- •Английский язык Практикум по аналитическому чтению
- •Сыктывкар
- •Vanity fair by William Makepeace Thackeray (1811-1863)
- •Chapter xliv a Roundabout. Chapter between London and Hampshire
- •Commentary
- •He was a fine open-faced boy…
- •If you’re guilty, tremble. … If you are not guilty, have a care of appearances …
- •Discussion of the text
- •Bon Dieu! it is awful, that servants’ inquisition!
- •Discovery walks respectfully up to her… - with Calumny … behind him…
- •Madam, your secret will be talked over…
- •Great expectations by Charles Dickens (1812-1870)
- •Chapter XXXIX
- •Commentary
- •So furious had been the gusts, …
- •In the instant I had seen a face that was strange to me, looking up with an incomprehensible air of being touched and pleased by the sight of me.
- •No need to take a file from his pocket and show it to me; no need to…
- •I lived rough, that you should live smooth; I worked hard that you should be above work.
- •Discussion of the text
- •Vanity fair by William Thackeray
- •Family Portraits
- •Discussion of the text
- •A few crusted characters by Thomas Hardy (1840-1928)
- •Old Andrey’s* Experience as a Musician
- •Commentary
- •I was one of the choir-boys at that time…
- •Andrew … went in boldly, his fiddle under his arm.
- •Andrew’s face looked as if it were made of rotten apple…
- •Discussion of the text
- •Martin chuzzlewit by Charles Dickens
- •Chapter XVII
- •Discussion of the text
- •The light that failed by Rudyard Kipling (1865-1936)
- •Commentary
- •Dick saw the face as it hurried out into the street.
- •Many people were waiting their turn before him.
- •The doctor wrapped himself in a mist of words.
- •Many sentences were pronounced in that darkened room, and the prisoners often needed cheering.
- •Dick went into the street, and was rapturously received by Binkie.
- •Binkie wagged his tail joyously.
- •Discussion of the text
- •Mammon and the archer1 by o. Henry (1862 – 1910)
- •Commentary
- •Mammon and the Archer
- •And then he began to knock money.
- •Said the rules of society couldn’t be backed for a yard by a team of ten-millionairs.
- •Good luck in love she said it brought.
- •I had to go a little above the estimate.
- •Discussion of the text
- •The life and adventures of nicholas nickleby by Charles Dickens (1812- 1870)
- •Discussion of the text
- •Vanity fair
- •Discussion of the text
- •Dobbin of Ours Part Two
- •An encounter with an interviewer by Mark Twain (1835-1910)
- •Commentary
- •I was not feeling bright that morning.
- •Discussion of the text
- •The citadel by Archibald Joseph Cronin
- •Commentary
- •Acme by John Galsworthy
- •The gift of the magi* by o. Henry
- •The mill on the floss by George Eliot
- •Theatre by w.S. Maugham
- •The great gatsby by s. Fitzgerald
- •Three men in a boat by Jerome k. Jerome
- •The moon and sixpence by w.S. Maugham
- •The moon and sixpence by w.S. Maugham
- •The moon and sixpence by w.S. Maugham
- •A tale of a grandfather by p. Wodehouse
- •Discussion of the text
- •The lady's maid by Katherine Mansfield
- •The story of an hour (1894) by Kate Chopin
- •Discussion of the text
- •Elegance (2003) by Kathleen Tessaro Uniformity
- •Discussion of the text
- •Contents. Texts for Class Analysis
- •Texts for Independent Analysis
Commentary
Mammon and the Archer
In this title the author makes use of one of the most expressive tropes—a metaphor. This is a figure of speech in which a word or phrase literally denoting one kind of object or idea is used instead of another to suggest likeness or analogy between them. The metaphor may be expressed by any part of speech. Here Mammon (the god of riches of ancient Syrians) is a symbol of wealth, especially wealth having an evil power or debasing influence. An archer is a person skilled in the use of the bow and arrow. Here the archer stands for Cupid, the Roman love-god, usually shown in pictures and statues as a chubby naked boy with wings and a bow and arrow. (See the end of the story.) Cupid is used as a symbol of love. Juxtaposition of these two notions is meant to produce a humorous effect.
I bet my money on money every time.
I am ready to bet any sum of money any time for I put much confidence in the omnipotence of money.
…the appendix…
It is the supplement to the encyclopaedia, containing matter explanatory, but not essential to its completeness. It is mentioned here to intensify the comic effect, produced by old Rockwall’s speech in defence of his views.
I’m for money against the field.
The power of money is supreme (in sport “field” means all the persons taking part in a competition or contest).
…the champion of the root of evil.
One who speaks in defence of evil, here money.
* on hand (U.S.) - avaliable
I’ve been noticing it for two weeks.
The Present Perfect Continuous is often used in colloquial speech. It denotes an action taking place for a certain period of time up to the moment of speech. The use of this form with verbs of perception is characteristic of emotional colloquial speech.
She’ll jump at you.
She will eagerly accept your proposal. The word “jump” is used metaphorically here.
Your hands are clean. You’ve no Eureka soap on ‘em.
You are a gentleman. The father means that personally Robert has nothing to do with “degrading” business and thus must be willingly accepted into the “exclusive circles” of society. The word “clean” is used figuratively.
It is interesting to note that though a common businessman Anthony Rockwall gives his soap a Greek name for advertising purposes. Eureka is a cry of triumph at a discovery. In English it means “I have found it!” this exclamation is attributed to Archimedes, Greek mathematician and inventor on discovering a method for determining the purity of gold.
You don’t know the social mill, dad. She’s part of the stream that turns it.
This is an example of prolonged or extended metaphor, that is the case when one word used in a transferred sense calls forth a transference of meaning in the whole sequence of words related to it. “The social mill” is a hackneyed or trite metaphor as it has been made common as the result of being very often in use.
She’s going to sail for Europe at noon day after to-morrow…
Note the absence of article before the noun “day”. In colloquial American speech articles are often dropped in adverbial modifiers of time.
Do you think she would listen to a declaration from me during that six or eight minutes under those circumstances?
Here the demonstrative pronoun “that” is used in the singular to denote a period of time as a whole.
That night came Aunt Ellen, gentle, sentimental, wrinkled, sighing, oppressed by wealth, in to Brother Anthony at his evening paper, and began discourse on the subject of lovers’ woes.
This is a case of inversion. It is common when a sentence begins with an adverbial modifier and the subject is accompanied by a lengthy attribute. This makes the position of the subject more prominent.
The words “Brother” and “Aunt” are often capitalized when they are used instead or with proper names.
The use of a prepositional phrase (“at his evening paper”) instead of a possible attributive clause or a participial phrase makes the writer’s remark more concise and matter-of-fact.
