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Лекции по Теоретическому курсу английского языка Москвичёвой О.А..doc
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2. Antonyms.

a) The Definition of Antonyms.

Words with diametrically opposite meanings are called antonyms. We find antonyms among words denoting:

- quality: hard – soft; good – bad; здоровий – кволий;

- state: clean – dirty; wealth – poverty; чистий – брудний;

- manner: quickly – slowly; willingly – unwillingly; швидко – повільно;

- direction: up – down; here – there; тут – там;

- action or feeling: to smile – to frown; to love – to hate; любити – ненавидіти;

- features: tall – short; beautiful – ugly; високий – низький.

Words which do not have relative features do not have antonyms.

  1. Classifications of Antonyms.

Antonyms can be divided into two groups: those which are formed with the help of negative affixes (derivational) and those which are of different roots. There are affixes in English which impart to the root the meaning of either the presence or the absence of a certain quality, property or state.

The most productive antonym-forming negative prefixes are un- (unhappy, unimportant), mis-(misfortune, misunderstanding). In the Ukrainian language that is the prefix не-(неправда, неволя). The prefix без- is also rather productive: безстрашний, безлад).

Antonym-forming suffixes impart to the word the meaning of the presence or absence of the quality or feature indicated by the root. The most productive antonym-forming suffixes are –ful,-less: fruitful – fruitless; hopeful – hopeless.

The second group (antonyms proper) includes words of different roots: day – night; rich – poor, радість – горе, дружити – ворогувати.

Considered in meaning antonyms can be divided into absolute, phraseological and complex.

Absolute antonyms are diametrically opposite in meaning and remain antonyms in any word-combinations. These are mostly found among negative affix-formed antonyms.

Phraseological antonyms. When they become components of phraseological groups or compound words they sometimes lose their absolutely antonymic nature.

e.g.: to give –to take: to give a book – to take a book but to give way will not have to take way as its antonym.

Phraseological antonyms cannot be used in parallel antonymic expressions indiscriminately. We can say The books are alike - The books are different but we cannot say an alike book though we do say a different book.

Complex antonyms are those polysemantic words that have different antipodes for their various meanings.

e.g.: Soft has such meanings as

- not hard, yielding (soft seat, soft nature);

- not loud, subdued (soft voice, soft colours);

- mild, not severe (soft climate, soft punishment).

Naturally all these meanings will find different words for antipodes:

- hard (hard seat, hard nature);

- loud, harsh (loud voice, harsh colours);

- severe (severe climate, severe punishment).

The Ukrainian word сухий can have the following antonyms: мокрий, м’який, повний, емоційний.

с) Criteria of Antonyms.

Antonyms have traditionally been defined as words of opposite meanings. This definition is not sufficiently accurate, as it only shifts the problem to the question of what words may be regarded as words of opposite meanings. Two words are considered antonyms if they are regularly contrasted in actual speech. A regular and frequent co-occurrence in such contexts is the most important characteristic feature of antonyms.

Another criterion is the possibility of substitution and identical lexical valency. Members of the same antonymic pair reveal nearly identical spheres of collocation.

e.g.: The adjective hot in its figurative meanings angry and excited is chiefly combined with unpleasant emotions (anger, scorn) . Its antonym cold occurs with the same words. But hot and cold are used in combinations with the emotionally neutral words fellow, man, but not with the nouns implying positive evaluation friend, supporter.

Antonyms form binary oppositions, the distinctive feature of which is semantic polarity; its basis is regular co-occurrence in typical contexts combined with approximate sameness of distribution and stylistic and emotional equivalence.