Isbn: 0-312-86787-5.

1 a . Legends: Eleven New Works by the Masters of Modern Fantasy , edited by Robert

Silverberg. London: Voyager, October 1998, hardcover, p. 5. ISBN: 0-00-225666-5.

1b. Legends: Short Novels by the Masters of Modern Fantasy, edited by Robert Silverberg.

New York: Tor, A Tom Doherty Associates Book, October 1998, hardcover, p. 23. ISBN: 0-312-

86863-4. Limited edition of 200 numbered copies, signed by all of the contributors, including King.

1c. Legends: Short Novels by the Masters of Modern Fantasy, edited by Robert Silverberg.

New York: Tor, A Tom Doherty Associates Book, October 1998, hardcover, p. 23. ISBN: 0-312-

86863-4. Limited edition of 50 lettered copies, signed by all of the contributors, including King. Not

originally for sale, but used as presentation copies.

1d. Legends: Short Novels by the Masters of Modern Fantasy, [December] 1998, hardcover, p.

23. No ISBN. [Science Fiction Book Club Edition.]

1e. Legends: Short Novels by the Masters of Modern Fantasy, Volume 1 , edited by Robert

Silverberg. New York: Tor, A Tom Doherty Associates Book, September 1999, mass-market

paperback, p. 9. ISBN: 0-812-56663-7. Note: Legends was split into three separate volumes for the

U.S. mass-market paperback release.

1f. Legends: Short Novels by the Masters of Modern Fantasy, edited by Robert Silverberg.

London: HarperCollins/Voyager, April 2000, mass-market paperback, p. 7. ISBN: 0-00-648393-3.

Note: Legends was split into two separate volumes for the U.K. mass-market paperback release.

1g. Legends: Short Novels by the Masters of Modern Fantasy, edited by Robert Silverberg.

New York: Tor, A Tom Doherty Associates Book, August 2001, trade paperback, p. 23. ISBN: 0-

765-30035-4.

2. Everything’s Eventual , by Stephen King. New York: Scribner, [March] 2002, hardcover, p.

146. Note: This is an abridged reprinting. The last line of the original appearance has been deleted.

“Author’s Note”—

157Hearts in Atlantis, by Stephen King. New York: Scribner, [September] 1999, hardcover, p.

523.

“Author’s Note”—

60On Writing, by Stephen King. New York: Scribner, [October] 2000, hardcover, [no

pagination at the beginning of the book]

“Author’s Note”—

100 Appearances:

1. http://www.stephenking.com/. November 9, 2000.

2 . The Plant [Installment Five], by Stephen King. Bangor, ME: Philtrum Press, [November]

2000, eBook, p. [212].

3. http://www.stephenking.com/. [November 2000]. Note: This version is slightly longer than

the original appearance.

“Author’s Note”—

162Dreamcatcher, by Stephen King. New York: Scribner, [March] 2001, hardcover, p. 619-

620.

“Author’s Note”—

175The Dark Tower V: Wolves of the Calla , by Stephen King. New York, NY: Scribner,

[November] 2003, hardcover, p. 711.

“Author’s Note”—

169 Appearances:

From a Buick Eight, by Stephen King. New York: Scribner, [September] 2002, hardcover, p.

353-355.

From a Buick Eight, by Stephen King. London, England: Hodder & Stoughton, [September]

2002, hardcover, p.401-404 (Slightly amended text from the Scribner version)

Note: This piece does not appear in the Cemetery Dance limited edition.

“Author’s Note”—

177The Dark Tower VII: The Dark Tower , by Stephen King. New York, NY: Scribner, [June]

2004, hardcover, p. 843-845.

“Author’s Postscript”—

157The Girl Who Loved Tom Gordon , by Stephen King. New York: Scribner, [April] 1999,

hardcover, p. 223-224.

“Band Uniforms”—

347The Drum Volume 1, Number 4 (May 29, 1964): [2.]

“Banned Books and Other Concerns: The Virginia Beach Lecture”—

335 Appearances:

1 . The Stephen King Companion, edited by George Beahm. Kansas City, MO: Andrews and

McMeel, September 1989, trade paperback, p. 51, 53-56. ISBN: 0-8362-7978-6.

1a. The Stephen King Companion, edited by George Beahm. Kansas City, MO: Andrews and

McMeel, October 1989, trade paperback, p. 51, 53-56. ISBN: 0-8362-7978-6. Second printing,

incorporating some additions and changes.

1b. The Stephen King Companion, edited by George Beahm. Hampton, VA: GB Publishing,

October 1989, hardcover, p. 51, 53-56. ISBN: 0-8362-7978-6. Limited edition of 1000 numbered

copies, signed by the editor.

1c. The Stephen King Companion, edited by George Beahm. Hampton, VA: GB Publishing,

October 1989, hardcover, p. 51, 53-56. ISBN: 0-8362-7978-6. Deluxe limited edition of 250

numbered copies, signed by the editor and multiple contributors.

1d. The Stephen King Companion, edited by George Beahm. Hampton, VA: GB Publishing,

October 1989, hardcover, p. 51, 53-56. ISBN: 0-8362-7978-6. Limited edition of 26 lettered copies,

signed by the editor and multiple contributors.

1e. The Stephen King Companion, edited by George Beahm. London, UK: Macdonald, October

1990, hardcover, p. 51, 53-56. ISBN: 0-356-19200-8.

1f. The Stephen King Companion, edited by George Beahm. London: Futura, October 1991,

mass-market paperback. ISBN: 0-7088-4933-4.

1g. Book-of-the-Month Club edition.

1h. Quality Paperback Book Club edition.

2 . Secret Windows , by Stephen King. New York, NY: Book-of-the-Month Club, 2000,

hardcover, p. 325-330. Note: This version differs from the earlier version, which was recorded and

transcribed by George Beahm.

“Before He Was Stephen King”—

66 Appearances:

1. Reader’s Digest (January 2001): 120, 122-125.

1a. Reader’s Digest [Large Print Edition] (January, 2001): 142, 144-151.

“Bernie Wrightson: An Appreciation”—

360The Cycle of the Werewolf Portfolio . Westland, MI: The Land of Enchantment, 1983,

portfolio. A limited edition of 350 numbered copies, signed by King and Wrightson.

“The Best Advice”—

102Writer’s Digest (December, 1995): 32.

“Between Rock and a Soft Place”—

306Playboy (January, 1982): 120-122, 238-242.

“Big Jim Thompson: An Appreciation”—

230 Appearances:

1 . Now and On Earth, by Jim Thompson. Belen, NM: Dennis McMillan Publications, 1986,

hardcover, p. vii-x. No ISBN. A limited edition of 400 numbered copies, with dust jacket.

1a. Now and On Earth, by Jim Thompson. New York: Vintage Crime/Black Lizard, February

1994, trade paperback, p. vii-x. ISBN: 0-679-74013-9.

“Blood and Thunder in Concord”—

271The New York Times Book Review (September 10, 1995): 17, 18, 20.

“The Bogeyboys”—

408 Appeared on VEMA’s official web page. 1999.

“The Book-Banners: Adventure in Censorship is Stranger Than Fiction”—

291Bangor Daily News (March 20, 1992): 15.

“Book in Progress”—

294The New York Times (November 7, 1997): A30.

“Books: Critic Critique”—

261Adelina (July, 1980): 9.

“Books: Love Those Long Novels”—

263Adelina (November, 1980): 12.

“Books: The Sixties Zone”—

260Adelina (June, 1980): 12.

“Books: Travelers”—

262Adelina (September, 1980): 12.

“Books: Two for Terror”—

261Adelina (August, 1980): 12.

“Booze and the Writer”—

96Writer’s Digest (October, 1978): 30.

“Building A Haunted House”—

422TV Guide (January 26-February 1, 2002): 25-28.

“The Camus of Crime”—

372USA Today (May 23, 1986): 4D.

“Cancelled Stamp”—

280The Maine Campus [University of Maine, Orono student newspaper] (February 5, 1970): 6.

“The Cannibal and the Cop”—

264 Appearances:

1. Washington Post Book World (November 1, 1981): 1-3.

2. Shadowings: The Reader’s Guide to Horror Fiction, 1981-82 , edited by Douglas E. Winter.

Mercer Island, WA: Starmont House/San Bernardino, CA: The Borgo Press, 1983, hardcover, p. 27-

29. ISBN: 0-916732-86-X.

2 a . Shadowings: The Reader’s Guide to Horror Fiction, 1981-82 , edited by Douglas E.

Winter. Mercer Island, WA: Starmont House, 1983, trade paperback, p. 27-29. ISBN: 0-916732-85-

1.

“Casting a Lovely Light on Mysteries of Life”—

268Times Union [newspaper; Albany, New York] (April 24, 1988): F1, F7.

“Cat from Hell”—

123 Appearances:

1. As “Introduction” to “The Cat from Hell” in Top Horror , edited by Josh Pachter. München,

West Germany: Wilhelm Heyne Verlag (Die Unheimliche Bücher 20), 1984, paperback, p. . ISBN:

3453440749. Reprinted in May 1986. [German]

2. Castle Rock: The Stephen King Newsletter (June, 1985): 9.

“Childress Debut with ‘World’ Shows Uncanny Style and Eye for Detail”—

266Atlanta Journal-Constitution (October 21, 1984): 1J, 10J.

“Clarifications”—

413 http://www.stephenking.com/. September 5, 2000.

“Coastal Filming a Study in Patience Grown Thinner”—

293Bangor Daily News (January 8, 1996): A7.

“The Collector: A New Introduction”—

235 Appearances:

1. Published as a 12-page booklet distributed with the Book-of-the-Month Club edition of The

Collector, by John Fowles. (1989): 1-12.

2. As “A New Introduction to John Fowles’s The Collector” in Secret Windows , by Stephen

King. New York, New York: Book-of-the-Month Club, 2000, hardcover, p. 339-352.

“The Comeback”—

74Boston (December, 2004): 68, 70, 72, 74, 76-77.

“Comments on Desperation from Stephen King”—

427 http://www.stephenking.com/. February 23, 2005.

“Cone Head”—

423The New Yorker (April 22 & April 29, 2002): 113.

“Continuity Clarification from Stephen”—

430 http://www.stephenking.com. October 7, 2005.

“Contributors’ Notes”—

176 Appearances:

1 . The Best American Mystery Stories, 2004, edited by Nelson DeMille, series editor, Otto

Penzler. Boston: Houghton Mifflin, October 2004, hardcover, p. 425. ISBN: 0-618-32968-4.

1a. The Best American Mystery Stories, 2004, edited by Nelson DeMille, series editor, Otto

Penzler. Boston: Houghton Mifflin, October 2004, trade paperback, p. 425. ISBN: 0-618-32967-6.

“Creating by Hand”—

107 Appearances:

1. Inside Borders (March, 2001): 26-27.

2. As “Stephen King Takes Pen in Hand for Dreamcatcher” in The Book Report (March, 2001):

11.

“Curses!”—

87Yankees Magazine Volume 19, Issue 6 (September, 1998): 50-52, 54, 56, 58.

“Danse Macabre”—

58Book Digest (September, 1981): 46-55, 57, 59-63, 65, 67-69.

“Danse Macabre”—

59 San Francisco, California: Friends of the San Francisco Library, 1990.

“Dear Walden People”—

357 Appearances:

1. Waldenbooks Book Notes (August, 1983): [no pagination].

2. As “With Waldenbooks” in Bare Bones: Conversations on Terror with Stephen King , edited

by Tim Underwood and Chuck Miller. San Francisco, CA, Columbia, PA: Underwood-Miller, April

1988, hardcover, p. 123-124. ISBN: 0-88733-024-X. Limited edition of 1,000 numbered copies,

signed by the authors. Another 100 numbered copies reserved as “presentation copies.”

2a. As “With Waldenbooks” in Bare Bones: Conversations on Terror with Stephen King ,

edited by Tim Underwood and Chuck Miller. Los Angeles, CA, Columbia, PA: Underwood-Miller,

April 1988, hardcover, p. 123-124. ISBN: 0-88733-024-X. Deluxe limited edition of 52 lettered

copies, signed by the authors.

2b. As “With Waldenbooks” in Bare Bones: Conversations on Terror with Stephen King ,

edited by Tim Underwood and Chuck Miller. New York: McGraw-Hill, June 1988, hardcover, p.

124-125. ISBN: 0-07-065759-9. 100 copies reserved for contributors, designated “presentation

copy.”

2c. As “With Waldenbooks” in Bare Bones: Conversations on Terror with Stephen King ,

edited by Tim Underwood and Chuck Miller. New York: McGraw-Hill, June 1988, hardcover, p.

124-125. ISBN: 0-07-065759-9.

2d. As “With Waldenbooks” in Bare Bones: Conversations on Terror with Stephen King ,

edited by Tim Underwood and Chuck Miller. Quality Paperback Book Club, February 1989, trade

paperback, p. 124-125. No ISBN.

2e. As “With Waldenbooks” in Bare Bones: Conversations on Terror with Stephen King ,

edited by Tim Underwood and Chuck Miller. New York: Warner Books, July 1989, trade paperback,

p. 124-125. ISBN: 0-446-39057-7.

2f. As “With Waldenbooks” in Bare Bones: Conversations on Terror with Stephen King ,

edited by Tim Underwood and Chuck Miller. London: New English Library, 1989, hardcover, p.

130-131. ISBN: 0-450-49992-8.

2g. As “With Waldenbooks” in Bare Bones: Conversations on Terror with Stephen King ,

edited by Tim Underwood and Chuck Miller. London: New English Library, March 1990, mass-

market paperback, p. 171-173. ISBN: 0-450-51606-7.

3 . The Stephen King Companion, edited by George Beahm. Kansas City, MO: Andrews and

McMeel, September 1989, trade paperback, p. 207-208. ISBN: 0-8362-7978-6.

3a. The Stephen King Companion, edited by George Beahm. Kansas City, MO: Andrews and

McMeel, October 1989, trade paperback, p. 207-208. ISBN: 0-8362-7978-6. Second printing,

incorporating additions and changes.

3b. The Stephen King Companion, edited by George Beahm. Hampton, VA: GB Publishing,

October 1989, hardcover, p. 207-208. ISBN: 0-8362-7978-6. Limited edition of 1,000 numbered

copies, signed by the editor.

3c. The Stephen King Companion, edited by George Beahm. Hampton, VA: GB Publishing,

October 1989, hardcover, p. 207-208. ISBN: 0-8362-7978-6. Deluxe limited edition of 250

numbered copies, signed by the editor and multiple contributors.

3d. The Stephen King Companion, edited by George Beahm. Hampton, VA: GB Publishing,

October 1989, hardcover, p. 207-208. ISBN: 0-8362-7978-6. Limited edition of 26 lettered copies,

by the editor, and multiple contributors.

3 e . The Stephen King Companion, edited by George Beahm. London: Macdonald, October

1990, hardcover, p. 207-208. ISBN: 0-356-19200-8.

3f. The Stephen King Companion, edited by George Beahm. London: Futura, October 1991,

mass-market paperback, p. 302-304. ISBN: 0-7088-4933-4.

3g. Book-of-the-Month Club edition.

3h. Quality Paperback Book Club edition.

“Diamonds are Forever”—

87 Appearances:

1. Life (May, 1994): 26, 28, 30, 32, 34.

2. As “Introduction” in Heading Home: Growing Up in Baseball, photographed by Harry

Connolly. New York: Rizzoli International Publications, Inc., [June] 1995, hardcover, p. 27-33.

ISBN: 0-8478-1889-6. Note: Revised version.

“Digging The Boogens”—

308The Twilight Zone Magazine (July, 1982): 9-10.

“The Doll Who Ate His Mother”—

57 Appearances:

1. Whispers No. 11/12 (October, 1978): 63-64.

2. Incorporated into Danse Macabre, by Stephen King. New York: Everest House, 1981,

hardcover.

“Don’t Be Cruel”—

282TV Guide (April 30-May 6, 1983): A-1.

“Dr. Seuss and the Two Faces of Fantasy”—

363Fantasy Review No. 68 (June 1984): 10-12.

“The Dreaded X”—

329 Appearances:

1. Castle Rock: The Stephen King Newsletter (December 1986/January 1987): 1, 4-5, 9, 10.

2. Gauntlet: Exploring the Limits of Free Expression No. 2 (April, 1991): 69-84. [Revised]

3 . Gauntlet 2, edited by Barry Hoffman. Baltimore, MD: Borderlands Press, May 1991,

hardcover, p. 45-59. No ISBN. A limited edition of 500 numbered copies, signed by 33 of the

contributors, including King.

“Dream Team: Just Another Horror Show”—

391The New York Times (August 9, 1992): S5.

“The Early Years…”—

66Life: The Observer Magazine [newspaper supplement; London, United Kingdom]

(September 17, 2000): .

“Elements of Tragedy: The Weapon”—

420The New York Times Magazine (September 23, 2001): 24.

“Entering the Rock Zone, Or, How I Happened to Marry a Rock Station from Outer Space”—

378Castle Rock: The Stephen King Newsletter (October, 1987): 1, 5.

“Ephen Stephen”—

285Bangor Daily News (February 13, 1985): 11.

“An Evening at the Billerica [Massachusetts] Library”—

381 Appearances:

1 . Bare Bones: Conversations on Terror with Stephen King , edited by Tim Underwood and

Chuck Miller. San Francisco, CA, Columbia, PA: Underwood-Miller, April 1988, hardcover. ISBN:

0-88733-024-X. Limited edition of 1,000 numbered copies, signed by the authors. Another 100

numbered copies reserved as “presentation copies.”

1a. Bare Bones: Conversations on Terror with Stephen King , edited by Tim Underwood and

Chuck Miller. Los Angeles, CA, Columbia, PA: Underwood-Miller, April 1988, hardcover. ISBN:

0-88733-024-X. Deluxe limited edition of 52 lettered copies, signed by the authors.

1b. Bare Bones: Conversations on Terror with Stephen King , edited by Tim Underwood and

Chuck Miller. New York: McGraw-Hill, June 1988, hardcover. ISBN: 0-07-065759-9. 100 copies

reserved for contributors, designated “presentation copy.”

1c. Bare Bones: Conversations on Terror with Stephen King , edited by Tim Underwood and

Chuck Miller. New York: McGraw-Hill, June 1988, hardcover. ISBN: 0-07-065759-9.

1d. Bare Bones: Conversations on Terror with Stephen King , edited by Tim Underwood and

Chuck Miller. Quality Paperback Book Club, February 1989, trade paperback. No ISBN.

1e. Bare Bones: Conversations on Terror with Stephen King , edited by Tim Underwood and

Chuck Miller. New York: Warner Books, July 1989, trade paperback. ISBN: 0-446-39057-7.

1f. Bare Bones: Conversations on Terror with Stephen King , edited by Tim Underwood and

Chuck Miller. London: New English Library, 1989, hardcover. ISBN: 0-450-49992-8.

1g. Bare Bones: Conversations on Terror with Stephen King , edited by Tim Underwood and

Chuck Miller. London: New English Library, March 1990, mass-market paperback, p.9-21 . ISBN: 0-

450-51606-7.

2 . Secret Windows , by Stephen King. New York, New York: Book-of-the-Month Club, 2000,

hardcover, p. 231-247.

“An Evening with Stephen King”—

416Secret Windows , by Stephen King. New York, New York: Book-of-the-Month Club, [Fall]

2000, hardcover, p. 387-401.

“‘Ever Et Raw Meat?’ and Other Weird Questions”—

378 Appearances:

1. The New York Times Book Review (December 6, 1987): 7.

2 . The Twilight Zone Magazine (June, 1988): 27, 41.

3. The Writer (July, 1988): 7-8.

4. As “Letters from Hell.” Northridge, CA: Lord John Press, July 1988. Note: This is an

advance flyer that reproduces the entire broadsheet in a reduced format.

5. As “Letters From Hell.” Northridge, CA: Lord John Press, September 1988, 18” x 24”

broadsheet, printed in three colors. Limited edition of 500 copies signed by King.

6. As “Letters From Hell.” Castle Rock: The Stephen King Newsletter (December, 1988): 11.

Note: This advertisement reproduces the entire broadsheet in a reduced format.

7. Book Talk Volume 2, Number 3 (Winter, 1988): 4-5.

8. As “Ever Et Raw Meat?” in The Bedford Reader, Sixth Edition , edited by X. J. Kennedy,

Dorothy M. Kennedy and Jane E. Aaron. Boston: Bedford Books, A Division of St. Martin’s Press

Inc., 1997, trade paperback, p. 161-165. ISBN: 0-312-13634-X.

9. As “‘Ever Et Raw Meat?’ and Other Weird Questions” in Secret Windows, by Stephen King.

New York, New York: Book-of-the-Month Club, 2000, hardcover, p. 333-337.

10. As “Ever Et Raw Meat?” in Patterns Plus: A Short Prose Reader with Augmentation,

Eighth Edition, edited by Mary Lou Conlin. Boston: Houghton Mifflin Company, 2005, trade

paperback. ISBN: 0-618-42119-X.

“Everything You Need to Know About Writing Successfully—in Ten Minutes”

101 Appearances:

1. The Writer (July, 1986): 7-10, 46.

2 . The Writer’s Handbook , edited by Sylvia K. Burack. Boston: The Writer, Inc., 1988,

hardcover, p. 3-9. ISBN: 0-87116-151-6.

2a. The Writer’s Handbook , edited by Sylvia K. Burack. Boston: The Writer, Inc., 1988, trade

paperback, p. 3-9. ISBN: 0-87116-151-6.

2b. The Writer’s Handbook , edited by Sylvia K. Burack. Boston, MA: The Writer, Inc., 1989,

hardcover, p. 15-21. ISBN: 0-87116-156-7.

2c. The Writer’s Handbook , edited by Sylvia K. Burack. Boston, MA: The Writer, Inc., 1989,

trade paperback, p. 15-21. ISBN: 0-87116-145-1.

2d. The Writer’s Handbook , edited by Sylvia K. Burack. Boston, MA: The Writer, Inc., 1992,

hardcover, p. 7-13. ISBN: 0-87116-165-6.

2e. The Writer’s Handbook , edited by Sylvia K. Burack. Boston, MA: The Writer, Inc., 1992,

trade paperback, p. 7-13. ISBN:0- 8-7116-165-6.

3. The Fractal, edited by David Gardener. Fairfax, VA: Fractal Ink Press, No. 1 (Fall 1993):

66-72.

4. The Writer (March 2000): 7-10.

5. The Writer’s Handbook, 2002 , edited by Elfrieda Abbe. Waukesha, Wisconsin: The Writer

Books, An Imprint of Kalmbach Trade Press, A Division of Kalmbach Publishing Co., [September]

2001, trade paperback, p. 102-107. ISBN: 0-87116-189-3. [Minor revisions].

6. As “All the Writing Advice You Need in 10 Minutes” in The Writer’s Survival Guide .

Waukesha, Wisconsin: The Writer Books, An Imprint of Kalmbach Trade Press, A Division of

Kalmbach Publishing Co., 2005, p. 19-24. No ISBN. Note: This is a special edition of The Writer

magazine.

“The Evil Dead: Why You Haven’t Seen It Yet...and Why You Ought To”—

309 Appearances:

1. The Twilight Zone Magazine (November 1982): 20-22.

2. As “A Note from Steven [sic] King” in Evil Dead: Original Motion Picture Soundtrack,

Varese Sarabande, 1982, [p. 4]. [Excerpt] [Compact disc; printed in album sleeve].

“Famous First Words: Well Begun is Half Done”—

366The New York Times Book Review (June 2, 1985): 3.

“A Fan’s Thoughts on the Red Sox”—

82Bangor Daily News (April 9, 1990): 13.

“The Fantastic Mr. Dahl”—

270Washington Post Book World (April 10, 1994): 1, 16.

“Favorite Films”—

308Washington Post (June 24, 1982): D7.

“Fenway and the Great White Whale”—

89Boston All-Star Game ’99. New York: The 1999 Major League Baseball All-Star Game,

[Summer] 1999, paperback, p. 155, 157, 159.

“The Final Argument”—

173The Dark Tower V: Wolves of the Calla , by Stephen King. New York, NY: Scribner,

[November] 2003, hardcover, p. xi-xvi.

“First Foreword”—

60On Writing, by Stephen King. New York: Scribner, [October] 2000, hardcover, p. 7-9.

“~FLASH~ Tim Sample Saves America!”—

246The New Saturday Night at Moody’s Diner: Even More Stories , written and illustrated by

Tim Sample. Camden, ME: Down East Books, [July] 1996, trade paperback, p. vii-x. ISBN: 0-

89272-385-8.

“Flight of Fancy”—

293Bangor Daily News (November 3, 1994): A8.

“Following the Sox—in the C-C-C-Cold”—

80Bangor Daily News “Midweek Edition” (May 4, 1988): MW1, MW29.

“Forenote”—

47Danse Macabre, by Stephen King. New York: Everest House, [June] 1981, hardcover, p. 9-

12.

“Forenote to the Paperback Edition”—

48Danse Macabre, by Stephen King. New York: Berkley Books, December 1983, mass-market

paperback, p. xix-xxi.

“Foreword”—

114 Appearances:

1 . Night Shift, by Stephen King. Garden City, NY: Doubleday & Co., 1978, hardcover, p. xi-

xxii.

2. Portions were incorporated into Danse Macabre, by Stephen King. New York: Everest

House, 1981, hardcover.

3. As “Foreword to Night Shift” in Secret Windows , by Stephen King. New York, New York:

Book-of-the-Month Club, 2000, hardcover, p. 23-37.

“Foreword”—

221 Appearances:

1. Tales from the Nightside , by Charles L. Grant. Sauk City, WI: Arkham House, October 1981,

hardcover, p. vii-xii. ISBN: 0-87054-091-2.

1a. Tales from the Nightside , by Charles L. Grant. London: Futura, April 1988, mass-market

paperback, p. vii-xii. ISBN: 0-7088-3713-1.

“Foreword”—

224 Appearances:

1 . Stalking the Nightmare, by Harlan Ellison. Huntington Woods, MI: Phantasia Press, 1982,

hardcover, p. 3-13. ISBN: 0-932096-17-4. Limited edition of 700 numbered copies, signed by

Ellison.

1a. Stalking the Nightmare, by Harlan Ellison. Huntington Woods, MI: Phantasia Press, 1982,

hardcover, p. 3-13. ISBN: 0-932096-17-4. Limited edition of 40 lettered copies, signed by Ellison.

1 b . Stalking the Nightmare, by Harlan Ellison. Huntington Woods, MI: Phantasia Press,

[September] 1982, hardcover, p. 3-13. ISBN: 0-932096-16-6. Trade edition.

1c. Stalking the Nightmare, by Harlan Ellison. Huntington Woods, MI: Phantasia Press, 1982,

hardcover, p. 3-13. [Science Fiction Book Club edition]

1d. Stalking the Nightmare, by Harlan Ellison. New York: Berkley Books, May 1984, mass-

market paperback, p. 3-13. ISBN: 0-425-07169-3.

2 . Edgeworks 2, by Harlan Ellison. Clarkston, GA: White Wolf Publishing, November 1996,

hardcover, p. ix-xix. ISBN: 1-56504-961-6.

2a. Edgeworks 2, by Harlan Ellison. Clarkston, GA: White Wolf Publishing, September 1999,

trade paperback, p. ix-xix. ISBN: 1-56504-830-X.

“Foreword”—

127Silver Bullet, by Stephen King. New York: A Signet Book, New American Library, October

1985, trade paperback, p. 7-16.

“Foreword”—

231 Appearances:

1. Scars, by Richard Christian Matheson. Los Angeles: Scream/Press, 1986, hardcover [?], p. i-

iv. A limited edition of 50 advance reader’s copies, signed by Matheson and artist Harry O. Morris,

printed for the 12th World Fantasy Convention.

1a. Scars, by Richard Christian Matheson. Los Angeles: Scream/Press, 1987, hardcover, p. i-iv.

A limited edition of 250 numbered copies, signed by Matheson and artist Harry O. Morris.

1b. Scars, by Richard Christian Matheson. Los Angeles: Scream/Press, 1987, hardcover, p. i-iv.

A limited edition of 26 lettered copies, signed by Matheson and artist Harry O. Morris.

1c. Scars, by Richard Christian Matheson. Los Angeles: Scream/Press, August 1987, hardcover,

p. i-iv. ISBN: 0-910489-15-7.

1d. Scars and Other Distinguishing Marks, by Richard Christian Matheson. New York: Tor, A

Tom Doherty Associates Book, July 1988, mass-market paperback, p. xi-xiv. ISBN: 0-812-52254-0.

Note: Expanded version of the 1987 edition.

“Foreword”—

243 Appearances:

1. The House Next Door, by Anne Rivers Siddons. Atlanta: Old New York Book Shop Press,

1993, hardcover, p. 8. ISBN: 0-937036-04-8. A limited edition of 125 (1-125) numbered copies,

signed by King and Siddons.

1a. The House Next Door, by Anne Rivers Siddons. Atlanta: Old New York Book Shop Press,

1993, hardcover, p. 8. ISBN: 0-937036-04-8. A limited edition of 26 lettered copies, signed by King

and Siddons.

1b. The House Next Door by Anne Rivers Siddons. Atlanta: Old New York Book Shop Press,

1993, hardcover, p. 8. ISBN: 0-937036-04-8. Trade edition.

1c. The House Next Door, by Anne Rivers Siddons. Bangor, ME: Betts Bookstore. 1995, trade

paperback, p. 8. ISBN: 0-937036-04-8. A limited edition of 225 (126-450) numbered copies, signed

by King and Siddons. Note: This edition consists of re-bound copies of the Old New York Book

Shop Press limited edition.

1d. The House Next Door, by Anne Rivers Siddons. Bangor, ME: Betts Bookstore. 1995, trade

paperback, p. 8. ISBN: 0-937036-04-8. A presentation state of 12 copies, signed by King and

Siddons. Note: This edition consists of re-bound copies of the Old New York Book Shop Press

limited edition.

“Foreword”—

245 Appearances:

1 . PSYCHOanalysis, by Steve Lyons. Champaign, IL: Sagamore Publishing Llc, [May] 1995,

hardcover, p. xi-xiv. ISBN: 1-57167-013-0. ISBN: 1-57167-010-6.

1a. PSYCHOanalysis, by Steve Lyons. Champaign, IL: Sports Publishing Llc, [May] 2001, trade

paperback, p. xi-xiv. ISBN: 1-58261-360-5.

“Foreword”—

172The Dark Tower: The Gunslinger , by Stephen King. New York: Viking, June 2003,

hardcover, p. iv-xxv. Revised edition.

“Foreword”—

255 Appearances:

1 . Stephen King’s The Dark Tower: A Concordance, Volume I , by Robin Furth. New York:

Scribner, June 2003, trade paperback, p. vii-x. ISBN: 0-7432-5207-1.

1 a . Stephen King’s The Dark Tower: A Concordance, Volume I , by Robin Furth. London:

Hodder & Stoughton, October 2003, hardcover, p. xi-xvi. ISBN: 0-340-83062-X.

1b. Stephen King’s The Dark Tower: A Concordance, Volume I , by Robin Furth. London:

Hodder & Stoughton, November 2005, trade paperback, p. xi-xvi. ISBN: 0-340-89850-X.

“Foreword: A Letter”—

147 Appearances:

1. The Green Mile Part 1: The Two Dead Girls , by Stephen King. New York: A Signet Book,

March 1996, mass-market paperback, p. vii-xiii.

2. The Green Mile: The Complete Serial Novel, by Stephen King. New York: A Plume Book,

Penguin Books USA, May 1997, trade paperback, p. ix-xiv.

3. Also issued as a pamphlet that was part of a promotional packet, “The Green Mile File”

distributed by Penguin UK.

“Forget Hermon”—

283Bangor Daily News (June 22, 1983): 10.

“Four Past Midnight: A Note on ‘The Sun Dog’”—

137Four Past Midnight, by Stephen King. New York: Viking, [September] 1990, hardcover, p.

607-611.

“The Fright Report”—

59 Appearances:

1. Oui (January, 1978): 76-78, 107-108.

2. Portions incorporated as “An Annoying Autobiographical Pause, Part 4” in Danse Macabre,

by Stephen King. New York: Everest House, 1981, hardcover.

3 . Chernobog [horror “fanzine”] Number 18 (late 1980s). Note: Special issue dedicated to

King.

“From On Writing”—

66White Lines: Writers on Cocaine, edited by Steven Hyde and Geno Zanetti. New York:

Thunder’s Mouth Press, An Imprint of Avalon Publishing Group Incorporated, December 2002, trade

paperback, p. 208-210. ISBN: 1-56025-378-9.

“From On Writing”—

66 Appearances:

1. Guys Write for Guys Read, edited by Jon Scieszka. New York, NY: Viking, A Division of

Penguin Young Readers Group, [May] 2005, hardcover, p. 133-134. ISBN: 0-670-06007-0.

1a. Guys Write for Guys Read, edited by Jon Scieszka. New York, NY: Viking, A Division of

Penguin Young Readers Group, [May] 2005, trade paperback, p. 133-134. ISBN: 0-670-06027-5.

“From Stephen King”—

235 Appearances:

1. Richard Matheson: Collected Stories, by Richard Matheson. Los Angeles, CA: Dream/Press,

A Division of Scream/Press, [October] 1989, trade paperback, p. 799-800. No ISBN. Advance

Reading Copy/WFC (World Fantasy Convention) Prevue Edition, limited to 350 copies.

1 a . Richard Matheson: Collected Stories, by Richard Matheson. Los Angeles, CA:

Dream/Press, A Division of Scream/Press, 1989, hardcover, p. 799-800. ISBN: 0-910489-10-6. A

limited edition of 100 numbered copies, signed by Matheson.

1 b . Richard Matheson: Collected Stories, by Richard Matheson. Los Angeles, CA:

Dream/Press, A Division of Scream/Press, 1989, hardcover, p. 799-800. ISBN: 0-910489-10-6. A

limited edition of 400 numbered copies, signed by Matheson.

1 c . Richard Matheson: Collected Stories, by Richard Matheson. Los Angeles, CA:

Dream/Press, A Division of Scream/Press, 1989, hardcover, p. 799-800. ISBN: 0-910489-10-6. A

limited edition of 500 unnumbered copies, signed by Matheson.

2. As “Introduction” in Nightmare At 20,000 Feet, by Richard Matheson. New York, NY: A Tor

Book, Published by Tom Doherty Associates, January 2002, hardcover, p. 11-12. ISBN: 0-765-

30411-2.

2a. As “Introduction” in Nightmare At 20,000 Feet, by Richard Matheson. New York, NY: A

Tor Book, Published By Tom Doherty Associates, January 2002, trade paperback, p. 11-12. ISBN: 0-

312-87827-3.

3 . Richard Matheson: Collected Stories, Volume 3 , edited by Stanley Wiater. Colorado

Springs, Colorado: Edge Books/Gauntlet Press, [December] 2005, trade paperback, p. 223. ISBN: 1-

8873688-1-7. Note: An expanded three-volume edition of Richard Matheson: Collected Stories.

“From Stephen King”—

291Mystery Scene No. 30 (July-August, 1991): iv.

“From Stephen Regarding Cell”—

431 http://www.stephenking.com. March 24, 2006.

“From the Desk of Stephen King”—

405 Appearances:

1. 1998.

2. Reprinted in 2005.

“From the Nitty-Gritty”—

278The Maine Campus [University of Maine, Orono student newspaper] (February 22, 1968):

6.

“Gangster Rap”—

275The Boston Sunday Globe (May 8, 2005): K6.

“Getting Back to Work”—

66Writer’s Yearbook 2001 [ Writer’s Digest Special Issue] (2001): 15-16.

“Ghostmaster General”—

350 Appearances:

1. Bangor Daily News (October 31, 1978): 14.

2. Castle Rock: The Stephen King Newsletter (October, 1985): 1, 7.

“Ghoulies, Ghosties and Girls”—

407Newsweek (June 28, 1999): 64.

“Giant Skull and Crossbones for Maine Yankee”—

325Bangor Daily News (September 29, 1982): 10.

“The Glass Floor: Introduction”—

137Weird Tales No. 298 (Fall, 1990): 36-37.

“The Gospel According to John Irving”—

270Washington Post Book World (March 5, 1989): 1, 14.

“Great Hookers I Have Known”—

106Secret Windows , by Stephen King. New York, New York: Book-of-the-Month Club, [Fall]

2000, hardcover, p. 373-379.

“Hannibal the Cannibal”—

272 Appearances:

1. As “Sequel Surpasses First Two Books” in The Ottawa Citizen [newspaper; Ottawa,

Canada] (June 9, 1999): D8.

2. The New York Times Book Review (June 13, 1999): 4, 6.

“Head Down”—

83 Appearances:

1. The New Yorker (April 16, 1990): 68-78, 97-111.

2 . The Best American Sports Writing, 1991, edited by David Halberstam and series editor

Glenn Stout. Boston: Houghton Mifflin Company, October 1991, hardcover, p. 280-327. ISBN: 0-

395-57043-3.

2a. The Best American Sports Writing, 1991, edited by David Halberstam and series editor

Glenn Stout. Boston: Houghton Mifflin Company, October 1991, trade paperback, p. 280-327. ISBN:

0-395-57044-1.

3. Nightmares & Dreamscapes , by Stephen King. New York: Viking, 1993, hardcover, p. 741-

794.

4 . Baseball: A Literary Anthology, edited by Nicholas Dawidoff. New York: Library Of

America, February 2002, hardcover, p. 596-642. ISBN: 0-931082-09-X.

“The Healthy Power of a Good Scream”—

58Self (September, 1981): 141, 143-144.

“Hello Mary Lou, Goodbye Rick”—

312Spin (April, 1986): 24-25.

“Helmetless Bikers Have Fallen in Love with an Image”—

336Bangor Daily News (October 16, 1991): 15.

“His Creepiest Movies”—

310USA Today (August 27, 1985): .

“Horror!”—

418Men’s Health (March, 2001): 121.

“Horror Fiction: From Danse Macabre”—

59Secret Windows , by Stephen King. New York, New York: Book-of-the-Month Club, [Fall]

2000, hardcover, p. 71-230.

“Horror, He Wrote”—

257 Appearances:

1. The Los Angeles Times Book Review [newspaper; Los Angeles, California] (April 17, 2005):

R3-R4. [Excerpt]

2. As “Introduction: ‘Lovecraft’s Pillow’” in H. P. Lovecraft: Against the World, Against Life ,

by Michel Houellebecq, translated from the French by Dorna Khazeni. San Francisco, California:

Believer Books, A Division of McSweeney’s Books, [May] 2005, trade paperback, p. 9-18. ISBN:

1-932-41618-8.

“The Horror Market Writer and the Ten Bears”—

93 Appearances:

1. Writer’s Digest (November, 1973): 10-13.

2. As “Horror Stories and the Ten Bears” in Fiction Writers Market, edited by John Brady and

Jean M. Fredette. Cincinnati, OH: Writer’s Digest Books, 1981, hardcover, p. 273-277. ISBN: 0-

89879-048-4.

3. As “The Horror Writer and the Ten Bears: Foreword” in Kingdom of Fear: The World of

Stephen King, edited by Tim Underwood and Chuck Miller. San Francisco, CA, Columbia, PA:

Underwood-Miller, April 1986, hardcover, p. 11-19. ISBN: 0-88733-017-7. A limited edition of 500

numbered copies, signed by 13 of the contributors (excluding King).

3a. As “The Horror Writer and the Ten Bears: Foreword” in Kingdom of Fear: The World of

Stephen King, edited by Tim Underwood and Chuck Miller. San Francisco, CA, Columbia, PA:

Underwood-Miller, April 1986, hardcover, p. 11-19. ISBN: 0-88733-018-5. Trade edition.

3b. As “The Horror Writer and the Ten Bears: Foreword” in Kingdom of Fear: The World of

Stephen King, edited by Tim Underwood and Chuck Miller. New York: A Plume Book, New

American Library, September 1986, trade paperback, p. 11-19. ISBN: 0-452-25875-8.

3c. As “The Horror Writer and the Ten Bears: Foreword” in Kingdom of Fear: The World of

Stephen King, edited by Tim Underwood and Chuck Miller. Sevenoaks, Kent: New English Library,

August 1987, mass-market paperback, p. 9-18. ISBN: 0-450-41021-8.

3d. As “The Horror Writer and the Ten Bears: Foreword” in Kingdom of Fear: The World of

Stephen King, edited by Tim Underwood and Chuck Miller. New York: A Signet Book, New

American Library, October 1987, mass-market paperback, p. 9-19. ISBN: 0-451-14962-9.

4. As “The Horror Market Writer and the Ten Bears” in The Writer’s Digest Guide to Good

Writing, edited by Thomas Clark, Bruce Woods, Peter Blocksom, & Angela Terez. Cincinnati:

Writer’s Digest Books, 1994, hardcover, p. 224-228. ISBN: 0-89879-807-8.

4a. As “The Horror Market Writer and the Ten Bears” in The Writer’s Digest Guide to Good

Writing, edited by Thomas Clark, Bruce Woods, Peter Blocksom, & Angela Terez. Cincinnati:

Writer’s Digest Books, August 2001, trade paperback, p. 224-228. ISBN: 0-89879-640-7.

5. As “The Horror Market Writer and the Ten Bears” in Popular Fiction: An Anthology, edited

by Gary Hoppenstand. Boston, Massachusetts: Longman, An Imprint of Addison Wesley Longman,

Inc., 1998, trade paperback, p. 93-95. ISBN: 0-321-01164-3. [Abridged].

6. As “The Horror Market Writer and the Ten Bears: A True Story” in Secret Windows , by

Stephen King. New York, New York: Book-of-the-Month Club, 2000, hardcover, p. 11-22.

“Horrors!”—

309 Appearances:

1. TV Guide (October 30-November 5, 1982): 54, 56, 58.

1a. As “Creature Features” in TV Guide [Canadian edition] (October 30-November 5, 1982): 9,

11, 12, 13, 15.

“Horrors!”—

390Entertainment Weekly No. 89 (October 25, 1991): 33.

“The Horrors of ’79”—

302 Appearances:

1. Rolling Stone No. 307/308 (December 27, 1979-January 10, 1980): 17, 18, 20.

1a. Rolling Stone No. 307/308 [Australian edition] (December 27, 1979-January 10, 1980): 90-

91.

“Houston: So Normal It Was Weird”—

337The New York Times (August 23, 1992): E15.

“How I Created Golden Years...and Spooked Dozens of TV Executives”—

389Entertainment Weekly No. 77 (August 2, 1991): 29-32.

“How I Got That Story”—

297Time (December 18, 2000): 77.

“How IT Happened”—

374 Appearances:

1. Book-of-the-Month Club News (October 1986): 3, 5.

2. As “Writing the #1 Bestseller…How IT Happened” in The Writer (April 1987): 14-15.

[Excerpt].

3 . Secret Windows , by Stephen King. New York, New York: Book-of-the-Month Club, 2000,

hardcover, p. 321-324.

“‘How Much am I Hurting?’”—

79Bangor Daily News “Maine Weekend” (November 1-2, 1986): 12.

“How to Scare a Woman to Death”—

351 Appearances:

1 . Murderess Ink: The Better Half of the Mystery , edited by Dilys Winn. New York: Bell

Publishing, 1979, hardcover, p. 173-175. ISBN: 0-517-36057-8. Reprinted in 1981.

1 a . Murderess Ink: The Better Half of the Mystery , edited by Dilys Winn. New York:

Workman Publishing Company, 1979, trade paperback, p. 173-175. ISBN: 0-89480-107-4.

“How to Write”—

66Life: The Observer Magazine [newspaper supplement; London, United Kingdom] (October

1, 2000): 34.

“How to Write 10 Pages a Day”—

66Writer’s Digest (April, 2001): 32-34, 46.

“I Want To Be Typhoid Stevie”—

102Reading Stephen King: Issues of Censorship, Student Choice and Popular Literature,

edited by Brenda Miller Power, Jeffrey D. Wilhelm, and Kelly Chandler. Urbana, Illinois: National

Council of Teachers of English, October 1997, trade paperback, p. 14-21. ISBN: 0-8141-3905-1.

“The Ideal, Genuine Writer: A Forenote”—

231 Appearances:

1 . The Ideal, Genuine Man, by Don Robertson. Bangor, ME: Philtrum Press, October 1987,

hardcover, p. vii-xxi. No ISBN. A limited edition of 500 numbered copies, signed by King and

Robertson.

1a. The Ideal, Genuine Man, by Don Robertson. Bangor, ME: Philtrum Press, October 1987,

hardcover, p. vii-xxi. ISBN: 0-399-19993-4. Trade edition. Two printings.

1b. Book Club Edition.

1 c . The Ideal, Genuine Man, by Don Robertson. New York, NY: A Signet Book, New

American Library, February 1989, mass-market paperback, p. vii-xxi. ISBN: 0-451-15801-6.

1d. The Ideal, Genuine Man, by Don Robertson. London, UK: An Abacus Original/Sphere

Books, 1989, trade paperback, p. vii-xxi. ISBN: 0-349-10097-7.

“Imagery and the Third Eye”—

58 Appearances:

1. The Writer (October 1980): 11-14, 44.

2. Maine Alumnus (December 1981): 8-10. Note: Published as “by Steve King ’70.”

3 . The Writer’s Handbook , edited by Sylvia K. Burack. Boston, MA: The Writer, Inc., 1982,

hardcover, p. 74-79. ISBN: 0-87116-126-5.

3a. The Writer’s Handbook , edited by Sylvia K. Burack. Boston, MA: The Writer, Inc., 1984,

hardcover, p. 72-77. ISBN: 0-87116-138-9.

3b. The Writer’s Handbook , edited by Sylvia K. Burack. Boston, MA: The Writer, Inc., 1984,

trade paperback, p. 72-77. ISBN: 0-87116-165-6.

3c. The Writer’s Handbook , edited by Sylvia K. Burack. Boston, MA: The Writer, Inc., 1986,

hardcover, p. 74-79. ISBN: 0-87116-145-1.

3d. The Writer’s Handbook , edited by Sylvia K. Burack. Boston, MA: The Writer, Inc., 1986,

trade paperback, p. 74-79. ISBN: 0-87116-145-1.

4. This piece was incorporated into Danse Macabre, by Stephen King. New York, NY: Everest

House, 1981, hardcover.

“The Importance of Being Archie”—

236Archie Americana Series: The Best of the Forties, edited by Scott D. Fulop. New York:

Archie Comic Publications, Inc., March 1, 1991, trade paperback, p. 6-7. ISBN: 1-879794-00-4.

“The Importance of Being Bachman”—

149 Appearances:

1 . The Bachman Books, by Stephen King. New York: A Plume Book, Penguin Books USA,

October 1996, trade paperback, p. v-x.

1a. The Bachman Books, by Stephen King. New York: A Signet Book, Penguin Books USA,

October 1996, mass-market paperback, p. v-xiii.

2 . The Long Walk , by Stephen King. New York: A Signet Book, April 1999, mass-market

paperback, p. v-xiii. [Revised]

3. Roadwork, by Stephen King. New York: A Signet Book, June 1999, mass-market paperback,

p. v-xi.

4. The Running Man, by Stephen King. New York: A Signet Book, August 1999, mass-market

paperback, p. v-xiv.

“An Interview with Stephen King”—

424 http://www.stephenking.com/. June 6, 2002.

“Introduction”—

58 Appearances:

1. Frankenstein, Dracula, Dr. Jekyll and Mr. Hyde , by Mary Shelley, Bram Stoker, and Robert

Louis Stevenson. New York: A Signet Classic Book, New American Library, December 1978, mass-

market paperback, p. v-viii. ISBN: 0-451-52363-6. ISBN: 0-451-51781-4.

1 a . Frankenstein, Dracula, Dr. Jekyll and Mr. Hyde , by Mary Shelley, Bram Stoker, and

Robert Louis Stevenson. London: Penguin Books UK, November 1988, mass-market paperback, p.

iii+. ISBN: 0-14-011666-4.

1b. Three Classics of Horror: Frankenstein, Dracula, Dr. Jekyll and Mr. Hyde , by Mary

Shelley, Bram Stoker, and Robert Louis Stevenson. London: Penguin Books UK, December 1994,

paperback, p. v-viii. ISBN: 0-14-023994-4.

2. Portions were incorporated into Danse Macabre, by Stephen King. New York: Everest

House, 1981, hardcover.

“Introduction”—

219 Appearances:

1 . The Arbor House Treasury of Horror and the Supernatural , compiled by Bill Pronzini,

Barry N. Malzberg, and Martin H. Greenberg. New York: Arbor House, [May] 1981, hardcover, p.

11-19. ISBN: 0-87795-309-0.

1a. The Arbor House Treasury of Horror and the Supernatural , compiled by Bill Pronzini,

Barry N. Malzberg, and Martin H. Greenberg. New York: Priam Books/Arbor House, [May] 1981,

trade paperback, p. 11-19. ISBN: 0-87795-319-8.

1b. Great Tales of Horror and the Supernatural , edited by Bill Pronzini, Barry Malzberg, and

Martin H. Greenberg. New York: A & W/Galahad Books, 1985, hardcover, p. 11-19. ISBN: 0-

88365-699-X.

1c. Great Tales of Horror and the Supernatural , edited by Bill Pronzini, Barry Malzberg, and

Martin H. Greenberg. New York: Crown Books/Galahad Books, 1988, hardcover, p. 11-19. ISBN:

0-88365-699-X.

1 d . Classic Tales of Horror and the Supernatural , compiled by Bill Pronzini, Barry N.

Malzberg, and Martin H. Greenberg. New York: Quill/William Morrow/Avon Books, October 1991,

trade paperback, p. 11-19. ISBN: 0-688-10963-2.

1e. The Giant Book of Horror Stories, compiled by Bill Pronzini, Barry N. Malzberg, and

Martin H. Greenberg. London: Magpie, November 1991, trade paperback, p. 11-19. ISBN: 1-85487-

117-X.

1f. Great Tales of Horror and the Supernatural , edited by Bill Pronzini, Barry Malzberg, and

Martin H. Greenberg. New York: Galahad Books, 1994, hardcover, p. 11-19. ISBN: 0-88365- 699-

X.

“Introduction”—

221When Michael Calls, by John Farris. New York: Pocket Books, 1981, mass-market

paperback, p. [i-iv]. ISBN: 0-671-43118-8.

“Introduction”—

225 Appearances:

1. Tales by Moonlight, edited by Jessica Amanda Salmonson. Chicago: Robert T. Garcia, 1983,

hardcover, p. vii-xi. ISBN: 0-9610352-0-X. Limited edition of 100 numbered copies, signed by the

editor and cover artist, Paul Sonju.

1a. Tales by Moonlight , edited by Jessica Amanda Salmonson. Chicago: Robert T. Garcia,

1983, hardcover, p. vii-xi. ISBN: 0-9610352-0-X. Limited edition of 52 lettered copies, signed by

the editor and cover artist, Paul Sonju.

1b. Tales by Moonlight , edited by Jessica Amanda Salmonson. Chicago: Robert T. Garcia,

1983, hardcover, p. vii-xi. ISBN: 0-9610352-0-X. Limited trade edition.

1c. Tales by Moonlight, edited by Jessica Amanda Salmonson. New York: Tor, A Tom Doherty

Associates Book, January 1985, mass-market paperback, p. xii-xvii. ISBN: 0-812-52552-3.

“Introduction”—

227The Blackboard Jungle, by Evan Hunter. New York: Arbor House Publishing Company,

Library of Contemporary Americana, 1984, trade paperback, p. v-x. ISBN: 0-87795-600-6.

“Introduction”—

124Skeleton Crew, by Stephen King. New York: G. P. Putnam’s Sons, June 1985, hardcover, p.

13-18.

“Introduction”—

237 Appearances:

1. Signatures. Northridge, CA: Lord John Press, 1991, hardcover, p. vii-xii. ISBN: 0-935716-

53-X. A limited edition of 400 numbered copies. An album of photographs and signatures from

contemporary American authors. Signed by King and many others.

1a. Signatures. Northridge, CA: Lord John Press, 1991, hardcover, p. vii-xii. ISBN: 0-935716-

53-X. A deluxe limited edition of 150 numbered copies. Signed by King and many others.

1b. Signatures. Northridge, CA: Lord John Press, 1991, hardcover, p. vii-xii. ISBN: 0-935716-

53-X. A limited edition of 26 lettered copies. Signed by King and many others.

“Introduction”—

242The Fugitive Recaptured: The 30th Anniversary Companion to the Television Classic , by

Ed Robertson. Los Angeles: Pomegranate Press, September 1993, trade paperback, p. xi. ISBN: 0-

938817-34-5.

“Introduction”—

151The Green Mile: The Complete Serial Novel, by Stephen King. New York: A Plume Book,

Penguin Books USA, May 1997, trade paperback, p. v-viii.

“Introduction”—

248The Fuel of Tender Years , by Joey Froehlich. Baton Rouge, LA: Gothic Press, 1997,

paperback, p. 5-6. ISBN: 0-913045-06-3.

“Introduction”—

249Crosscut [Husson College annual literary journal; Bangor, Maine] Volume 1, Number 6

“Centennial Edition” (1998): iv-vii. Note: The print run of this magazine was only 1,000 copies.

“Introduction”—

155 Appearances:

1 . Storm of the Century, by Stephen King. New York: Pocket Books, February 1999, trade

paperback, p. vii-xix.

2. As “Scare Tactics” in TV Guide (February 13-19, 1999): 24-27. [Excerpt]

“Introduction”—

157Carrie, by Stephen King. New York: Pocket Books, October 1999, mass-market paperback,

p. ix-xv.

“Introduction”—

159 Appearances:

1 . ’Salem’s Lot , by Stephen King. New York: Pocket Books, November 1999, mass-market

paperback, p. xv-xxii.

2. As “Afterword” in ’Salem’s Lot, by Stephen King. Wheat Ridge, Colorado: Centipede Press,

October 2004, hardcover, p. 551-555.

“Introduction”—

250 Appearances:

1 . The Green Mile: The Screenplay , by Frank Darabont. New York: Scribner Paperback

Fiction, A Division of Simon & Schuster, January 2000, trade paperback, p. ix-xi. ISBN: 0-684-

87006-1.

1 a . The Green Mile: The Screenplay , by Frank Darabont. New York: Scribner Paperback

Fiction, A Division of Simon & Schuster, [n. d.], hardcover, p. ix-xi. ISBN: 0-7394-0768-6. [Book

Club edition]

“Introduction”—

251 Appearances:

1 . A Life in the Cinema, by Mick Garris. Springfield, PA: Gauntlet Press, October 2000,

hardcover, p. i-iv. A limited edition of 350 numbered copies, signed by Garris. ISBN: 1-887368-36-

1.

1a. A Life in the Cinema, by Mick Garris. Springfield, PA: Gauntlet Press, October 2000,

hardcover, p. i-iv. A deluxe limited edition of 450 numbered copies, signed by King, Garris, cover

artist Clive Barker, and afterword author Tobe Hooper. ISBN: 1-887368-37-X.

1b. A Life in the Cinema, by Mick Garris. Springfield, PA: Gauntlet Press, October 2000,

hardcover, p. i-iv. A limited edition of 52 lettered copies, and signed by King, Garris, cover artist

Clive Barker, afterword author Tobe Hooper. ISBN: 1-887368-37-X.

“Introduction”—

162Pet Sematary, by Stephen King. New York: Pocket Books, February 2001, mass-market

paperback, p. ix-xiii.

“Introduction”—

162The Shining, by Stephen King. New York: Pocket Books, September 2001, mass-market

paperback, p. xv-xviii.

“Introduction”—

252The Monk, by Matthew G. Lewis. New York: Oxford University Press, [September] 2002,

hardcover, p. v-xv. ISBN: 0-19-515136-4.

“Introduction”—

253Here for Generations: The Story of a Maine Bank and Its City, by Dean Lawrence Lunt.

Frenchboro, ME: Islandport Press, 2002, hardcover, p. xi-xiii. ISBN: 0-9671662-6-8.

“Introduction”—

59Rosemary’s Baby , by Ira Levin. New York: The Stephen King Horror Library, [March]

2003, hardcover, p. v-xix. ISBN: 0-965-72317-8. [Book Club Edition]

“Introduction”—

59The Haunting of Hill House, by Shirley Jackson. New York: The Stephen King Horror

Library, [March] 2003, hardcover, p. v-xxvii. ISBN: 0-965-72304-6. [Book Club Edition]

“Introduction”—

59Ghost Story, by Peter Straub. New York: The Stephen King Horror Library, [March] 2003,

hardcover, p. v-xii. ISBN: 0-965-72313-5. [Book Club Edition]

“Introduction”—

256 Appearances:

1. The Narrows, by Michael Connelly. London: Orion Books, [Late] 2003, paperback, p. 10-12.

No ISBN. Note: Issued to promote the U.K. hardcover edition of The Narrows by Michael Connelly.

It contains King’s intro to The Poet, excerpts from The Poet and The Narrows and short pieces.

2 . The Poet, by Michael Connelly. Los Angeles, CA: Steven C. Vascik Publications, March

2004, hardcover, p. [i-iii]. No ISBN. A limited edition of 200 numbered copies, signed by the author.

75 were Author Presentation Copies reserved for private distribution.

2a. The Poet, by Michael Connelly. Los Angeles, CA: Steven C. Vascik Publications, March

2004, hardcover, p. [i-iii]. No ISBN. A limited edition of 26 lettered copies, signed by the author.

2 b . The Poet, by Michael Connelly. London: Orion Books, [April] 2004, mass-market

paperback, p. vii-ix. ISBN: 0-75286-391-6.

2c. The Poet, by Michael Connelly. New York: Warner Books, May 2004, trade paperback.