19/Literature of the Middle XIX century National-historical features of critical realism

The 19th century (Critical Realism)

The 19th century was characterized by sharp contradictions. In many ways it was an age of progress: railways and ships were built, great scientific discoveries were made, education became more widespread; but al the same time it was an age of profound social unrest, because there was too much poverty, too much injustice. The growth of scientific inventions mechanized industry and increased wealth, but this progress only enriched the few at the expense of the many. Dirty factories, long hours of work, child labour, exploitation, low wages, slums and frequent unemployment -these were the conditions of life for the workers in the growing industries of England, which became the richest country in the world towards the middle of the 19th century.

By the thirties of the 19th century English capitalism had entered a new stage of development. England had become a classical capitalist country, a country of industrial capitalism. The Industrial Revolution gathered force as the 19th century progressed, and profound changes in hand-looms gave way, within a hundred years, to factory towns, railroads, and steamships. The basic social classes in England were no longer the peasants and the landlords but the proletariat and the bourgeoisie.

Having won the victory over aristocracy, the bourgeoisie betrayed the interests of the working class. The workers fought for their rights. Their political demands were expressed in the People's Charier in 1833. The Chartis Movement was a revolutionary movement of the English workers, which lasted till 1848.

The Chartists introduced their own literature, which was the first attempt to create a literature of the working class. The Chartist writers tried their hand at different genres. They wrote articles, short stories, songs, epigrams, poems. Their leading genre was poetry.

The ideas of the Chartism attracted the attention of many progressive-minded people of that time. A lot of prominent writers became aware of the social injustices around them and tried to depict them in their works. Thus this period was mirrored in literature by the appearance of a new trend, the Critical Realism. The greatest novelists of the age are Charles Dickens, William Makepeace Thackeray, Charlotte Bronte, Elizabeth Gaskell.

These writers used the novel as a means to protest against the evils in contemporary social and economic life and to picture the world in a realistic way. Their greatness also lies in their profound humanism. Their sympathy lies with the ordinary people. They believed in the good qualities of the human heart.

20/National-historical features of critical realism Ch.Dickens (“Oliver Twist”).

The 19th century (Critical Realism)

The 19th century was characterized by sharp contradictions. In many ways it was an age of progress: railways and ships were built, great scientific discoveries were made, education became more widespread; but al the same time it was an age of profound social unrest, because there was too much poverty, too much injustice. The growth of scientific inventions mechanized industry and increased wealth, but this progress only enriched the few at the expense of the many. Dirty factories, long hours of work, child labour, exploitation, low wages, slums and frequent unemployment -these were the conditions of life for the workers in the growing industries of England, which became the richest country in the world towards the middle of the 19th century.

By the thirties of the 19th century English capitalism had entered a new stage of development. England had become a classical capitalist country, a country of industrial capitalism. The Industrial Revolution gathered force as the 19th century progressed, and profound changes in hand-looms gave way, within a hundred years, to factory towns, railroads, and steamships. The basic social classes in England were no longer the peasants and the landlords but the proletariat and the bourgeoisie.

Having won the victory over aristocracy, the bourgeoisie betrayed the interests of the working class. The workers fought for their rights. Their political demands were expressed in the People's Charier in 1833. The Chartis Movement was a revolutionary movement of the English workers, which lasted till 1848.

The Chartists introduced their own literature, which was the first attempt to create a literature of the working class. The Chartist writers tried their hand at different genres. They wrote articles, short stories, songs, epigrams, poems. Their leading genre was poetry.

The ideas of the Chartism attracted the attention of many progressive-minded people of that time. A lot of prominent writers became aware of the social injustices around them and tried to depict them in their works. Thus this period was mirrored in literature by the appearance of a new trend, the Critical Realism. The greatest novelists of the age are Charles Dickens, William Makepeace Thackeray, Charlotte Bronte, Elizabeth Gaskell.

These writers used the novel as a means to protest against the evils in contemporary social and economic life and to picture the world in a realistic way. Their greatness also lies in their profound humanism. Their sympathy lies with the ordinary people. They believed in the good qualities of the human heart.

Oliver Twist by Charles Dickens is one of the most widely recognized and beloved stories of all time. Charles Dickens was born on February 7, 1812 in Portsmouth, England. Spending most of his childhood in London and Kent, Charles led a privileged life until 1824. It was then, while Charles was twelve years old, that his father, mother, and siblings were sent to debtor's prison. Although Dickens escaped the same fate as his family, he was forced to support himself by working in a shoe-polish factory. The horrific conditions in the factory haunted Dickens for the rest of his life. His novels are filled with downtrodden figures such as abused, impoverished orphans. He had a profound sympathy for childhood suffering and a strong desire for social reform that touches his work at almost every level.

Oliver Twist, subtitled The Parish Boy's Progress, is the second novel by English author Charles Dickens, published by Richard Bentley in 1838. The story is about an orphan, Oliver Twist, who endures a miserable existence in a workhouse and then is placed with an undertaker. He escapes and travels to London where he meets the Artful Dodger, leader of a gang of juvenile pickpockets. Naïvely unaware of their unlawful activities, Oliver is led to the lair of their elderly criminal trainer Fagin.

The story begins with a woman giving birth to a baby without the proper instruments and then she dies. The boy is brought up in a dirty home with little to eat and under poor conditions. No one knows of the boy’s identity. His government caretakers give him the name Oliver. Oliver grows up in a world with no sympathy for poor orphans. He goes to London to escape his mean guardians and to try to make a better life for himself. On his journey he is mixed up with thieves and is caught stealing even though it was the people he was with. He gets sick and is taken care of by the people who he originally stole from and they grow to love him. The thieves find out about him staying with the people and kidnap him. More stealing takes place and Oliver is trained to be a better thief. One time, during a robbery, Oliver is shot and left for dead by the thieves. The people at the house Oliver was to rob took him in and gave him a home. Oliver’s identity is found. It turns out that Oliver was supposed to receive an inheritance from his father and one of the people who got him caught knew this. After confessing, Oliver received his inheritance and lived a happy life from then on.

Oliver Twist is notable for Dickens's unromantic portrayal of criminals and their sordid lives. The book exposed the cruel treatment of the many orphans in London during the Dickensian era. An early example of the social novel, the book calls the public's attention to various contemporary evils, including child labour, the recruitment of children as criminals, and the presence of street children. Dickens mocks the hypocrisies of his time by surrounding the novel's serious themes with sarcasm and dark humour. It is likely that Dickens's own early youth as a child labourer contributed to the story's development.