- •Table of Contents
- •About this manual
- •Welcome!
- •VST Connections: Setting up input and output busses
- •About this chapter
- •Setting up busses
- •External instruments/effects
- •Using the busses
- •Setting up Groups and FX channels
- •About monitoring
- •The Project window
- •Background
- •Window Overview
- •Operations
- •Options
- •Playback and the Transport panel
- •Background
- •Operations
- •Options and Settings
- •Recording
- •Background
- •Basic recording methods
- •Audio recording specifics
- •MIDI recording specifics
- •Options and Settings
- •Recovery of audio recordings after system failure
- •Fades, crossfades and envelopes
- •Creating fades
- •The Fade dialogs
- •Creating crossfades
- •The Crossfade dialog
- •Auto Fades and Crossfades
- •Event Envelopes
- •The Arranger track
- •Introduction
- •Setting up the Arranger track
- •Working with arranger events
- •Flattening the Arranger chain
- •Live Mode
- •Arranging your music to video
- •Folder tracks
- •About folder tracks
- •Handling folder tracks
- •Working with folder parts
- •Using markers
- •About markers
- •The Marker window
- •Using the Marker track
- •Marker key commands
- •Editing markers in the Project Browser
- •The Transpose functions
- •Introduction
- •Transposing your music
- •Other functions
- •The mixer
- •About this chapter
- •Overview
- •Configuring the mixer
- •The audio-related channel strips
- •The MIDI channel strips
- •The common panel
- •The input and output channels
- •Basic mixing procedures
- •Audio specific procedures
- •MIDI specific procedures
- •Utilities
- •VST Mixer Diagrams
- •Control Room
- •Background
- •Configuring the Control Room
- •The Control Room Overview
- •The Control Room Mixer
- •Control Room operations
- •Studios and Studio Sends
- •Direct Monitoring and latency
- •WK-Audio’s ID Controller
- •Audio effects
- •About this chapter
- •Overview
- •Insert effects
- •Send effects
- •Setting up send effects
- •Using the Side-Chain input
- •Using external effects
- •Making settings for the effects
- •Effect presets
- •VST Instruments and Instrument tracks
- •Introduction
- •VST Instrument channels vs. instrument tracks
- •VST Instrument channels
- •Instrument tracks
- •Comparison
- •Automation considerations
- •What do I need? Instrument channel or Instrument track?
- •Instrument Freeze
- •VST instruments and processor load
- •Using presets for VSTi configuration
- •About latency
- •External instruments
- •Surround sound
- •Background
- •Operations
- •Automation
- •Introduction
- •Enabling and disabling the writing of automation data
- •What can be automated?
- •The Automation panel
- •Virgin territory vs. the initial value
- •Automation modes
- •Automation performance utilities
- •The Settings section
- •Hints and further options
- •Automation track operations
- •Working with automation curves
- •Audio processing and functions
- •Background
- •Audio processing
- •Applying plug-ins
- •The Offline Process History dialog
- •Batch Processing
- •Freeze Edits
- •Detect Silence
- •The Spectrum Analyzer
- •Statistics
- •The Sample Editor
- •Background
- •Window overview
- •General Operations
- •Options and settings
- •Audio Warp realtime processing / Tempo matching audio to the project tempo
- •Working with hitpoints and slices
- •Free Warp
- •Realtime pitch-shifting of audio events
- •Flattening the realtime processing
- •The Audio Part Editor
- •Background
- •Opening the Audio Part Editor
- •Window overview
- •Operations
- •Common methods
- •Options and Settings
- •The Pool
- •Background
- •Window overview
- •Operations
- •VST Sound
- •Introduction
- •The MediaBay
- •Introduction
- •Window overview
- •Browsing for media files
- •Finding files in the Viewer section
- •Previewing files in the Scope section
- •The Tag Editor
- •Media management
- •Track Presets
- •Introduction
- •Types of track presets
- •VST presets
- •Browsing for presets
- •Creating a track preset
- •Creating tracks from track presets or VST presets
- •Applying track presets
- •Previewing track and VST presets
- •Inserts and EQ settings from track presets
- •Track Quick Controls
- •Introduction
- •Setting up the Quick Controls tab
- •Options and settings
- •Setting up quick controls on an external remote controller
- •MIDI realtime parameters and effects
- •Introduction
- •Basic track settings
- •MIDI Modifiers
- •MIDI effects
- •Managing plug-ins
- •MIDI processing and quantizing
- •Introduction
- •The Quantizing functions
- •Making your settings permanent
- •Dissolve Part
- •Repeat Loop
- •Other MIDI functions
- •The MIDI editors
- •About editing MIDI
- •Opening a MIDI editor
- •Key Editor operations
- •Edit In-Place
- •List Editor operations
- •Introduction
- •Opening the Logical Editor
- •Window overview
- •Selecting a preset
- •Setting up filter conditions
- •Selecting a function
- •Specifying actions
- •Applying the defined actions
- •Working with presets
- •The Input Transformer
- •The Project Logical Editor
- •Introduction
- •Opening the Project Logical Editor
- •Window overview
- •Selecting a preset
- •Setting up filter conditions
- •Selecting a function
- •Specifying actions
- •Applying the defined actions
- •Working with presets
- •Working with System Exclusive messages
- •Introduction
- •Bulk dumps
- •Recording System Exclusive parameter changes
- •Editing System Exclusive messages
- •Working with the Tempo track
- •Background
- •Operations
- •Process Tempo
- •The Process Bars dialog
- •Options and settings
- •The Beat Calculator
- •Merge Tempo From Tapping
- •The Time Warp tool
- •The Project Browser
- •Window Overview
- •Editing tracks
- •The Track Sheet
- •Overview
- •Printing the Track Sheet
- •Export Audio Mixdown
- •Introduction
- •Mixing down to an audio file
- •The available file formats
- •Synchronization
- •Background
- •Synchronization signals
- •Synchronizing the transport vs. synchronizing audio
- •Making basic settings and connections
- •Synchronization settings
- •Timecode Preferences
- •Machine Control
- •Setting up Machine Control
- •Working with VST System Link
- •Preparations
- •Activating VST System Link
- •Application examples
- •Video
- •Background
- •Before you start
- •Operations
- •The Edit Mode
- •Working with film transfers
- •Compensating for film transfers to video
- •ReWire
- •Introduction
- •Launching and quitting
- •Activating ReWire channels
- •Using the transport and tempo controls
- •How the ReWire channels are handled in Nuendo
- •Routing MIDI via ReWire2
- •Considerations and limitations
- •File handling
- •Working with Projects
- •Startup Options
- •Working with libraries
- •Revert
- •Importing audio
- •Exporting and importing OMF files
- •Exporting and importing AAF files
- •Exporting and importing AES31 files
- •Exporting and importing OpenTL files
- •Importing XSend projects from Liquid
- •Exporting and importing standard MIDI files
- •Exporting and importing MIDI loops
- •Exporting and importing tracks
- •Other Import/Export functions
- •Cleanup
- •Customizing
- •Background
- •Workspaces
- •The Setup dialogs
- •Customizing track controls
- •Configuring the main menu items
- •About preference presets
- •Appearance
- •Applying track and event colors
- •Where are the settings stored?
- •Key commands
- •Introduction
- •Setting up key commands
- •Setting up tool modifier keys
- •The default key commands
- •Index
39
Customizing
Background
The user can customize the appearance and functionality of Nuendo in various ways.
User configurable items described in this chapter are:
• Workspaces
By storing different window combinations as workspaces, you can quickly switch between different working modes – see “Workspaces” on page 504.
• Setup dialogs
Several parts of the user interface (toolbars, Transport panel, Inspector, info lines and channel settings windows) provide a Setup dialog, where you can configure which items of the respective window area or panel are to be shown or hidden and where they should be located – see “The Setup dialogs” on page 506.
• Track list
The controls shown in the Track list can be set for each track type – see “Customizing track controls” on page 507.
• Configuration of main menu items
You can hide items not needed on the main menus – see “Configuring the main menu items” on page 509.
• Preferences presets
You can save and recall preference settings as preference presets – see “About preference presets” on page 510.
• Appearance
The general look of the program can be adjusted – see “Appearance” on page 511.
• Track and event colors
You can adjust which colors should be used – see “Applying track and event colors” on page 512.
This chapter also contains a section describing where your preferences and settings are stored (see “Where are the settings stored?” on page 514), to help you transfer your customized settings to another computer.
Workspaces
A configuration of Nuendo windows is called a “workspace”. A workspace stores the size, position and content of all windows, allowing you to quickly switch between different working modes via the menu or by using key commands. E.g., you may want as large a Project window as possible when you are editing, whereas you may want the Mixer and effect windows open during mixdown. Workspaces are listed and managed on the Workspaces submenu on the Windows menu.
Editing the active workspace
There is always one workspace active, even if you haven’t saved any. To make changes to the active workspace, you simply set up the windows as desired – including opening, closing, moving and sizing windows, and adjusting zoom and track height. The changes are automatically stored for the active workspace.
• To keep a workspace from being accidentally changed, select “Lock Active Workspace” from the Workspaces submenu.
A locked workspace will keep its original window settings. You may change the current window layout on the screen, but the next time you select the workspace again, the originally stored layout will be recalled.
504
Customizing
Creating a new workspace
1.Pull down the Window menu and open the Workspaces submenu.
2.Select “New Workspace”.
3.In the dialog that opens, enter a name for the workspace.
4. Click OK.
The workspace is stored and will appear on the submenu. It will now be the active workspace.
5. Set up the windows you want to include in the new workspace.
This may include opening, moving and sizing windows, and adjusting zoom and track height.
Activating a workspace
1.Pull down the Window menu and open the Workspaces submenu.
2.Select the workspace from the list on the submenu.
The windows are closed, opened, moved and/or resized according to the stored workspace.
• You can also activate any of nine workspaces using key commands.
This is set up under the Workspaces category in the Key Commands dialog.
Organizing workspaces and presets
If you select “Organize…” from the Workspaces submenu, the Organize Workspaces dialog opens:
The list to the left shows the workspaces in the active project, while the list to the right shows the workspace presets. While workspaces are stored with each project, workspace presets can be stored globally, allowing you to set up a number of workspaces for use in any project. Workspace presets store the position and size of the main windows only – project-specific windows are not included.
•In the Workspaces list to the left, you can rename workspaces (by double-clicking and typing) and lock or unlock them.
•The arrow buttons between the two lists allow you to copy the selected workspace to a workspace preset, or vice versa.
•The buttons below each list let you add, remove or activate workspaces or presets.
You can also activate a workspace or a preset by double-clicking in its number column.
•Normally, when you use key commands to activate workspaces, they relate to the order in the workspace list, e.g. the key command for “Workspace 1” selects the first workspace on the list and so on. However, if you activate the Use IDs checkbox, you can enter a number (1-9) in the ID column for each workspace.
This number will be used as reference when you are using key commands, so that the key command for “Workspace 1” recalls the workspace with ID 1.
•Workspace presets are saved with the project. By default the global presets are shown in the list to the right – to see the presets of other projects, activate the Show Project Presets checkbox.
505
Customizing
•Activate the Auto Instantiate Presets checkbox to convert all global workspace presets automatically into workspaces when you create a new project or open a project.
•To close the dialog, click the OK button or use [Esc].
Note that you can continue working in other windows with the Organize Workspaces dialog open.
The Setup dialogs
You can customize the appearance of the following elements:
•transport panel
•info line
•channel settings window
•toolbars
•Inspector
Customizing via the setup context menus
If you right-click the Transport panel, the toolbars, the info lines, or the Inspector, the respective setup context menu opens. For channel settings windows, these options are found in the dialog menu, on the Customize View submenu. On this menu, you can activate/deactivate elements as desired.
The following general options are available on the setup context menus:
•“Show All” makes all items visible.
•“Default” resets the interface to the default setting.
•“Setup…” opens the Setup dialog (see below).
If presets are available, they can be selected on the lower half of the menu (e.g. “Status Fields Only” for the Transport panel).
The info line and Inspector setup context menus. In the Inspector setup context menu, the available options depend on the track type.
Customizing via the Setup dialog
If you select “Setup…” from the setup context menus, the Setup dialog opens. This allows you to specify which elements should be visible/hidden and to set the order of the elements. You can also save and recall setup presets in this dialog.
The Setup dialog, e. g. for the Transport panel.
The dialog is divided into two columns. The left column displays the currently visible items and the right column displays the currently hidden items.
• You can change the current show/hide status by selecting items in one column and then using the arrow buttons in the middle of the dialog to move them to the other column.
Changes are applied directly.
506
Customizing
