- •1 Cut from Solid
- •2 Sheet
- •3 Continuous
- •4 Thin & Hollow
- •5 Into Solid
- •6 Complex
- •7 Advanced
- •8 Finishing Techniques
- •Introduction
- •Volumes of production
- •1: Cut from Solid
- •1 A very simple setup for milling a chunk of metal. The cutting tool, which resembles a flat drill bit, can be seen fitted above the clamped work piece.
- •2 A straightforward setup for a lathe operation in which the tube of metal to be cut is clamped into a chuck. The cutter is poised ready to make a cut.
- •Volumes of production
- •1 The individual sheets of cut plywood are clamped together before being machined.
- •2 View showing the machined internal structure before the external surface is cut.
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- •1 The mortar bowl is being turned by hand, using a profiled metal tool to achieve a precise profile.
- •2 A ceramic pestle being finished using a flat smoothing tool.
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- •2: Sheet
- •Industrial Origami®
- •Inflating Metal
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- •1 Preparation of the wooden mandrel.
- •2 The metal is pushed against the mandrel as both metal and mandrel are spinning.
- •3 The metal component taking shape over the mandrel.
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- •Industrial Origami®
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- •Inflating Metal
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- •3: Continuous
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- •1 Individual strands of fiber are fed into a die where they will be soaked in resin and formed into their final profile.
- •2 A finished tube emerges through the cutter, ready to be cut to length.
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- •Veneer Cutting
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- •4: Thin & Hollow
- •1 A mass of molten glass is gathered onto the end of a steel tube, ready to be blown.
- •2 Various hand tools are used to shape the hot glass, in this case a stack of wet fabric.
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- •Injection Blow Molding
- •Injection stretch molding is a method used for high-end products (such as bottles) made from polyethylene terephthalate (pet) which uses a rod to stretch a pre-form into the mold before blowing.
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- •1 Empty plaster molds.
- •2 Molds filled with slip.
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- •1 An example of the tooling and the die cavity into which the metal is placed.
- •2 Semifinished hydroformed components.
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- •Vacuum Infusion Process (vip)
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- •Imagine impregnating the thread on a cotton reel with resin and then being able to pull the wound thread off its reel to form a rigid plastic cylindrical part: this is the essence of filament winding.
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- •5: Into Solid
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- •Inflating Wood
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- •6: Complex
- •Injection Molding
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- •Insert Molding
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- •Investment Casting
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- •Viscous Plastic Processing (vpp)
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- •7: Advanced
- •Inkjet Printing
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- •1 Winding onto the purple Smart Mandrel begins.
- •2 The Smart MandrelTm is heated and softened for easy removal from the completed winding.
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- •Incremental Sheet-Metal Forming
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- •8: Finishing Techniques
- •In his visionary book The Materials of Invention, Ezio Manzini defines the surface of objects as “the location of the points where an object’s material ends and the surrounding ambient begins.”
- •Vacuum Metalizing
- •Vapor Metalizing
- •Vitreous Enameling
- •Inflating metal 10-11, 76-7
Volumes of production
One-offs and batch production.
Unit price vs. capital investment
The biggest cost is the glass-blower’s labor. Assuming you want to produce a batch of identical shapes, molds can be used. Depending on exact quantities, these will be made from materials offering varying degrees of longevity, including wood, plaster, or graphite.
Speed
Completely dependent on the scale and complexity of the piece, and whether or not the glass is being blown into a mold.
Surface
Excellent.
Types/complexity of shape
For free-blown glass, virtually any shape is possible.
Scale
As big as the lungs of the glass-blower will allow, bearing in mind that the blower also needs to wrestle with the weight of the glass at the end of the tube.
Tolerances
Difficult to be precise, because it is a handmade process.
Relevant materials
Any type of glass.
Typical products
Anything from tableware to sculptures.
Similar methods
Lampworking (p.118) and machine-blown glass made using blow and blow (p.120) or press and blow (p.124) molding.
Sustainability issues
As with all glass working, energy consumption is high due to the intense heat required over long stretches of time. But because products are shaped by hand no additional machinery is necessary, which helps to balance energy use. Any faulty moldings or broken glass can be melted down and recycled back into the process on site to reduce material consumption.
Further information
www.nazeing-glass.com
www.kostaboda.se
www.glassblowers.org/
www.handmade-glass.com
Lampworking Glass Tube
Product |
thin-walled vases |
Designer |
Olgoj Chorchoj |
Materials |
borosilicate glass |
Country |
Czech Republic |
Date |
2001 |
These elegant vases illustrate the complexity of components that can be formed using this method. The internal opaque white form and the transparent external tube were made separately and joined together later on a lathe.
There are hundreds of ways of hand-working glass, employing both hot and cold (cutting, for example) processes for making objects without the need for tooling. Lampworking involves the localized heating of a piece of glass to allow it to be pushed, pulled, and generally shaped by a skilled craftsman. The process can be seen as providing a third alternative for shaping glass somewhere between expensive hand forming and mass-production that requires tooling. It is a process that is ideally suited to short production runs.
The process starts with a hollow tube of glass, which is set into a slowly rotating lathe. Heat from a blowlamp is applied to specific areas, which are then pushed with a wooden former. Lampworking involves soft, malleable glass being pushed into shape. Depending on whether closed or open forms are required, ends can be left open or rolled round and sealed off.
A tube of glass being locally heated while rotating on the lathe, before the wooden former is introduced.
– Highly versatile process.
– Shapes can be varied even within the same batch.
– Cost-effective for experiments and prototypes.
– Complex shapes can be formed.
– This type of process for making glassware is generally used to make batch-produced products without requiring any investment in tooling.
– Not cost-effective for large production runs.
