviction that the classical authors of ancient Greece and Rome had perfected the rules and norms that should govern the writing of literature for all time.
