- •Английский язык Практикум по аналитическому чтению
- •Сыктывкар
- •Vanity fair by William Makepeace Thackeray (1811-1863)
- •Chapter xliv a Roundabout. Chapter between London and Hampshire
- •Commentary
- •He was a fine open-faced boy…
- •If you’re guilty, tremble. … If you are not guilty, have a care of appearances …
- •Discussion of the text
- •Bon Dieu! it is awful, that servants’ inquisition!
- •Discovery walks respectfully up to her… - with Calumny … behind him…
- •Madam, your secret will be talked over…
- •Great expectations by Charles Dickens (1812-1870)
- •Chapter XXXIX
- •Commentary
- •So furious had been the gusts, …
- •In the instant I had seen a face that was strange to me, looking up with an incomprehensible air of being touched and pleased by the sight of me.
- •No need to take a file from his pocket and show it to me; no need to…
- •I lived rough, that you should live smooth; I worked hard that you should be above work.
- •Discussion of the text
- •Vanity fair by William Thackeray
- •Family Portraits
- •Discussion of the text
- •A few crusted characters by Thomas Hardy (1840-1928)
- •Old Andrey’s* Experience as a Musician
- •Commentary
- •I was one of the choir-boys at that time…
- •Andrew … went in boldly, his fiddle under his arm.
- •Andrew’s face looked as if it were made of rotten apple…
- •Discussion of the text
- •Martin chuzzlewit by Charles Dickens
- •Chapter XVII
- •Discussion of the text
- •The light that failed by Rudyard Kipling (1865-1936)
- •Commentary
- •Dick saw the face as it hurried out into the street.
- •Many people were waiting their turn before him.
- •The doctor wrapped himself in a mist of words.
- •Many sentences were pronounced in that darkened room, and the prisoners often needed cheering.
- •Dick went into the street, and was rapturously received by Binkie.
- •Binkie wagged his tail joyously.
- •Discussion of the text
- •Mammon and the archer1 by o. Henry (1862 – 1910)
- •Commentary
- •Mammon and the Archer
- •And then he began to knock money.
- •Said the rules of society couldn’t be backed for a yard by a team of ten-millionairs.
- •Good luck in love she said it brought.
- •I had to go a little above the estimate.
- •Discussion of the text
- •The life and adventures of nicholas nickleby by Charles Dickens (1812- 1870)
- •Discussion of the text
- •Vanity fair
- •Discussion of the text
- •Dobbin of Ours Part Two
- •An encounter with an interviewer by Mark Twain (1835-1910)
- •Commentary
- •I was not feeling bright that morning.
- •Discussion of the text
- •The citadel by Archibald Joseph Cronin
- •Commentary
- •Acme by John Galsworthy
- •The gift of the magi* by o. Henry
- •The mill on the floss by George Eliot
- •Theatre by w.S. Maugham
- •The great gatsby by s. Fitzgerald
- •Three men in a boat by Jerome k. Jerome
- •The moon and sixpence by w.S. Maugham
- •The moon and sixpence by w.S. Maugham
- •The moon and sixpence by w.S. Maugham
- •A tale of a grandfather by p. Wodehouse
- •Discussion of the text
- •The lady's maid by Katherine Mansfield
- •The story of an hour (1894) by Kate Chopin
- •Discussion of the text
- •Elegance (2003) by Kathleen Tessaro Uniformity
- •Discussion of the text
- •Contents. Texts for Class Analysis
- •Texts for Independent Analysis
Dick went into the street, and was rapturously received by Binkie.
Binkie wagged his tail joyously.
Thus we see that the only living being that was with him at the moment was his dog. This stroke in the narration accentuates Dick’s loneliness.
“We’ve got it very badly, little dog!”
“We’re to be shut up…”
The use of the pronoun “we” is of interest here. It might simply reflect the usual address to a dog, it might reflect Dick’s attempt to share his tragedy with someone if only a dog.
“How could it have come without any warning?”
“Could + Perfect Infinitive” expresses Dick’s incredulity, his refusal to believe in the coming blindness.
Note that “could” is used to express doubt, incredulity only in interrogative and negative sentences.
“We’re to be shut up in the dark… and we shan’t see anybody, and we shall never have anything we want…”
We observe here such an arrangement of similarly built clauses (parallel constructions) which is called climax. It means that each clause (phrase or sentence) is more significant in meaning than the previous one. The stylistic value of this figure of speech is emphasis. And indeed the emotional tone of this sentence where each clause surpasses the previous one in intensity of expression is suggestive of great nervous strain.
Discussion of the text
Speak of the text stating whether it presents an account of events, a description, a dialogue or portraiture. If you find several components, name all of them.
In what key is the extract written: is it lyrical, dramatic, pathetic, ironical?
Into what parts could it be split? Characterize each.
What brought Dick to the oculist? With what feelings did he enter the oculist’s waiting-room?
Note the incongruity between the tragic verdict pronounced on Dick by the oculist and the trifling character of his worries about Maisie’s displeasure at his wearing spectacles. Does it stress the finality, the tragedy of his position?
Study Dick’s remark: “I can see as I ever could’.
What effect does the author achieve by making Dick affirm the very opposite of what he feared might be the truth?
How did his collision with another patient contribute to the growing tension? What figure of speech helps the author achieve it?
How could you account for the reiteration of the word “fear” throughout the extract? Pick out all the sentences in which it occurs. Could we call it the key-word of the text under study?
List all the artistic devices that help the author create an atmosphere of impending tragedy.
Speak about Dick. How did he behave at the crucial moment of his life when all his moral powers were put to test? Did he give way to his feelings or did he retain his self-control and dignity despite the terrible shock?
What ways of moulding a portrait does Kipling use? Does he resort to direct characterization? How do Dick’s conduct and speech characterize his nature?
What is the role of the little dog Binkie in the scene discussed? Why did Dick use the pronoun “we” while speaking to the dog? Did it help him fight the coming loneliness of the blind?
Study the syntax of the passage beginning with the words “How could it have come without any warning?” What figures of speech are used there? Account for their use.
What fills the scene discussed with vitality and dramatic tension?
Give a summary of your comments on the text.
