- •1. Definition of culture and main approaches in its comprehension
- •2. Correlation between the world culture, ethnoculture, and national culture
- •3. Early forms of religious experience: animism, fetishism, totemism.
- •4. Cucuteni-Trypillian culture: main characteristics
- •7. Functions of culture
- •8. Scythian culture
- •9. Sarmathian culture
- •11 The idea of national culture
- •12 Sources of Ukrainian culture
- •13. Parts of Ukrainian culture
- •14. The differences between Ukrainian ethnoculture and professional culture
- •15. Sources of information about culture of Pre-Slavic and Slavic population in Ukrainian lands
- •16. Peculiarities of Slavic mythology
- •18. Cosmology in Slavic mythology
- •20. General characteristics of Kyivan Rus’ culture
- •21. Origins of Kyivan Rus’
- •22. Christian influence on cultural development of Kyivan Rus’
- •23. Literature of Kyivan Rus’
- •24. Slovo o polku Ihorevi (The Tale of Ihor’s Compaign)
- •27. Iconography in Kyivan Rus’
- •28. Prominent activists of Kyivan Rus’ culture (Ilarion, Nestor the Chronicler, St.Antony of the Caves)
- •29. Renaissance humanism in Europe
- •30. Cultural impulses of Reformation and Contrreformation in Europe
- •31. Religious life after the Church Union of Berestia
- •32. Cultural dimensions of Early Modern civil society
- •33. Brotherhoods as a cultural phenomenon
- •34. Education and Brotherhoods’ activity: general characteristics
- •35. Cultural role of Ostrih Academy
- •36. Kyivan Mohyla Academy
- •37. Ivan Fedorov and book printing activity of Brotherhoods.
- •38. Architecture of Cossack Baroque
- •39. Baroque style in Europe
- •41. Polemic literature and I.Vyshensky
- •42. H.Hrabianka and his Chronicle
- •Th.Prokopovich and his role in Ukrainian culture
- •H.Scovoroda in Ukrainian culture
- •45. Cultural meaning of the Enlightenment
- •46. The process of Russification in Ukrainian lands of Russian Empire: main waves
- •47. An Old Ukrainian tradition: Bard (kobzars, bandurysts, and lirnyks)
- •48. Rococo architecture in Ukraine
- •49 The style of Classicism in Europe
- •51. Classicism literature of Ukraine
- •52. I.Kotliarevsky and the new Ukrainian literature
- •53. Cultural activity of Cyril and Methodius Brotherhood
- •54. Hromada movement and the growth of Ukrainian national consciousness Hromadas
- •55. Realism and Romanticism as the main styles in literature and arts of the 19th century: general characteristics
- •56. Poetry of Ukrainian Romanticism
- •57. Romanticism in Ukrainian music (s.Hulak-Artemovsky, m.Lysenko)
- •58. Peredvizhniki and their role in Ukrainian culture
- •59. Ukrainian civil press of the 2nd half of the 19th century
- •61. Main representatives of Ukrainian theater
- •62.Prominent scholars of the 19th century (m.Maksymovych, m.Kostomarov, V.Antonovych, o.Potebnia)
- •63. Ukrainian writers of the 19th century (p.Kulish, Marko Vovchok, m.Kotsiubynsky, s.Rudansky)
- •64. Creative activity of n.Gogol
- •65. Creative activity of t. Shevchenko
- •67. Creative activity of I.Franko
- •68 Cultural activity of m.Drahomanov
- •70. Modernism in Ukrainian culture: general characteristics
- •71. Socialist realism in the ussr: general characteristics
- •72. Socialist realism in the ussr: main representatives
- •73. Les Kurbas and Berezil
- •74. O.Dovzhenko and Ukrainian cinematograph
- •75. Cubism in Ukrainian painting
- •76. Constructivism in Ukrainian arts
- •77. Ukrainian Impressionist Painters
- •78 Creative activity of o.Archipenko
- •79. Symbolism in Ukrainian literature
- •80. Expressionism in Ukrainian plastic arts
- •82. M.Khvylovy and Vaplite
- •83. M.Zerov and Ukrainian Neoclassicists
- •84. Ukrainian poetry of the 20th century (m.Bazhan, p.Tychina, m.Rylsky)
- •85. Cultural meaning of Shistdesiatnyky
- •86 Shistdesiatnyky: main representatives in Ukrainian literature
13. Parts of Ukrainian culture
Parts of national culture are its spheres in a definite historical period. It means that ethnoculture, economics, politics, religion, science, technology, philosophy, literature, arts, and crafts can be observed in their specifics in ancient, medieval, and modern periods of Ukrainian history.
14. The differences between Ukrainian ethnoculture and professional culture
Ukrainian ethnoculture based on folklore traditions and customs, pagan influences on cultural life; Orthodoxy, Catholicism, and Greek-Catholic rite as traditional believes of Ukrainians, Judaism as a religion of Jews who inhabited Ukrainian lands since the ancient times, and Islam, the oppression to which for a centuries constituted Ukrainian traditions; Eastern (pre-Indo-European, Indo-European, pre-Slavic, Balkan, Iranian, and Altai) and Western (Ancient Greek and Roman, Germanic Byzantium, and Western-European) external cultural influences; professional culture which is created by professional artists, writers, poets, philosophers, musicians, scientists and is closely connected with the world cultural heritage
15. Sources of information about culture of Pre-Slavic and Slavic population in Ukrainian lands
The earliest traces of human habitation in present-day Ukraine date back approximately 150,000 years, and materials from prehistoric peoples (e.g., flint weapons, primitive tools, graves) have been found across the country. By 5000– 4000 b.c.e. , the first agricultural peoples settled southwestern Ukraine. Little is known about these early agrarian peoples—the so-called Trypillian culture— who lived in large villages and, by 2700 b.c.e., had expanded eastward to form settlements along the Dnieper River near Kiev. Some Ukrainians, seeking to anchor their identity in a more prestigious past, have claimed that the Trypillians invented the wheel, writing, and agriculture; helped found Sumerian and Hittite civilizations; built Stonehenge; and were ancestors to Christ, Buddha, and Zarathustra. No evidence has ever emerged for what one scholar calls such “outlandish claims.” 1 In any event, it would be difficult to call such people Ukrainians—they did not speak Ukrainian, had no conception of “Ukraine,” and obviously were not Christians. Archaeological evidence suggests that the Trypillians disappeared by 2000 b.c.e. , replaced by various nomadic tribes who found the climate and soils of Ukraine suitable for raising their herds.
The first mention in literature of any inhabitants of Ukraine comes from Homer’s Odyssey, which refers to the “land of the Cimmerians” on the northern shore of the Black Sea.
16. Peculiarities of Slavic mythology
For the pagans is nothing supernatural, nothing that would be beyond nature. PaganSlavs never needed an expression of their faith in churches as special religiousorganizations, so that the divine was always there where they were sitting around andwithin them. The essence of the ancient faith - is not personal salvation, as in parts of the world'sreligions - and preserving and enhancing the kind of fertile land, cattle fertility, healthlifestyles and values family. Thus, this complex of beliefs and lifestyles, and worldview,and way of playing clan relations, culture, knowledge and skills.
17. Slavic calendar and festivals
Slavic myths were cyclical, repeating every year over a series of festivites that followed changes of nature and seasons. Thus, to understand their mythology, it is important to understand their concept of calendar. On the basis of archeological and folklore remains, it is possible to reconstruct some elements of pre-Christian calendar, particularly major feastivals.
The year was apparently lunar, and began on the first day of March, similar to other Indo-European cultures whose old calendar systems are better known to us. The spring fertility festival of Maslenitsa, rooted in pagan times and involving the burning of a straw effigy is still celebrated by Slavs all over the world.
The summer solstice festival is known today variously as Ivanje, Kupala or Kries. It was celebrated pretty much as a huge wedding, and, according to some indications from historical sources, in pagan times likely followed by a general orgy. There was a lot of eating and drinking on the night before, large bonfires (in Slavic - Kres) were lit, and youngsters were coupling and dancing in circles, or jumped across fires. Young girls made wreaths from flowers and fern (which apparently was a sacred plant for this celebration), tossed them into rivers, and on the basis of how and where they floated, foretold each other how they would get married. Ritual bathing on this night was also very important.
In the middle of summer, there was a festival associated with thunder-god Perun, in post-Christian times transformed into a very important festival of Saint Elijah. It was considered the holiest time of the year, and there are some indications from historic sources that it involved human sacrifices. The harvest probably began afterwards.
