- •1. Definition of culture and main approaches in its comprehension
- •2. Correlation between the world culture, ethnoculture, and national culture
- •3. Early forms of religious experience: animism, fetishism, totemism.
- •4. Cucuteni-Trypillian culture: main characteristics
- •7. Functions of culture
- •8. Scythian culture
- •9. Sarmathian culture
- •11 The idea of national culture
- •12 Sources of Ukrainian culture
- •13. Parts of Ukrainian culture
- •14. The differences between Ukrainian ethnoculture and professional culture
- •15. Sources of information about culture of Pre-Slavic and Slavic population in Ukrainian lands
- •16. Peculiarities of Slavic mythology
- •18. Cosmology in Slavic mythology
- •20. General characteristics of Kyivan Rus’ culture
- •21. Origins of Kyivan Rus’
- •22. Christian influence on cultural development of Kyivan Rus’
- •23. Literature of Kyivan Rus’
- •24. Slovo o polku Ihorevi (The Tale of Ihor’s Compaign)
- •27. Iconography in Kyivan Rus’
- •28. Prominent activists of Kyivan Rus’ culture (Ilarion, Nestor the Chronicler, St.Antony of the Caves)
- •29. Renaissance humanism in Europe
- •30. Cultural impulses of Reformation and Contrreformation in Europe
- •31. Religious life after the Church Union of Berestia
- •32. Cultural dimensions of Early Modern civil society
- •33. Brotherhoods as a cultural phenomenon
- •34. Education and Brotherhoods’ activity: general characteristics
- •35. Cultural role of Ostrih Academy
- •36. Kyivan Mohyla Academy
- •37. Ivan Fedorov and book printing activity of Brotherhoods.
- •38. Architecture of Cossack Baroque
- •39. Baroque style in Europe
- •41. Polemic literature and I.Vyshensky
- •42. H.Hrabianka and his Chronicle
- •Th.Prokopovich and his role in Ukrainian culture
- •H.Scovoroda in Ukrainian culture
- •45. Cultural meaning of the Enlightenment
- •46. The process of Russification in Ukrainian lands of Russian Empire: main waves
- •47. An Old Ukrainian tradition: Bard (kobzars, bandurysts, and lirnyks)
- •48. Rococo architecture in Ukraine
- •49 The style of Classicism in Europe
- •51. Classicism literature of Ukraine
- •52. I.Kotliarevsky and the new Ukrainian literature
- •53. Cultural activity of Cyril and Methodius Brotherhood
- •54. Hromada movement and the growth of Ukrainian national consciousness Hromadas
- •55. Realism and Romanticism as the main styles in literature and arts of the 19th century: general characteristics
- •56. Poetry of Ukrainian Romanticism
- •57. Romanticism in Ukrainian music (s.Hulak-Artemovsky, m.Lysenko)
- •58. Peredvizhniki and their role in Ukrainian culture
- •59. Ukrainian civil press of the 2nd half of the 19th century
- •61. Main representatives of Ukrainian theater
- •62.Prominent scholars of the 19th century (m.Maksymovych, m.Kostomarov, V.Antonovych, o.Potebnia)
- •63. Ukrainian writers of the 19th century (p.Kulish, Marko Vovchok, m.Kotsiubynsky, s.Rudansky)
- •64. Creative activity of n.Gogol
- •65. Creative activity of t. Shevchenko
- •67. Creative activity of I.Franko
- •68 Cultural activity of m.Drahomanov
- •70. Modernism in Ukrainian culture: general characteristics
- •71. Socialist realism in the ussr: general characteristics
- •72. Socialist realism in the ussr: main representatives
- •73. Les Kurbas and Berezil
- •74. O.Dovzhenko and Ukrainian cinematograph
- •75. Cubism in Ukrainian painting
- •76. Constructivism in Ukrainian arts
- •77. Ukrainian Impressionist Painters
- •78 Creative activity of o.Archipenko
- •79. Symbolism in Ukrainian literature
- •80. Expressionism in Ukrainian plastic arts
- •82. M.Khvylovy and Vaplite
- •83. M.Zerov and Ukrainian Neoclassicists
- •84. Ukrainian poetry of the 20th century (m.Bazhan, p.Tychina, m.Rylsky)
- •85. Cultural meaning of Shistdesiatnyky
- •86 Shistdesiatnyky: main representatives in Ukrainian literature
29. Renaissance humanism in Europe
Renaissance humanism in Europe. The term humanism describes a literary and cultural movement that spread through western Europe in the 14th and 15th centuries. This Renaissance revival of Greek and Roman studies emphasized the value of the classics for their own sake, rather than for their relevance to Christianity. If you were looking for the Secular Humanism page, look here. The humanist movement started in Italy, where the late medieval Italian writers Dante, Giovanni Boccaccio, and Francesco Petrarch contributed greatly to the discovery and preservation of classical works. Humanist ideals were forcefully expressed by another Italian scholar, Pico della Mirandola, in his Oration on the dignity of man. The movement was further stimulated by the influx of Byzantine scholars who came to Italy after the fall of Constantinople to the Turks in 1453 and also by the establishment of the Platonic Academy in Florence. The academy, whose leading thinker was Marsilio Ficino, was founded by the 15th-century Florentine statesman and patron of the arts Cosimo de' Medici. It revived Platonism and particularly influenced the literature, painting, and architecture of the times.
The collection and translation of classical manuscripts became widespread, especially among the higher clergy and nobility. The invention of printing with movable type, around the mid-15th century, gave a further impetus to humanism through the dissemination of editions of the classics. Although in Italy humanism developed principally in the fields of literature and art, in central Europe, where it was introduced chiefly by the German scholars Johann Reuchlin and Melanchthon, the movement extended into the fields of theology and education, and was a major underlying cause of the Reformation. One of the most influential scholars in the development of humanism in France was the Dutch cleric Desiderius Erasmus, who also played an important part in introducing the movement into England. There humanism was definitely established at the University of Oxford by the English classical scholars William Grocyn (1446-1519) and Thomas Linacre, and at the University of Cambridge by Erasmus and the English prelate John Fisher (1459-1535). Humanism spread throughout English society, paving the way for the flourishing of Elizabethan literature and culture
30. Cultural impulses of Reformation and Contrreformation in Europe
The Reformation spread to other European countries over the course of the 16th century. By mid-century, Lutheranism dominated northern Europe. Eastern Europe offered a seedbed for even more radical varieties of Protestantism, because kings were weak, nobles strong, and cities few, and because religious pluralism had long existed. Spain and Italy were to be the great centers of the Counter-Reformation and Protestantism never gained a strong foothold there. In England the Reformation's roots were primarily political rather than religious. Henry VIII, incensed by Pope Clement VII's refusal to grant him a divorce, repudiated papal authority and in 1534 established the Anglican Church with the king as the supreme head. In spite of its political implications, Henry's reorganization of the church permitted the beginning of religious reform in England, which included the preparation of a liturgy in English, The Book of Common Prayer. In Scotland, John Knox, who spent time in Geneva and was greatly influenced by John Calvin, led the establishment of Presbyterianism, which made possible the eventual union of Scotland with England.
The age of Reformation and Counter-Reformation
The specter of many national churches supplanting a unitary Catholic Church became a grim reality during the age of the Reformation. What neither heresy nor schism had been able to do before--to divide Western Christendom permanently and irreversibly--was done by a movement that confessed a loyalty to the orthodox creeds of Christendom and professed an abhorrence for schism. By the time the Reformation was over, Roman Catholicism had become something different from what it had been in the early centuries or even in the later Middle Ages.
Roman Catholicism and the Protestant Reformation.
Whatever its nonreligious causes may have been, the Protestant Reformation arose within Roman Catholicism; there both its positive accomplishments and its negative effects had their roots. The standing of the church within the political order and the class structure of Western Europe had been irrevocably altered in the course of the later middle Ages. Thus the most extravagant claims put forward for the political authority of the church and the papacy, as formulated by Pope Boniface VIII (reigned 1294-1303), had come just at the time when such authority was in fact rapidly declining. By the time Protestantism arose to challenge the spiritual authority of the papacy, therefore, there was no longer any way to invoke that political authority against the challenge. The medieval class structure, too, had undergone fundamental and drastic changes with the rise of the bourgeoisie throughout Western Europe; it is not a coincidence that in northern Europe and Britain the middle class was to become the principal bulwark of the Protestant opposition to Roman Catholicism. The traditional Roman Catholic prohibition of any lending of money at interest as "usury," the monastic glorification of poverty as an ascetic ideal, and the Roman Catholic system of holidays as times when no work was to be done were all seen by the rising merchant class as obstacles to financial development.
