- •1. Definition of culture and main approaches in its comprehension
- •2. Correlation between the world culture, ethnoculture, and national culture
- •3. Early forms of religious experience: animism, fetishism, totemism.
- •4. Cucuteni-Trypillian culture: main characteristics
- •7. Functions of culture
- •8. Scythian culture
- •9. Sarmathian culture
- •11 The idea of national culture
- •12 Sources of Ukrainian culture
- •13. Parts of Ukrainian culture
- •14. The differences between Ukrainian ethnoculture and professional culture
- •15. Sources of information about culture of Pre-Slavic and Slavic population in Ukrainian lands
- •16. Peculiarities of Slavic mythology
- •18. Cosmology in Slavic mythology
- •20. General characteristics of Kyivan Rus’ culture
- •21. Origins of Kyivan Rus’
- •22. Christian influence on cultural development of Kyivan Rus’
- •23. Literature of Kyivan Rus’
- •24. Slovo o polku Ihorevi (The Tale of Ihor’s Compaign)
- •27. Iconography in Kyivan Rus’
- •28. Prominent activists of Kyivan Rus’ culture (Ilarion, Nestor the Chronicler, St.Antony of the Caves)
- •29. Renaissance humanism in Europe
- •30. Cultural impulses of Reformation and Contrreformation in Europe
- •31. Religious life after the Church Union of Berestia
- •32. Cultural dimensions of Early Modern civil society
- •33. Brotherhoods as a cultural phenomenon
- •34. Education and Brotherhoods’ activity: general characteristics
- •35. Cultural role of Ostrih Academy
- •36. Kyivan Mohyla Academy
- •37. Ivan Fedorov and book printing activity of Brotherhoods.
- •38. Architecture of Cossack Baroque
- •39. Baroque style in Europe
- •41. Polemic literature and I.Vyshensky
- •42. H.Hrabianka and his Chronicle
- •Th.Prokopovich and his role in Ukrainian culture
- •H.Scovoroda in Ukrainian culture
- •45. Cultural meaning of the Enlightenment
- •46. The process of Russification in Ukrainian lands of Russian Empire: main waves
- •47. An Old Ukrainian tradition: Bard (kobzars, bandurysts, and lirnyks)
- •48. Rococo architecture in Ukraine
- •49 The style of Classicism in Europe
- •51. Classicism literature of Ukraine
- •52. I.Kotliarevsky and the new Ukrainian literature
- •53. Cultural activity of Cyril and Methodius Brotherhood
- •54. Hromada movement and the growth of Ukrainian national consciousness Hromadas
- •55. Realism and Romanticism as the main styles in literature and arts of the 19th century: general characteristics
- •56. Poetry of Ukrainian Romanticism
- •57. Romanticism in Ukrainian music (s.Hulak-Artemovsky, m.Lysenko)
- •58. Peredvizhniki and their role in Ukrainian culture
- •59. Ukrainian civil press of the 2nd half of the 19th century
- •61. Main representatives of Ukrainian theater
- •62.Prominent scholars of the 19th century (m.Maksymovych, m.Kostomarov, V.Antonovych, o.Potebnia)
- •63. Ukrainian writers of the 19th century (p.Kulish, Marko Vovchok, m.Kotsiubynsky, s.Rudansky)
- •64. Creative activity of n.Gogol
- •65. Creative activity of t. Shevchenko
- •67. Creative activity of I.Franko
- •68 Cultural activity of m.Drahomanov
- •70. Modernism in Ukrainian culture: general characteristics
- •71. Socialist realism in the ussr: general characteristics
- •72. Socialist realism in the ussr: main representatives
- •73. Les Kurbas and Berezil
- •74. O.Dovzhenko and Ukrainian cinematograph
- •75. Cubism in Ukrainian painting
- •76. Constructivism in Ukrainian arts
- •77. Ukrainian Impressionist Painters
- •78 Creative activity of o.Archipenko
- •79. Symbolism in Ukrainian literature
- •80. Expressionism in Ukrainian plastic arts
- •82. M.Khvylovy and Vaplite
- •83. M.Zerov and Ukrainian Neoclassicists
- •84. Ukrainian poetry of the 20th century (m.Bazhan, p.Tychina, m.Rylsky)
- •85. Cultural meaning of Shistdesiatnyky
- •86 Shistdesiatnyky: main representatives in Ukrainian literature
33. Brotherhoods as a cultural phenomenon
Brotherhoods as a cultural phenomenon. (Ukrainian singular: bratstvo). Fraternities affiliated with individual churches in Ukraine and Belarus that performed a number of religious and secular functions.The origins of brotherhoods can be traced back to the medieval bratchyny, which were organized at churches in the Princely era (first mentioned in the Hypatian Chronicle, 1159). Brotherhoods as such appeared in Ukraine in the mid-15th century, with the rise of the burgher class. They adopted their organizational structure from Western medieval brotherhoods (confraternitates) and trade guilds. Initially the brotherhoods engaged only in religious and charitable activities. They maintained churches and sometimes assumed financial responsibility for them, ensured that church services, in particular parish feasts, were celebrated in a ceremonious way, arranged ritual dinners for their members, collected money, helped the indigent and the sick, and organized hospitals. Since these religious and charitable activities of the brotherhoods left no visible traces, some historians, such as Kost Huslysty and Yaroslav Isaievych, do not consider the early period of the brotherhoods as being part of their history.The brotherhoods began to play a historical role in the second half of the 16th and at the beginning of the 17th century. In this period they assumed the task of defending the Orthodox faith and Ukrainian nationality by counteracting Catholic and particularly Jesuit expansionism, Polonization, and later conversion to the Uniate church. Because they consisted predominantly of burghers, the brotherhoods acquired a secular character and often found themselves in opposition to the authoritarian practices of the clergy. Hence, they endeavored to reform the Orthodox church from within by condemning the corrupt practices of the hierarchy and of individual clergymen. Their interference in clerical affairs was one of the reasons for the favorable attitude towards the Church Union of Berestia among the Orthodox bishops. The brotherhoods brought about a revival in the life of the church by promoting cultural and educational activity. They founded brotherhood schools, printing presses, and libraries. The resulting cultural-religious movement found its literary expression in polemical literature. The brotherhoods also participated in civic and political life. They sent representatives to church councils and to the Sejm in Warsaw and maintained ties with the Cossacks. In Left-Bank Ukraine new brotherhoods, with a narrower focus, appeared at the end of the 17th and the beginning of the 18th century in Poltava, Novi Sanzhary, Starodub, Sribne (where the brotherhood supported a hospital), Lebedyn, and Kharkiv. After the Ukrainian church became subordinated to the Moscow patriarchate in 1686 and then to the Holy Synod, the Russian imperial government did not approve of the activities of the brotherhoods. Only much later, on 8 May 1864, did the Russian authorities issue a law permitting brotherhoods to be formed throughout the Russian Empire; these newly created brotherhoods, however, differed in their aims and work from the traditional Ukrainian brotherhoods.In Right-Bank Ukraine in 1679 the Polish Sejm prohibited the brotherhoods from maintaining ties with the Eastern patriarchs. By the beginning of the 18th century the Uniate church had established itself firmly in Western Ukraine. The Lviv Dormition Brotherhood had accepted the union in 1709 and had received from the Pope a guarantee of its right of stauropegion. Under the Austrian regime, however, the Galician brotherhoods were dissolved by the government decree of 1788.
