- •Table of Contents
- •About this manual
- •Welcome!
- •VST Connections: Setting up input and output busses
- •About this chapter
- •Setting up busses
- •External instruments/effects
- •Using the busses
- •Setting up Groups and FX channels
- •About monitoring
- •The Project window
- •Background
- •Window Overview
- •Operations
- •Options
- •Playback and the Transport panel
- •Background
- •Operations
- •Options and Settings
- •Recording
- •Background
- •Basic recording methods
- •Audio recording specifics
- •MIDI recording specifics
- •Options and Settings
- •Recovery of audio recordings after system failure
- •Fades, crossfades and envelopes
- •Creating fades
- •The Fade dialogs
- •Creating crossfades
- •The Crossfade dialog
- •Auto Fades and Crossfades
- •Event Envelopes
- •The Arranger track
- •Introduction
- •Setting up the Arranger track
- •Working with arranger events
- •Flattening the Arranger chain
- •Live Mode
- •Arranging your music to video
- •Folder tracks
- •About folder tracks
- •Handling folder tracks
- •Working with folder parts
- •Using markers
- •About markers
- •The Marker window
- •Using the Marker track
- •Marker key commands
- •Editing markers in the Project Browser
- •The Transpose functions
- •Introduction
- •Transposing your music
- •Other functions
- •The mixer
- •About this chapter
- •Overview
- •Configuring the mixer
- •The audio-related channel strips
- •The MIDI channel strips
- •The common panel
- •The input and output channels
- •Basic mixing procedures
- •Audio specific procedures
- •MIDI specific procedures
- •Utilities
- •VST Mixer Diagrams
- •Control Room
- •Background
- •Configuring the Control Room
- •The Control Room Overview
- •The Control Room Mixer
- •Control Room operations
- •Studios and Studio Sends
- •Direct Monitoring and latency
- •WK-Audio’s ID Controller
- •Audio effects
- •About this chapter
- •Overview
- •Insert effects
- •Send effects
- •Setting up send effects
- •Using the Side-Chain input
- •Using external effects
- •Making settings for the effects
- •Effect presets
- •VST Instruments and Instrument tracks
- •Introduction
- •VST Instrument channels vs. instrument tracks
- •VST Instrument channels
- •Instrument tracks
- •Comparison
- •Automation considerations
- •What do I need? Instrument channel or Instrument track?
- •Instrument Freeze
- •VST instruments and processor load
- •Using presets for VSTi configuration
- •About latency
- •External instruments
- •Surround sound
- •Background
- •Operations
- •Automation
- •Introduction
- •Enabling and disabling the writing of automation data
- •What can be automated?
- •The Automation panel
- •Virgin territory vs. the initial value
- •Automation modes
- •Automation performance utilities
- •The Settings section
- •Hints and further options
- •Automation track operations
- •Working with automation curves
- •Audio processing and functions
- •Background
- •Audio processing
- •Applying plug-ins
- •The Offline Process History dialog
- •Batch Processing
- •Freeze Edits
- •Detect Silence
- •The Spectrum Analyzer
- •Statistics
- •The Sample Editor
- •Background
- •Window overview
- •General Operations
- •Options and settings
- •Audio Warp realtime processing / Tempo matching audio to the project tempo
- •Working with hitpoints and slices
- •Free Warp
- •Realtime pitch-shifting of audio events
- •Flattening the realtime processing
- •The Audio Part Editor
- •Background
- •Opening the Audio Part Editor
- •Window overview
- •Operations
- •Common methods
- •Options and Settings
- •The Pool
- •Background
- •Window overview
- •Operations
- •VST Sound
- •Introduction
- •The MediaBay
- •Introduction
- •Window overview
- •Browsing for media files
- •Finding files in the Viewer section
- •Previewing files in the Scope section
- •The Tag Editor
- •Media management
- •Track Presets
- •Introduction
- •Types of track presets
- •VST presets
- •Browsing for presets
- •Creating a track preset
- •Creating tracks from track presets or VST presets
- •Applying track presets
- •Previewing track and VST presets
- •Inserts and EQ settings from track presets
- •Track Quick Controls
- •Introduction
- •Setting up the Quick Controls tab
- •Options and settings
- •Setting up quick controls on an external remote controller
- •MIDI realtime parameters and effects
- •Introduction
- •Basic track settings
- •MIDI Modifiers
- •MIDI effects
- •Managing plug-ins
- •MIDI processing and quantizing
- •Introduction
- •The Quantizing functions
- •Making your settings permanent
- •Dissolve Part
- •Repeat Loop
- •Other MIDI functions
- •The MIDI editors
- •About editing MIDI
- •Opening a MIDI editor
- •Key Editor operations
- •Edit In-Place
- •List Editor operations
- •Introduction
- •Opening the Logical Editor
- •Window overview
- •Selecting a preset
- •Setting up filter conditions
- •Selecting a function
- •Specifying actions
- •Applying the defined actions
- •Working with presets
- •The Input Transformer
- •The Project Logical Editor
- •Introduction
- •Opening the Project Logical Editor
- •Window overview
- •Selecting a preset
- •Setting up filter conditions
- •Selecting a function
- •Specifying actions
- •Applying the defined actions
- •Working with presets
- •Working with System Exclusive messages
- •Introduction
- •Bulk dumps
- •Recording System Exclusive parameter changes
- •Editing System Exclusive messages
- •Working with the Tempo track
- •Background
- •Operations
- •Process Tempo
- •The Process Bars dialog
- •Options and settings
- •The Beat Calculator
- •Merge Tempo From Tapping
- •The Time Warp tool
- •The Project Browser
- •Window Overview
- •Editing tracks
- •The Track Sheet
- •Overview
- •Printing the Track Sheet
- •Export Audio Mixdown
- •Introduction
- •Mixing down to an audio file
- •The available file formats
- •Synchronization
- •Background
- •Synchronization signals
- •Synchronizing the transport vs. synchronizing audio
- •Making basic settings and connections
- •Synchronization settings
- •Timecode Preferences
- •Machine Control
- •Setting up Machine Control
- •Working with VST System Link
- •Preparations
- •Activating VST System Link
- •Application examples
- •Video
- •Background
- •Before you start
- •Operations
- •The Edit Mode
- •Working with film transfers
- •Compensating for film transfers to video
- •ReWire
- •Introduction
- •Launching and quitting
- •Activating ReWire channels
- •Using the transport and tempo controls
- •How the ReWire channels are handled in Nuendo
- •Routing MIDI via ReWire2
- •Considerations and limitations
- •File handling
- •Working with Projects
- •Startup Options
- •Working with libraries
- •Revert
- •Importing audio
- •Exporting and importing OMF files
- •Exporting and importing AAF files
- •Exporting and importing AES31 files
- •Exporting and importing OpenTL files
- •Importing XSend projects from Liquid
- •Exporting and importing standard MIDI files
- •Exporting and importing MIDI loops
- •Exporting and importing tracks
- •Other Import/Export functions
- •Cleanup
- •Customizing
- •Background
- •Workspaces
- •The Setup dialogs
- •Customizing track controls
- •Configuring the main menu items
- •About preference presets
- •Appearance
- •Applying track and event colors
- •Where are the settings stored?
- •Key commands
- •Introduction
- •Setting up key commands
- •Setting up tool modifier keys
- •The default key commands
- •Index
25
MIDI realtime parameters and effects
Introduction
For each MIDI track, you can set up a number of track parameters, or modifiers, and MIDI effects. These affect how the MIDI data is played back, “transforming” MIDI events in real time before they are sent to the MIDI outputs.
On the following pages, the available parameters and effects are described. Keep in mind:
•The actual MIDI events will not be affected – the changes happen “on the fly”.
•Since the modifier settings don’t change the actual MIDI data on the track, they will not be reflected in the MIDI editors. To convert the track settings to “real” MIDI events, use the Freeze MIDI Modifiers function or the Merge MIDI in Loop function (see “Making your settings permanent” on page 357).
The Inspector – General handling
The MIDI modifiers and effects are set up in the Inspector (although some settings are available in the mixer as well). Here’s a brief rundown on how to handle the Inspector:
•To show or hide the Inspector, click the Inspector icon on the Project window toolbar.
•For a MIDI track, up to nine sections are available. Which of these sections are displayed in the Inspector is determined in the setup context menu or the Setup dialog of the Inspector.
For information about setting up the Inspector, see “The Setup dialogs” on page 506.
•You can fold or unfold the sections individually by clicking on the section name.
Clicking the name for a hidden section brings it to view and hides the other sections. [Ctrl]/[Command]-clicking the tab allows you to hide or show a section without affecting other sections. Finally, [Alt]/[Option]- clicking a tab shows or hides all sections in the Inspector.
The Inspector for a MIDI track.
Ö Folding or hiding (via the Setup dialog) a section does not affect the functionality but merely hides the section from view.
This means your settings will still be active even if you fold or hide the Inspector settings.
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MIDI realtime parameters and effects
Basic track settings
The topmost Inspector section contains the basic settings for the selected MIDI track.
These are settings that either affect the basic functionality for the track (mute, solo, enable record, etc.) or send out additional MIDI data to the connected devices (program change, volume, etc.). The section contains all settings in the Track list (see “The Track list” on page 25), with a few additional parameters:
Parameter |
Description |
Track name |
Click once to show/hide the topmost Inspector section. |
field |
Double-click to rename the track. |
Edit button |
This opens the Channel Settings window for the track (a |
|
window showing a channel strip with volume fader and |
|
other controls, along with effect settings – see “Using |
|
Channel Settings” on page 137). |
Mute/Solo |
Mutes or solos the MIDI track. |
buttons |
|
Read/Write |
Used for automating the track settings – see “Enabling |
buttons |
and disabling the writing of automation data” on page |
|
214. |
Open Device |
If the MIDI track is routed to a device with a panel, click- |
Panels button |
ing this button opens the respective panel. For more in- |
|
formation, see the separate PDF document “MIDI |
|
Devices”. |
Input trans- |
Opens the Input Transformer dialog, allowing you to |
former button |
transform incoming MIDI events in real time, see “The In- |
|
put Transformer” on page 397. |
Record enable |
Activate this to make the track ready for recording. |
button |
|
Monitor button |
When this is activated (and the option “MIDI Thru Active” |
|
is activated in the Preferences–MIDI page), incoming |
|
MIDI will be routed to the selected MIDI output. |
|
|
Parameter |
Description |
Toggle Time- |
Switches between musical (tempo related) and linear |
base button |
(time related) time base for the track. See “Switching |
|
between musical and linear time base” on page 40. |
Lock button |
Activate this to disable all editing of all events on the |
|
track. |
Lane Display |
Allows you to divide the tracks in lanes. For more about |
Type button |
lanes, see “Recording audio in Stacked mode” on page |
|
75. |
Volume |
Use this to adjust the level for the track. Changing this |
|
setting will move the track’s fader in the mixer window, |
|
and vice versa. See “Setting volume in the mixer” on page |
|
132 for more about setting levels. |
Pan |
Use this to adjust the panning of the track. |
Delay |
This adjusts the playback timing of the MIDI track. Posi- |
|
tive values delay the playback while negative values |
|
cause the track to play earlier. The values are set in milli- |
|
seconds. |
In/Out/Chn |
This is where you select MIDI input, MIDI output and MIDI |
pop-ups |
channel for the track. |
Edit Instrument |
If the MIDI track is routed to a VST instrument, clicking |
button |
this button opens the control panel for the VST instru- |
|
ment. |
Bank and Patch Allows you to select a sound, see below. (If no bank is Selector pop-up available, only the Patch selector is shown.)
Apply Track |
Allows you to apply a track preset, see “Applying track |
Preset button |
presets” on page 334. |
|
|
ÖNote that the functionality of the Bank and Patch selector settings (used for selecting sounds in the connected MIDI instrument) depends on the instrument to which the MIDI output is routed, and how you have set it up in the MIDI Device Manager.
The MIDI Device Manager allows you to specify which MIDI instruments and other devices are connected to the various MIDI outputs, thus making it possible to select patches by name. See the separate PDF document “MIDI Devices” for details about the MIDI Device Manager.
ÖMany of the basic track settings are duplicated in “mixer channel strip form” in the MIDI Fader section of the Inspector (see below).
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MIDI realtime parameters and effects
Other Inspector sections
Apart from the basic track settings (see above), the MIDI Modifiers (see “MIDI Modifiers” on page 346) and the effect sections (see “MIDI effects” on page 348), the Inspector for a MIDI track also contains the following sections:
The MIDI Fader section
This contains a single channel strip, allowing you to set volume, pan, mute/solo and other parameters for the track, and a panel view of the active sends/inserts. This is a “mirror” of the track’s channel strip in the Nuendo mixer – see “The MIDI channel strips” on page 131.
The Notepad section
This is a standard notepad, allowing you to enter notes and comments about the track. Each track has its own notepad in the Inspector.
The Network section
This contains controls related to Nuendo’s Network functions. See the Networking pdf document for information.
VST Instrument section
If the MIDI track is routed to a VST Instrument, a new subpanel will appear at the bottom of the Inspector, labeled with the name of the VST instrument. Clicking this section shows a duplicate of the Inspector settings for the VST Instrument channel. This makes it easy to adjust the channel settings for the VST Instrument while you are editing the MIDI track.
• If the VST Instrument has multiple outputs (and thus several mixer channels), there will be a setting called “Output” at the top of the VST Instrument section.
New sub-panels will also be added in the following cases:
•When a MIDI track is routed to an external instrument or effect that has an associated MIDI Device. In this case, the new subpanel will get the name of the device.
•When a MIDI track is routed to an effect plug-in that also receives audio data, i.e. that is used as an insert effect for an audio track (e.g. MIDI Gate), a sub-panel for this audio track appears in the MIDI track inspector.
•If a MIDI track is routed to a plug-in assigned to a FX Channel track, a corresponding FX sub-panel is added to the Inspector.
Ö For an easy way to combine MIDI and VST instruments, check out instrument tracks (see “VST Instruments and Instrument tracks” on page 189).
User Panel section
This allows you to display MIDI device panels, which are control panels for external hardware. This is described in the separate PDF document “MIDI Devices”.
Quick Controls section
This allows you to configure quick controls, e.g. to use remote devices. See the chapter “Track Quick Controls” on page 338.
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MIDI realtime parameters and effects
