- •Introduction
- •Unit I. Architecture and building environment
- •Unit two. Landscape architecture Landscape architecture
- •Read and translate the text.
- •Answer the questions:
- •Find in the text English equivalents for the following:
- •Unit three. Egyptian architecture Egyptian architecture
- •1. Read the article about the Egyptian architecture. Fill in the blanks in the following article below:
- •Unit four. Greek and roman architecture Greek architecture
- •2. Answer the questions:
- •Read and translate the text.
- •Find words in the text that mean:
- •Answer the following questions:
- •Define whether sentences are true or false:
- •Classical oders
- •Answer the questions:
- •Make up sentences:
- •The capital
- •Unit five. Oriental architecture Japanese architecture
- •Read and translate the text.
- •Answer the questions:
- •Fill in the gaps:
- •Chinese architecture
- •Read and translate the text.
- •Define whether sentences are True or False:
- •Fill in the gaps:
- •Match the synonyms:
- •Put the words in the correct order to make a sentence.
- •Unit six. English architecture Westminster
- •Unit seven. Museum architecture Museum and library architecture
- •Read and translate the text.
- •Answer the questions:
- •Define whether the following statements are true or false:
- •The Solomon r. Guggenheim Museum
- •Read and translate the text.
- •Define whether sentences are True or False:
- •Find synonyms:
- •Fill in prepositions:
- •5. Discuss: What do you think these phrases mean?
- •Northern Star
- •Read and translate the text.
- •Read the statements below and decide if they are true (t) or false (f).
- •Read the text and fill in the gaps:
- •Match the synonyms:
- •The halves of the following sentences are mixed up. Put them in the right places.
- •Unit eight. Modern architecture Modern architecture
- •Read and translate the text.
- •Answer the questions:
- •3. Find in the text English equivalents for the following:
- •4. Find in the text sentences with words and word combinations from ex.3.
- •Define whether statements are True (t) or False (f):
- •6. Match the names of architects with their works.
- •7. Retell the text using ex.1. The International Style
- •Read and translate the text.
- •Answer the questions:
- •Fill in the gaps:
- •What do the following dates refer to?
- •Make up sentences:
- •6. Complete this text with a, an, the or no article.
- •Skyscrapers
- •Read and translate the text.
- •Answer the questions:
- •Fill in the gaps:
- •Make up sentences:
- •5. Find in the text English equivalents for the following Russian words:
- •Fill in the gaps:
- •A) Read the talk and find the mistakes in the key facts.
- •Choose the best word, a, b, or c, to complete the talk.
- •The Hearst Tower
- •Read and translate the text.
- •Answer the questions:
- •3. Match the words with their definitions:
- •4. Fill in the gaps, using the text:
- •Unit nine. Architecture conservation and restoration Art conservation and restoration
- •Read and translate the text.
- •Answer the following questions:
- •3. Fill in the gaps:
- •4. Give the English equivalents:
- •Conservation of architecture
- •5. Retell the text. Techniques of building conservation
- •Read and translate the text.
- •Read the statements below and decide if they are true (t) or false (f)
- •Recognize correct definitions for new words by selecting the meaning that best fits each word from the list of definitions in the second column.
- •Match the synonyms:
- •Additional texts for reading. Text #1. The museum of modern art in Warsaw
- •Text #2. The London Eye
- •Text #3. The Millenium Dome, London
- •Text #4. Seven World Trade Center, New York, usa
- •Architectural glossary
- •Contents
- •Introduction……………………………………………………….. 3
- •61002, М.Харків, хнамг, вул. Революції, 12
- •61002, М.Харків, хнамг, вул. Революції, 12
Answer the questions:
What is classical order?
What oders do you know?
What is the simplest order?
What orders were invented by Romans?
What is the superimposed order?
What orders are used in classical Western architecture?
Make up sentences:
1. order |
a) that part of a column or pier between the base and capital. |
2. base |
b) a channel, groove, or furrow, as on the shaft of a column. |
3. scotia |
c) any arrangement of columns with an entablature. |
4. shaft |
d) a deep concave molding between two fillets, as in the Attic base. |
5. echinus |
e) the distinctively treated portion of a column or pier below the shaft or shafts. |
6. flute |
f) the prominent circular molding supporting the abacus of a Doric or Tuscan capital. |
The capital
In architecture the capital is the crowning member of a column, pier, anta, pilaster, or other columnar form, providing a structural support for the horizontal member (entablature) or arch above. In the Classical styles, the capital is the architectural member that most readily distinguishes the order.
Two simple forms of the capital are a square wooden block called an abacus, placed on the top of a post, and an oblong block called a billet, set with its greatest dimensions parallel to the beam above. Shaping the ends of such blocks produces a laterally spreading form of capital, which can be elaborated upon by multiplication of parts, addition of moldings, and ornamentation with floral, zoomorphic, or abstract forms.
Primitive abacus capitals were known in Egypt and Mesopotamia, and two kinds of simple stone capital have been found in the stepped-pyramid complex at Saqqarah (c. 2890–c. 2686 BC). One, a saddlelike shape, suggests bent reeds or leaves; the other, an upturned bell, derives from the papyrus plant. Later Egyptian architecture used capitals derived from such plant forms as the palm and lotus, as well as anthropomorphic forms and simple abacus shapes. Volute capitals were known in Hittite architecture in Anatolia and in Mesopotamia as early as 870 BC. Very elaborate capitals were created in Achaemenian Persia.
Three widely used forms of the capital were created by the Greeks. The Doric capital consists of a square abacus surmounting a round form with an egg-shaped profile called the echinus, below which are several narrow, ridgelike moldings linking the capital with the column. The Ionic capital—probably related to the volute capitals of western Asia—has a tripartite design consisting of a pair of horizontally connected volutes inserted between the abacus and echinus. The Corinthian capital is basically an abacus supported on an inverted bell surrounded by rows of stylized acanthus leaves. The Romans added the Tuscan capital, a modified form of the Doric, and the Composite capital, which combined Ionic volutes with the Corinthian bell shape.
Islamic capitals, following the nonrepresentational requirement of the Muslim aesthetic, used primarily abstract forms derived from repetition of small moldings and multiplication of miniature arches. Some form of bracketed capital and a bell-shaped capital decorated with lotus motifs were used most frequently in India, China, and Japan.
Design of capitals in medieval Europe usually stemmed from Roman sources. Cubiform, or cushion, capitals, square on top and rounded at the bottom, served as transitional forms between the angular springing of the arches and the round columns supporting them. Grotesque animals, birds, and other figurative motifs characterize capitals of the Romanesque period. At the beginning of the Gothic period, exotic features tended to disappear in favour of simple stylized foliage, crockets, and geometric moldings, particularly in France and England. During the later Middle Ages, the emphasis on clustered columns and compound piers that soared in an unbroken line to high vaults tended to decrease the importance of the capital.
Read and translate the text.
Answer the questions:
What is the meaning of the capital in architecture?
What is the meaning of the capital in classical style?
What are the two simple forms of the capital?
When were the first capitals found?
What are the three widely used forms of the capitals?
What was the design of the capitals in medieval Europe?
Translate the following word combinations into Russian:
the capital
order
bell-shaped
pier
anta
pilaster
structural support
abacus
Define whether the following statements are True (T) or False (F).
Design of capitals in medieval Europe usually stemmed from Roman sources.
Primitive abacus capitals were known in Russia and Ukraine.
Two simple forms of the capital are called bricks.
In architecture the capital is the crowning member of a column.
Three widely used forms of the capital were created by the Romans.
Explain the characteristics of the following capitals:
volute capitals
Doric capitals
Ionic capitals
Corinthian capitals
Composite capitals
Islamic capitals
Retell the text.
