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Managing Batch Processes

You can delete and rename created batch processes in the Manage Batch Processes dialog.

Freeze Edits

The Freeze Edits function on the Audio menu allows you to make all processing and applied effects permanent for a clip:

1.Select the clip in the Pool or one of its events in the Project window.

2.Select “Freeze Edits…” from the Audio menu.

• If there is only one edit version of the clip (no other clips refer to the same audio file), the following dialog will appear:

•Open the Audio menu and select “Manage…” from the Batch Processes submenu to open the Manage Batch Processes dialog.

The created batch processes are listed in the left column, and the operations each batch process contains are listed in the right column.

•To remove a batch process, just select it in the list and click “Delete”.

•To change the name of a batch process, select it in the list and click “Rename” and enter the new name.

If you select “Replace”, all edits will be applied to the original audio file (the one listed in the clip’s Path column in the Pool). If you select “New File”, the Freeze Edits operation will create a new file in the Audio folder within the project folder (leaving the original audio file unaffected).

• If the selected clip (or the clip played by the selected event) has several edit versions (i.e. there are other clips referring to the same audio file), the following alert will appear:

As you can see, you don’t have the option to Replace the original audio file in this case. This is because that audio file is used by other clips. Select “New File” to have a new file created in the Audio folder within the project folder.

After a Freeze Edits, the clip refers to a new, single audio file. If you open the Offline Process History dialog for the clip, the list will be empty.

253 — Audio processing and functions

Detect Silence

The Detect Silence function on the Advanced submenu of the Audio menu searches for silent sections in an event and either splits the event, removing the silent parts from the project, or creates regions corresponding to the nonsilent sections. Proceed as follows:

1.Select the event in the Project window or the Audio Part Editor.

You can select several events if you like, in which case you will be allowed to make separate settings for each selected event.

2.Select “Detect Silence” from the Advanced submenu of the Audio menu.

The Detect Silence dialog appears.

3.Adjust the settings in the Detection section to the left.

They have the following functionality:

Setting

Description

Open

When the audio level exceeds this value, the function will

Threshold

“open”, i.e. let the sound through.

 

Set this low enough to open when a sound starts, but

 

high enough to remove unwanted noise during “silent”

 

sections.

Close

When the audio level drops below this value, the function

Threshold

will “close”. This value cannot be higher than the Open

 

Threshold value.

 

Set this high enough to remove unwanted noise during

 

“silent” sections.

Linked

If this checkbox is ticked, Open and Close Threshold will

 

have the same value.

 

 

Setting

Description

min. time

Determines the minimum time that the function will re-

open

main “open” after the audio level has exceeded the Open

 

Threshold value.

 

If the audio contains repeated short sounds, and you find

 

that this results in too many short “open” sections, try

 

raising this value.

min. time

Determines the minimum time that the function will re-

closed

main “closed” after the audio level has dropped below

 

the Close Threshold value.

 

Usually you would want to set this to a low value, to avoid

 

removing sounds.

Pre-Roll

Allows you to have the function “open” slightly before the

 

audio level exceeds the Open Threshold value. In other

 

words, the start of each “open” section is moved to the

 

left according to the time you set here.

 

This is useful to avoid removing the attack of sounds.

Post-Roll

Allows you to have the function “close” slightly after the

 

audio level drops below the Close Threshold value.

 

This is useful to avoid removing the natural decay of

 

sounds.

 

 

4. Click the “Compute” button.

The audio event is analyzed, and the waveform display is redrawn to indicate which sections will be considered “silent”, according to your settings. Above the Compute Button the number of detected regions is displayed.

• If you activate the “auto” checkbox next to the Compute button, the audio event will be analyzed (and the display will be updated) automatically every time you change the settings in the Detection section of the dialog.

Please note that you should not activate this option when you are working with very long files, as this process might take some time.

Audio processing and functions — 254

• You can use the Preview function to listen to the result.

The event is played back repeatedly in its entire length, but with the “closed” sections silenced.

5.Repeat steps 3 and 4 until you are satisfied with the result.

6.Select the desired result, by activating either the “Add as Regions” or the “Strip Silence” checkbox, or both.

“Add as Regions” will create regions according to the non-silent sections. “Strip Silence” will split the event at the start and end of each nonsilent section, and remove the silent sections in between.

7.If you activate “Add as Regions”, you can specify a name for the Regions in the Region Name field.

In addition to the name, the regions will be numbered, starting with the number specified in the Auto Number Start field.

8.Click “Process”.

The event is split and/or regions are added.

The result of the “Strip Silence” option.

• If you selected more than one event in step 1 above, you can activate the “process all” checkbox to apply the same settings to all selected events. If you don’t activate this, the dialog will appear again, allowing you to make separate settings for each event.

The Spectrum Analyzer

This function analyzes the selected audio, computes the average “spectrum” (level distribution over the frequency range) and displays this as a two-dimensional graph, with frequency on the x-axis and level on the y-axis.

1.Make an audio selection (a clip, an event or a range selection).

2.Select “Spectrum Analyzer” from the Audio menu.

A dialog with settings for the analysis appears.

The default values give good results in most situations, but you can adjust the settings if you like:

Setting Description

Size in Samples The function divides the audio into “analysis blocks”, the size of which is set here. The larger this value, the higher the frequency resolution of the resulting spectrum.

Size of Overlap The overlap between each analysis block.

Window used

Allows you to select which window type should be used

 

for the FFT (Fast Fourier Transform, the mathematical

 

method used for computing the spectrum).

Normalized

When this is activated, the resulting level values are

Values

scaled, so that the highest level is displayed as “1”

 

(0dB).

From Stereo

When analyzing stereo material, there is a pop-up menu

 

with the following options:

 

Mono mix – the stereo signal is mixed to mono before an-

 

alyzing.

 

Mono left/right – the left or right channel signal is used

 

for analysis.

 

Stereo – both channels are analyzed (two separate spec-

 

trums will be displayed).

 

 

255 — Audio processing and functions

3. Click the “Process” button.

The spectrum is computed and displayed as a graph.

4. You can adjust the display with the settings in the display window:

Setting

Description

dB

When this is activated, the vertical axis shows dB values.

 

When it is deactivated, values between 0 and 1 are

 

shown.

Freq. log

When this is activated, frequencies (on the horizontal

 

axis) are displayed on a logarithmic scale. When it is de-

 

activated, the frequency axis is linear.

Precision

Indicates the frequency resolution of the graph. This

 

value cannot be changed here, but is governed by the

 

Size in Samples setting in the previous dialog.

Frequency/

Allows you to select whether you want the frequencies to

Note

be displayed in Hertz or with note names.

Min.

Sets the lowest frequency shown in the graph.

Max.

Sets the highest frequency shown in the graph. By ad-

 

justing the Min and Max values, you can take a closer look

 

at a smaller frequency range.

Active

When this is activated, the next Spectrum Analysis will

 

appear in the same window. When deactivated, new

 

Spectrum Analysis results will appear in separate win-

 

dows.

 

 

5. If you move the mouse pointer over the graph, a crosshair cursor follows the graph curve and the display in the upper right corner shows the frequency/note and level at the current position.

To compare the level between two frequencies, move the pointer to one of the frequencies, right-click once and move the pointer to the second frequency. The delta value (the difference in level between the current position and the right-click position) is displayed in the upper right corner (labeled “D”).

• If you analyze stereo audio and selected the “Stereo” option in the first dialog, the graphs for the left and right channel are superimposed in the display, with the left channel graph in white and the right channel graph in yellow.

The display in the upper right corner shows the values for the left channel

– to see the right channel values, hold down [Shift]. An “L” or “R” is displayed to indicate which channel values are shown.

6. You can leave the window open or close it by clicking the “Close” button.

If you leave it open and the “Active” checkbox is ticked, the result of the next Spectrum Analysis will be displayed in the same window.

Statistics

The Statistics function on the Audio menu analyzes the selected audio (events, clips or range selections) and displays a window with the following information:

Item

Description

Min. Sample

The lowest sample value in the selection, as a value be-

Value

tween -1 and 1 and in dB.

Max. Sample

The highest sample value in the selection, as a value be-

Value

tween -1 and 1 and in dB.

Peak Amplitude The largest sample value (in absolute numbers) in the selection, in dB.

DC Offset

The amount of DC Offset (see “Remove DC Offset” on

 

page 247) in the selection, as a percentage and in dB.

Estimated

Even though an audio file is in 16 or 24 bits, it may have

Resolution

been converted from a lower resolution. The Estimated

 

Resolution value makes an educated guess about the ac-

 

tual audio resolution, by computing the smallest level dif-

 

ference between two samples.

 

 

Audio processing and functions — 256

Item

Description

Estimated Pitch

The estimated pitch of the audio selection.

Sample Rate

The sample rate of the audio selection.

Min. RMS

The lowest loudness (RMS) measured in the selection.

Power

 

Max. RMS

The highest loudness (RMS) measured in the selection.

Power

 

Average

The average loudness over the whole selection.

 

 

257 — Audio processing and functions

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