Camenzind_Analog design chips

CMOS Current Sources

None of the bipolar schemes work well for CMOS devices. They are based on VBE or delta-VBE , for which there are no equivalents. Trying to use circuits such as Figures 5-10 or 5-14 with CMOS width-ratios

The Ideal Current Source

Sometimes a compromise is the best solution. If we allow just one component to be external to the IC and provide a pin for it, the performance of a current source improves dramatically. All other currents

within the IC can then be derived from it with current mirrors and are thus inherently

accurate.

In the last circuit an op-amp compares

the voltage across an external resistor with a

low internal reference (divided down, for

example, from a bandgap reference) and

drives the gate (or base) of an output device. Assuming no trimming, a 1% tolerance for the external resistor, 3% for the reference voltage and 2mV offset uncertainty for the op-amp, I1 will be within 6% at any voltage and any temperature.

6 Time Out: Analog Measures

dB

Analog scales tend to be very large. As an example, the hearing threshold of a young adult is 20 micro-Pascal; the maximum level without damaging the ear can be more than 20 Pascal, a ratio of one to 1 million. Particularly because of the widely varying sound levels a need for a logarithmic measure appeared early on in electronics. There are two of them: The Neper is based on the natural logarithm and named after John Napier, a 16th century Scottish mathematician who came up with the logarithmic table (and whose name was most likely spelled Neper in his time).

In the 1920's a measure based on logarithm with base 10 began to be used at Bell Laboratories. At first it was called the "transmission unit", then re-christened the Bel, after Alexander Graham Bell. The idea is simple, a Bel is the logarithm of two power levels:

Bel = log P1

P2

But the Bel turned out to be a bit course; one-tenth of that suited the Bell Labs people better, hence the decibel, or dB:

dB = 10 log P1

P2

This is the ratio of two power levels. Since power is related to the square-root of voltage (or current), we get:

dB = 20 log V1

V 2

Neper has more or less disappeared as a measure, dB proved to be more convenient. But, when using dB, always keep in mind there is a 2:1

difference between the ratios of power and those of voltages or currents (or pressure).

Even though a logarithmic ratio is very convenient, it is helpful to picture the (voltage) actual ratios:

Fundamentally dB is relative, expressing only a ratio. But there are many modifications in which one of the two levels are absolute, among them:

RMS

RMS calculation was introduced by Charles Steinmetz more than 100 years ago. Steinmetz grew up in Breslau, Germany (now Poland), but shortly before he got his Ph.D. in mathematics and physics he had to flee to Switzerland because of his socialist activities. From there he emigrated to the U.S. and found a job as an assistant draftsman in Yonkers. The company fabricated hat-making machinery, but soon expanded into electrical motors. The year was 1889.

Steinmetz was a small man with a hunchback and one leg shorter than the other, a deformity he inherited from his father. Though he made the proverbial bad first impression, the people around him soon were in awe of his razor-sharp mind. No surprise then that the overqualified draftsman was

at the forefront in AC engineering within four years. Through mergers and acquisitions he found himself to be working for General Electric as head of the calculating department in Schenectady and teaching at Union College.

He led a bohemian life; afraid to marry because of his inherited deformity, he shared his house with an entire family and kept several crows, raccoons, eagles, owls squirrels dogs and alligators. He resumed his socialist activities, expounding his ideas in a book; he was against competition and advocated an industrial reorganization by the government. It is remarkable that he got along very well with his bosses at GE. In all respects he was a delightful man who and seemed to have a very happy life. Almost singlehandedly he moved electrical engineering from a craft to a profession.

Steinmetz found that few "electricians" used mathematics, his specialty. The first curriculum in electrical engineering had started at MIT in 1882 and very few people understood AC. George Prescott lamented in 1888: "It is a well-known fact that alternating currents do not follow Ohm's law, and nobody knows what law they follow."

For example, there were two things wrong with the "average" value meters of the time displayed: in the first place the true average of an AC waveform should have been zero; in the second place the product of the average current and voltage gave the wrong answer for power. Also, a phase shift between voltage and current left almost everyone perplexed.

In 1893 Steinmetz presented his first paper on the use of complex numbers in electrical engineering. It was heavy going, delivered in a thick German accent. But he kept at it in paper after paper and then a massive, three-volume text book. By 1901 he had it down pat and published a textbook that was finally easy to understand.

What he said was this: In order to calculate the power correctly, you need to square the voltage (or current), calculate its mean (average) and apply the square root. Hence RMS - root-mean-square. Or a bit more detailed: You divide the waveform into equal segments over one period, square each segment, add up the squared values, calculate the average and take the square root of that.

The power, by the way, is the average power. There is no such thing as RMS power, only RMS voltage and RMS current.

For a pure sine-wave this works out as:

Vrms = Vpeak = 0.707 Vpeak

2

But the RMS calculation has some limitations: it doesn't work with non-linear elements. In Steinmetz's

time there were no transistors, not even vacuum tubes. There were only linear elements (save perhaps for the occasionally saturating transformer), so he didn't consider what would happen if the impedance changes while you are measuring RMS voltage and current.

Take the case of a transistor stage, either linear or switching. You want to determine its power dissipation, so you measure the current through it and the voltage across it. But the impedance of the transistor constantly changes and Ohm's law doesn't hold. The product of RMS voltage and RMS current gives an absurdly wrong result for power. The only way you can determine the power is to integrate the instantaneous values of voltage times current. In a simulation, Spice does this very well.

But measurements aren't nearly so easy: "True RMS" instruments do indeed have a circuit element which measures RMS rather than average. But the inputs to almost all of them are capacitively coupled. If the waveform you are measuring has a DC component, it is ignored and the result reflect on the AC portion of it.

Noise

Imagine a current flowing through a wire connected between a negative terminal on the left and a positive terminal on the right. Through the wire are flowing millions of electrons from left to right.

Each electron carries a charge of 1.6e-19 Coulombs. Let's say we observe a current of 1uA, thus 7.8e12 electrons pass every second. If the interval between electron were the same, we would then see a ripple at 7800Ghz, like the teeth of a saw-blade moving at high speed.

But in a diode or a bipolar transistor, we see quite a different effect. Here the current is initiated by electrons and holes moving across a barrier and this movement is anything but smooth. Within any given time interval one electron or hole may cross the barrier, or 5, or 100, or none. The variation is so great that there is no discernable peak at 7800Ghz, or any other frequency. In fact, because of the very large number of electrons, this white noise or shot noise is so well distributed over the frequency range that it has a constant level over the entire spectrum:

There are two things you should notice here. First: Noise increases as the square-root of bandwidth. Second: When the current is decreased, noise becomes a larger fraction of it.

Let's illustrate the second part. With a bandwidth of 10kHz, 1mA dc produces 1.8nA(rms) of noise. That amounts to 0.00017% or -115dB. With 1uA of current and the same bandwidth the noise is 56pA(rms), i.e. 0.0056% or -85dB. At 1nA we get 1.8pA of noise, which amounts to 0.18% or -54dB. All of which shows that it is harder to design a low-noise circuit at low current levels.

There is also noise when no current flows at all. By the energy imparted by temperature, some electrons will suddenly leave an orbit and jump to another. The higher the temperature, the larger this irregularity becomes. Thus a resistor, doing nothing but lying on a bench actually has a noise voltage at its terminals:

Thus a 1MOhm resistor always has a noise voltage of 13uVrms at room temperature, if measured over a bandwidth of 10kHz. This is called the Johnson Noise.

Whenever you mention a noise voltage or current, you also have to state the bandwidth. To avoid this, noise voltage is often expressed in nV/rtHz (nanovolts per root-Hertz). To get the real noise voltage you simply multiply this value with the square-root of the bandwidth.

Harmonics = 36mV 2 + 21mV 2 + 8.2mV 2 + 0.9mV 2 = 42.5mV

Fundamental = 550mV

Distortion = 42.4 = 0.077 = 7.7%

550

The peak at zero frequency shows the DC level, i.e. the asymmetry caused by the clipping.

Before you run a fast Fourier transform in Spice you need to choose two settings: how many samples should be taken over one period of the waveform and how many periods should be analyzed. In the example of Figure 6-3 there are in fact too few samples and periods, resulting in broad peaks.

As a general rule start with 25 samples and 50 periods. The first is determined by "maximum time -step" and "maximum print step" (set at 8usec in figure 6-4 for a 5kHz driving frequency) and the second by the total time in the transient analysis (1msec for 50 periods at 5kHz). You get the best results if both the number of samples per period and the number of periods are integers.

The fast Fourier transform has some flaws and limitations. For example, figure 6-4 shows peaks in between the harmonics, which, in

reality are not there. A superior method is the Continuous Fourier Transform, available in some analysis programs and shown in figure 6-5.

When you have a waveform which is symmetrical but not a sine-

wave, you get only odd harmonics (i.e. the third, fifth, seventh etc.). Shown here is the example of a triangular wave. Total distortion (i.e. deviation from a sine-wave) is 12%.

When you have non-linearity in a circuit and two frequencies are present, you also get intermodulation distortion, i.e. not only harmonics are created, but differences as well.