- •1 Cut from Solid
- •2 Sheet
- •3 Continuous
- •4 Thin & Hollow
- •5 Into Solid
- •6 Complex
- •7 Advanced
- •8 Finishing Techniques
- •Introduction
- •Volumes of production
- •1: Cut from Solid
- •1 A very simple setup for milling a chunk of metal. The cutting tool, which resembles a flat drill bit, can be seen fitted above the clamped work piece.
- •2 A straightforward setup for a lathe operation in which the tube of metal to be cut is clamped into a chuck. The cutter is poised ready to make a cut.
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- •1 The individual sheets of cut plywood are clamped together before being machined.
- •2 View showing the machined internal structure before the external surface is cut.
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- •1 The mortar bowl is being turned by hand, using a profiled metal tool to achieve a precise profile.
- •2 A ceramic pestle being finished using a flat smoothing tool.
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- •2: Sheet
- •Industrial Origami®
- •Inflating Metal
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- •1 Preparation of the wooden mandrel.
- •2 The metal is pushed against the mandrel as both metal and mandrel are spinning.
- •3 The metal component taking shape over the mandrel.
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- •Industrial Origami®
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- •Inflating Metal
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- •3: Continuous
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- •1 Individual strands of fiber are fed into a die where they will be soaked in resin and formed into their final profile.
- •2 A finished tube emerges through the cutter, ready to be cut to length.
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- •Veneer Cutting
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- •4: Thin & Hollow
- •1 A mass of molten glass is gathered onto the end of a steel tube, ready to be blown.
- •2 Various hand tools are used to shape the hot glass, in this case a stack of wet fabric.
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- •Injection Blow Molding
- •Injection stretch molding is a method used for high-end products (such as bottles) made from polyethylene terephthalate (pet) which uses a rod to stretch a pre-form into the mold before blowing.
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- •1 Empty plaster molds.
- •2 Molds filled with slip.
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- •1 An example of the tooling and the die cavity into which the metal is placed.
- •2 Semifinished hydroformed components.
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- •Vacuum Infusion Process (vip)
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- •Imagine impregnating the thread on a cotton reel with resin and then being able to pull the wound thread off its reel to form a rigid plastic cylindrical part: this is the essence of filament winding.
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- •5: Into Solid
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- •Inflating Wood
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- •6: Complex
- •Injection Molding
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- •Insert Molding
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- •Investment Casting
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- •Viscous Plastic Processing (vpp)
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- •7: Advanced
- •Inkjet Printing
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- •1 Winding onto the purple Smart Mandrel begins.
- •2 The Smart MandrelTm is heated and softened for easy removal from the completed winding.
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- •Incremental Sheet-Metal Forming
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- •8: Finishing Techniques
- •In his visionary book The Materials of Invention, Ezio Manzini defines the surface of objects as “the location of the points where an object’s material ends and the surrounding ambient begins.”
- •Vacuum Metalizing
- •Vapor Metalizing
- •Vitreous Enameling
- •Inflating metal 10-11, 76-7
Inflating Wood
Product |
door panel |
Designer |
Malcolm Jordan |
Materials |
wood veneer with foam core |
Manufacturer |
Curvy Composites |
Country |
UK |
Date |
2005 |
The undulating, compound, organic curves that are the result of this unique process allow thin wooden veneers to take on a visual quality that is perfectly suited to the natural tactile warmth of wood.
Wood may have been one of the materials used earliest by humans to produce objects, but there are many new methods of forming and transforming various forms of this basic material into new states. Most wood is transformed by being attacked with blades, but the process discussed below is a much gentler way of forming wood that relies to a large extent on the individual pattern of the grain to control the final outcome.
The process of cross-grain laminating veneers of wood was invented by the ancient Egyptians; the technique of bending plywood to introduce curves developed far more recently; and the new process of inflating wood marks the next level of sophistication in wood forming techniques. Forming wood into compound curves has always been a costly and time-consuming process, however, designer Malcolm Jordan has created a unique way of forming plywood into a series of undulating and controlled forms, though the secret of the process remains undisclosed.
The process started life as one of the many inspiring projects that have come out of the three-dimensional design program at Brighton University, on the south coast of England. Malcolm Jordan says, “My background is in aviation. I am a licensed helicopter engineer and being surrounded by lightweight composite structures might have informed the line of experimentation. I tried a series of experiments with various core materials between thin plywood skins.” The final product is a composite structure, with plywood skins sandwiching a foam core. Areas of the plywood surfaces are clamped in a retaining jig. Expanding liquid foam is introduced, and the unretained surfaces move freely to form compound curves. The sizes of these wavy forms and the technique are not restricted to linear and parallel boards, but are based solely on the predetermined plywood stock sheet sizes.
1 A metal jig is set up that will hold the plywood panel.
2 Final preparation of the plywood before the introduction of the foam.
3 Finishing the molded panel.
4 A cross-section of a sample showing the foam core.
– The resulting component combines lightness with strength, distributing the load through the plywood skins.
– High-impact resistance, with thermal and acoustic isolation potential.
– Removes the need for complex molding techniques, hand carving, or machining.
– Controlling the foam pressure. At present the quantity and pressure of the injected foam is regulated via inlet- and outlet-restricting devices, although experience has shown that the pressure created can be enough to rupture the plywood (with a big bang).
– Curving plywood can highlight flaws in the wood, often caused by manufacturing tools when the plywood’s veneers were cut. Careful selection of plywood or a veneer added to the plywood overcomes this.
– Only available through one manufacturer.
