- •I. Introduction
- •II. Quick Guide
- •III. Guitar Setup
- •IV. Pod Setup
- •V. Amp/Distortion Tone
- •VI. Cabs and Mics
- •X. Faq and Links
- •XI. Wish List
- •XII. Effects
- •XIII. Glossary
- •I. Introduction
- •VIII. Tips and Pitfalls
- •IX. Troubleshooting Guide
- •I. Frequency Response
- •XIII. Change Log Appendix a – Line 6 Effect Processing Diagrams Appendix b - Line 6 Effect Processing Table
- •I. Introduction
- •Section Overview
- •II. Quick Guide
- •I. Top Ten Tweaks
- •A. Quirks
- •Input Settings Global/Patch Option
- •Volume Knob/Ch. Vol. Functionality
- •Input 2
- •B. Patch-building Tips
- •C. High-Gain Amp Roundup
- •D. Cabs/Mics Roundup
- •F. Distortion Effects Roundup
- •G. Gain Staging
- •H. Eq Effects Roundup
- •I. Top Ten Tweaks
- •J. Killing Fizz
- •K. Mids for Metal
- •L. Dual Cab
- •M. Noise Gate Usage
- •P. Output Modes
- •Q. Input Settings
- •III. Guitar Setup
- •A. New Strings
- •B. String Gauge
- •C. Action
- •D. Fret Buzz
- •E. Intonation
- •F. Pickups
- •I. Single-Coil vs. Humbuckers
- •II. Pickup Position
- •III. Signal-to-Noise Ratio
- •IV. Frequency Response
- •V. Actives vs. Passives
- •VI. All about Blackouts
- •VII. Pickup Height on Passives
- •VIII. Pickup Height on Actives
- •IX. Pickup Suggestions
- •G. Bridge
- •I. Body/Fret board/Tuners/Neck-through/etc.
- •IV. Pod Setup
- •I. Simple Guide for Settings
- •II. Where Confusion Sets In
- •III. Global eq
- •A. Understanding Output Modes
- •I. Simple Guide for Settings
- •II. Where Confusion Sets In
- •III. Global eq
- •IV. Live-Voiced Cabs
- •V. Cab/Mic Simulation
- •VI. Bass Boost
- •VII. Output Mode Feature Chart
- •B. Internal Signal Routing
- •C. Running Direct (pa/board/computer or daw/monitors/headphones)
- •I. Simple method (no real amp)
- •II. Using a real amp as a pre-amp
- •D. Running to an amp ("live")
- •I. Amp without effects loop
- •II. Pod as Effects Only after pre-amp
- •III. Simple setup for amp with effects loop
- •IV. 4 Cable Method
- •E. I Tried This and It Doesn't Sound Good
- •F. Dual Output
- •G. Wet/Dry/Wet Output
- •H. Multiple Instruments/Independent Paths
- •I. Input Settings Global/Patch
- •Input 2
- •Impedance
- •J. The Effects (fx) Loop
- •K. The Mixer Block
- •L. Effects Order/Position
- •Noise Suppressors/Gates
- •Chorus/Phaser/Flanger
- •Delay/Reverb
- •Pitch Shifters
- •M. Gain Staging
- •I. Principles
- •II. Practice
- •V. Amp/Distortion Tone
- •A. Distortion Types/Overview
- •I. Frequency Chart
- •C. Gain Staging/Layering Distortions
- •D. High-Gain Amps
- •I. Park 75
- •II. Plexi Bright
- •IV. Uberschall
- •V. Dual Rectifier
- •VI. Fireball
- •VII. Elektrik
- •VIII. Dual Rectifier "Pre"
- •IX. Slo Overdrive
- •X. Doom
- •XI. Epic
- •E. Distortion Effects
- •I. Tube Drive
- •II. Screamer
- •III. Classic Distortion
- •IV. Overdrive
- •V. Facial Fuzz
- •VI. Line 6 Distortion
- •VII. Line 6 Drive
- •VIII. Others
- •F. Power Amp d.E.P.'s
- •G. Dual Amps
- •H. "Full" vs. "Pre"
- •I. The Elusive Pure Clean Tone
- •J. Noise Gates
- •VI. Cabs and Mics
- •I. Introduction
- •A. Cab/Mic Overview
- •Ignore General Frequency Response...
- •...Unless Frequencies are Missing
- •Response or Noise?
- •Using Res. Level to improve snr
- •Taming the Low End
- •Tonal Nuances
- •Dual Cabs
- •Using Cab/Mic Choices for eq Purposes
- •B. Cab Selection for Direct Tones
- •I. My Favorites
- •II. General Tips
- •III. Hiway 4x12
- •IV. Tread V-30 4x12
- •VI. Greenbacks 4x12
- •VII. Uber 4x12
- •VIII. Brit-t75 4x12
- •IX. Other cabs
- •C. Cab Selection for Live Tones
- •D. Mic Selection
- •I. Sm57 On/Off Axis
- •II. Dynamic Mics
- •III. Condenser Mics
- •IV. Ribbon Mics
- •E. Dual Cabs
- •I. Introduction
- •II. Getting the Patch Ready
- •III. Phase Correction
- •Cab/Mic Delay Times Matrix/alternate Google Cloud version/pdf version
- •IV. Eq'ing the tone
- •V. Other Amp Settings
- •VI. E.R. Settings
- •VII. Dsp Management
- •VIII. My Favorite Combinations
- •Res. Level
- •A. Classifying the Frequency Spectrum
- •B. How to eq a Hard Rock Tone
- •C. The Pod hd's eq Effects
- •I. Graphic eq
- •II. Parametric eq
- •III. Studio eq
- •IV. 4 Band Shift eq
- •VI. Q Filter
- •D. Eq'ing your Patch
- •E. Fizzy Spots
- •VIII. Tips and Pitfalls
- •A. Tone Matching
- •B. Branching/Evolving Patches
- •C. Setlist Tips
- •D. Effect Switching/Tips
- •E. Recording Tips
- •F. Monitoring
- •G. Dsp Allocation/Advice
- •H. Mesa Boogie Mark II/IV tone
- •I. Clean Boost
- •J. Leveling Patches
- •K. Clarifying Confusing Volume Controls
- •I. The Pad Switch
- •II. The master Knob
- •III. Amp/Channel Volume aka volume Knob
- •IV. Mixer Levels
- •V. Master d.E.P.
- •L. Clipping
- •I. Input Clipping
- •II. Signal Clipping
- •III. Effects Clipping
- •IV. Clipping external devices
- •V. "Digital Clipping" (Crossover Distortion) on "Full" Amp Models
- •M. Bad Monitoring
- •I. Acoustic Tone
- •II. Bad Monitors
- •III. Bad Room
- •IV. Low Volume
- •N. Wrong Output Mode
- •O. Gain Staging
- •P. Outside vs. Inside Mix
- •Q. Relying on Others' Patches
- •IX. TroubleShooting
- •A. Too much noise
- •B. Tone is fizzy/noisy
- •C. Tone is harsh
- •D. Tone has digital clipping
- •E. Tone is muffled
- •F. Distortion is muddy/fuzzy/farty
- •G. Distortion is dirty/gritty
- •H. Tone is thin
- •I. Software Knobs move on their own
- •J. I'm Getting dsp Limit Reached Errors
- •X. Faq and Links
- •A. Frequently Asked Questions
- •I. Tone
- •Is the tone better when using Input 2: Variax (or another unused input)?
- •Should I use "full" or "pre" amp models?
- •Where should I set the master knob?
- •What does the Master dep do for amps models where there was no master volume on the original?
- •II. Output/Routing Can I output dual output modes with the hd-500 or Pro?
- •Can I output w/d/w (wet/dry/wet)?
- •Can I reamp over usb?
- •Why can't I get any output from Channel b?
- •Why don't I have stereo output?
- •III. Usage How Should I Level my Patches?
- •Why can't I get a natural volume swell with the Exp. Pedal?
- •How do I use the Pitch Glide?
- •IV. Compatibility/Hardware Does the Pod hd work with Gearbox?
- •Can I use hd-XXX patches on hd-yyy?
- •What is the differences between the Pod hd models?
- •Can I use a different power adapter?
- •Can I modify my Pod hd to gain more dsp power?
- •Do you take tone requests?
- •B. Links
- •I. General
- •II. Forums
- •III. Pod hd References
- •B. Amps
- •C. Utilities
- •D. Routing
- •F. Footswitches/controls/Midi
- •G. Effects
- •H. Dsp Saving Features
- •I. Devkit
- •XII. Effects
- •A. Preferred Effects
- •I. Chorus
- •II. Flanger
- •III. Compressors
- •IV. Reverb
- •V. Delay
- •B. Dialing in the Flangers
- •C. Substitutes
- •D. Ordering
- •XIII. Glossary
- •I. Frequency Response
- •A. Signal-Based Terms
- •I. Clipping
- •II. Distortion
- •III. Signal
- •IV. Noise
- •V. Signal-to-Noise Ratio (snr)
- •VI. Impedance
- •VII. Signal Chain
- •VIII. Mono
- •IX. Stereo
- •X. Field
- •XI. Balance
- •I. Frequency Response
- •VII. Shelf
- •VIII. Peak/Valley
- •II. Fizz
- •III. Buzz
- •IV. Grinding
- •V. Crunchy
- •VI. Chunky/Punchy
- •VII. Fuzzy
- •VIII. Cold
- •IX. Warm
- •XIV. Change Log
- •Appendix a – Line 6 Effect Processing Diagrams
- •Appendix b - Line 6 Effect Processing Table
- •Appendix c – Cabinet/Mic Phase Correction Timing Data
- •Appendix d – dsp Usage of Effects
Do you take tone requests?
I did accept requests a few months ago, but I have work and personal issues that currently prevent me from fulfilling any requests. As soon as I have time to take requests, I will be glad to take them in exchange for a meager donation.
In the meantime, the patches I made and posted cover a wide variety of artists and genres. Perhaps you can use one or two of them as a starting point. See my Patch Demo
Top of FAQ and Links
B. Links
I. General
wikipedia page on distortion
wikipedia page on equal volume contours (Fletcher-Munson curve)
Ibanez Rules Guitar Setup Page
Acoustically Treating a Room, bass traps
Me Am Bobbo's Pod HD Hub
Me Am Bobbo's Pod HD Patches
Strange Guitar Works - This is the website of my guitar tech, Benjamin Strange. He has a great blog where he catalogs the jobs he has done. My RGA 8 is up there - check out the new nut he put on there! He does great work, so if you're in the New Orleans area or want to ship your guitar for work, send him an email.
II. Forums
Line 6 Pod HD Community Support Forum BROKEN LINK
Sevenstring.org Gear and Equipmunk Forum
TheGearPage.net Modeling Forum
III. Pod hd References
Line 6 Pod HD manuals (Click "Effects" in left-hand menu)
Line 6 Pod HD model comparison
Jim Reynolds 4 Cable Method Document BROKEN LINK
Fester2k's Thread on DSP used per effect/model
Line 6 Pod HD FAQ page
Line 6 Stereo/Mono Effects Document BROKEN LINK
Pod HD Global Factory Reset Video, 300/400
Pod HD Thread on how to enter safe/test mode, firmware upgrade mode, factory reset, and calibrate pedal
Line 6 Product Feedback/Feature Request Form BROKEN LINK
iv. Guides
MerlinFL's Pod HD Start-up Guide Thread BROKEN LINK
Sevenstring.org Pod HD Thread
Line 6 Pod HD Thread covering this guide
TheGearPage.net Thread covering this guide, Update Thread
v. Patches
Pod HD Best Patches Thread
customtone.com - Pod HD patch database
Legendary Artists Thread BROKEN LINK
GuitarGeek.com - Famous Artist Guitar Rig Database
Jzab's Pod HD Patch Convertor
Thread on how to convert HD500 patches to work on Desktop/Bean BROKEN LINK
vi. Site Artwork
lattieink Facebook Page
lattieink.com
XI. Wish List
A. Output Modes, Cabs, and IR's
B. Amps
C. Utilities
D. Routing
E. EQ's
F. Footswitches/Controls/Midi
G. Effects
H. DSP Saving Features
I. Devkit
If you agree with the suggestions I am making below, please send Line 6 product feedback BROKEN LINK letting them know you agree with my requests.
A. Output Modes, Cabs, and IR's
The whole Output Modes setting is confusing and unnecessary. The Line 6 forum sees countless posts solved by setting up the unit correctly - most don't know these settings exist, and when they select a cab/mic when setting up their patch, they expect cab/mic simulation OR they accidentally apply cab/mic modeling when running to a real amp, since by default when you select an amp it automatically applies a cab/mic combination. Get rid of output mode altogether and replace it with the following components:
Global EQ - replaces the "front" modes which use EQ controls to adjust the EQ at the end of the digital signal chain. Adding a bass boost switch replaces the difference between Stack/Combo modes.
Cab Voice EQ - replaces the "live-voiced cabs" in all modes other than Studio/Direct, which essentially applies an EQ curve to the signal.
Convulution Reverb - replaces how the cab/mic selections operate in Studio/Direct mode, running impulse responses (IR's).
Allow the user to simply enable/disable these features and place them in the chain. For direct tones, you just turn on the convolution reverb. Otherwise disable it or remove it from the chain. This would also allow you to run a real pre-amp into the Pod just to use effects and guitar cab/mic IR's without having amp simulation enabled then run direct to PA or DAW.
Live-voiced cabs can be kind of confusing. If you're already running to a Mesa/Boogie Rectifier cabinet and select the Treadplate 4x12 on the Pod, it's not going to leave the tone unaltered. This feature should have a choice for the actual cab you are using and the desired cab tone you want to determine the EQ curve to apply to the signal.
Allow the convolution reverb block to load 3rd party IR's. If Digitech does it on a much cheaper unit, Line 6 should do it for their flagship line.
The mic choices are good. The mic options are not. There should be greater ability to virtually position and/or angle the mics.
It would also be nice to be able to set each output to apply or not apply cab/mic simulation. This would be simple if the cab/mic simulation is applied at the very end of the chain. Then you split the outputs directly at the end, so you have 4 signals - w/ cab/mic sims L/R and w/o cab/mic sims L/R. This would minimize any DSP hit that would otherwise occur if you split the signal before applying effects. Users can currently use a dual amp setup with full L/R pan in the mixer to get a single w/ cab/mic sim signal and a single w/o cab/mic sim signal, but this requires far more DSP and takes more time to match settings on both amp models...and you only get 2 mono signals. If the cab and amp blocks were separated, you could also use the FX Loop to send the dry signal and the main outputs for the wet signal.
I have noticed that when using dual amp patches, there can be some comb filtering due to the two signals becoming out of phase. If the cab DEP's included a short variable delay (0 - 10 or 20ms), this could be fixed. I am currently using EQ's to try to achieve phase correction which has very limited accuracy. See this thread.
Top of Wish List
