- •1 Cut from Solid
- •2 Sheet
- •3 Continuous
- •4 Thin & Hollow
- •5 Into Solid
- •6 Complex
- •7 Advanced
- •8 Finishing Techniques
- •Introduction
- •Volumes of production
- •1: Cut from Solid
- •1 A very simple setup for milling a chunk of metal. The cutting tool, which resembles a flat drill bit, can be seen fitted above the clamped work piece.
- •2 A straightforward setup for a lathe operation in which the tube of metal to be cut is clamped into a chuck. The cutter is poised ready to make a cut.
- •Volumes of production
- •1 The individual sheets of cut plywood are clamped together before being machined.
- •2 View showing the machined internal structure before the external surface is cut.
- •Volumes of production
- •Volumes of production
- •1 The mortar bowl is being turned by hand, using a profiled metal tool to achieve a precise profile.
- •2 A ceramic pestle being finished using a flat smoothing tool.
- •Volumes of production
- •Volumes of production
- •2: Sheet
- •Industrial Origami®
- •Inflating Metal
- •Volumes of production
- •Volumes of production
- •Volumes of production
- •Volumes of production
- •Volumes of production
- •Volumes of production
- •Volumes of production
- •Volumes of production
- •Volumes of production
- •1 Preparation of the wooden mandrel.
- •2 The metal is pushed against the mandrel as both metal and mandrel are spinning.
- •3 The metal component taking shape over the mandrel.
- •Volumes of production
- •Volumes of production
- •Industrial Origami®
- •Volumes of production
- •Volumes of production
- •Volumes of production
- •Volumes of production
- •Inflating Metal
- •Volumes of production
- •Volumes of production
- •Volumes of production
- •Volumes of production
- •Volumes of production
- •3: Continuous
- •Volumes of production
- •Volumes of production
- •Volumes of production
- •Volumes of production
- •1 Individual strands of fiber are fed into a die where they will be soaked in resin and formed into their final profile.
- •2 A finished tube emerges through the cutter, ready to be cut to length.
- •Volumes of production
- •Volumes of production
- •Volumes of production
- •Veneer Cutting
- •Volumes of production
- •4: Thin & Hollow
- •1 A mass of molten glass is gathered onto the end of a steel tube, ready to be blown.
- •2 Various hand tools are used to shape the hot glass, in this case a stack of wet fabric.
- •Volumes of production
- •Volumes of production
- •Volumes of production
- •Volumes of production
- •Volumes of production
- •Injection Blow Molding
- •Injection stretch molding is a method used for high-end products (such as bottles) made from polyethylene terephthalate (pet) which uses a rod to stretch a pre-form into the mold before blowing.
- •Volumes of production
- •Volumes of production
- •Volumes of production
- •Volumes of production
- •1 Empty plaster molds.
- •2 Molds filled with slip.
- •Volumes of production
- •1 An example of the tooling and the die cavity into which the metal is placed.
- •2 Semifinished hydroformed components.
- •Volumes of production
- •Volumes of production
- •Volumes of production
- •Volumes of production
- •Vacuum Infusion Process (vip)
- •Volumes of production
- •Imagine impregnating the thread on a cotton reel with resin and then being able to pull the wound thread off its reel to form a rigid plastic cylindrical part: this is the essence of filament winding.
- •Volumes of production
- •Volumes of production
- •5: Into Solid
- •Volumes of production
- •Volumes of production
- •Volumes of production
- •Volumes of production
- •Volumes of production
- •Volumes of production
- •Inflating Wood
- •Volumes of production
- •Volumes of production
- •Volumes of production
- •Volumes of production
- •6: Complex
- •Injection Molding
- •Volumes of production
- •Volumes of production
- •Volumes of production
- •Volumes of production
- •Insert Molding
- •Volumes of production
- •Volumes of production
- •Volumes of production
- •Volumes of production
- •Volumes of production
- •Volumes of production
- •Volumes of production
- •Investment Casting
- •Volumes of production
- •Volumes of production
- •Viscous Plastic Processing (vpp)
- •Volumes of production
- •7: Advanced
- •Inkjet Printing
- •Volumes of production
- •Volumes of production
- •Volumes of production
- •Volumes of production
- •Volumes of production
- •1 Winding onto the purple Smart Mandrel begins.
- •2 The Smart MandrelTm is heated and softened for easy removal from the completed winding.
- •Volumes of production
- •Incremental Sheet-Metal Forming
- •Volumes of production
- •8: Finishing Techniques
- •In his visionary book The Materials of Invention, Ezio Manzini defines the surface of objects as “the location of the points where an object’s material ends and the surrounding ambient begins.”
- •Vacuum Metalizing
- •Vapor Metalizing
- •Vitreous Enameling
- •Inflating metal 10-11, 76-7
1 Empty plaster molds.
2 Molds filled with slip.
– Ideal for producing hollow ware.
– Complex forms can easily be achieved.
– Efficient use of material.
– Lends itself well to low-production runs.
– Labor-intensive.
– Limited control over tolerances.
– Slow production rate.
– Large-scale production requires many molds, which themselves require storage.
Volumes of production
Versatile production volumes—anything from small-scale craft batch production to factory production.
Unit price vs. capital investment
Slip casting is economical for small quantities because inexpensive molds can be made in small workshops while maintaining fairly low unit prices. However, in industrial production the plaster molds have a limited life and need to be replaced after approximately 100 castings.
Speed
Slip casting can be summarized by saying that “time equals thickness.” Because of the number of operations and drying times involved, even as an industrial process slip casting still has one foot in the craft tradition, with a fair degree of labor involved.
Surface
Slip casting is a great process for achieving surface patterns on objects (such as raised flower patterns). As with all ceramic products, glazing is required.
Types/complexity of shape
Shapes can range from small and simple to large and complex, and can include parts with undercuts. Anything from bathroom products to art objects and dinnerware can be made with this process.
Scale
Large molds can become very heavy and, given the massive amount of slip that would be needed to fill the void, slip casting may not be suited to large shapes. There is also a need for a kiln that is large enough to fire the finished product. Products such as tableware represent the average size.
Tolerances
It is hard to achieve high tolerances because the parts shrink considerably during firing and, even before that, inside the mold as the water is being drawn out of the slip.
Relevant materials
All types of ceramic.
Typical products
Slip casting is used to make any type of hollow product, from one-off pieces of tableware such as teapots, vases, and figurines to high volumes of sanitary ware.
Similar methods
Pressure-assisted slip casting (p.234) and tape casting (a process used for making multilayered capacitors for the electronics industry, involving laying down thin sheets of ceramic-loaded polymers that are laminated with other materials).
Sustainability issues
The excess slip collected during molding and after trimming is recycled back into the process to reduce material consumption and minimize the use of raw resources. The process is largely labor-assisted, which reduces the use of power and helps to balance out high energy consumption during the firing stage.
Further information
www.ceramfed.co.uk
www.cerameunie.net
Hydroforming Metal
AKA Fluid Forming
Product |
T-section of a concept for a handrail system |
Designers |
Amelie Bunte, Anette Ströh, André Saloga, and Robert Franzheld, students at the Bauhaus University in Weimar; engineering by Kristof Zientz and Karsten Naunheim, students at Darmstadt University of Technology |
Materials |
hydroformed powder-coated steel; stainless steel tubes |
Manufacturer |
college project |
Country |
Germany |
Date |
2005 |
This deceptively simple, white-powder-coated steel junction from a student project for handrail systems illustrates the ability of hydroforming to create a complex form that changes from one diameter to another through a complex curve. This could otherwise only be made using conventional forming techniques that would then need to be welded together.
Hydroforming is a fairly new process for forming steel and other metals. It works by forcing a water and oil solution into a cylinder, or other closed shape, that is confined by a die. In essence, the process makes it possible to “inflate” metal tubes and form metal sheets into elaborate shapes by forcing them against a die. The water pressure of up to 15,000 psi expands the material, forcing it to conform to the shape of the die to form the required component.
Tubes and cylinders are the most common starting points for hydroforming, although panel hydroforming at high pressures also exists for forming pillow shapes from two panels sealed together.
A number of benefits have resulted from this process, including parts with reduced weight and faster production times than with similar methods, such as superforming aluminum (see p.70) and inflating metal (see p.76). In order for the full potential of hydroforming to be exploited, designers need to think of it as a way of reducing costs by making something from a single material rather than having to produce a multitude of parts that need to be joined together.
