- •1. Definition of culture and main approaches in its comprehension
- •2. Correlation between the world culture, ethnoculture, and national culture
- •3. Early forms of religious experience: animism, fetishism, totemism.
- •4. Cucuteni-Trypillian culture: main characteristics
- •7. Functions of culture
- •8. Scythian culture
- •9. Sarmathian culture
- •11 The idea of national culture
- •12 Sources of Ukrainian culture
- •13. Parts of Ukrainian culture
- •14. The differences between Ukrainian ethnoculture and professional culture
- •15. Sources of information about culture of Pre-Slavic and Slavic population in Ukrainian lands
- •16. Peculiarities of Slavic mythology
- •18. Cosmology in Slavic mythology
- •20. General characteristics of Kyivan Rus’ culture
- •21. Origins of Kyivan Rus’
- •22. Christian influence on cultural development of Kyivan Rus’
- •23. Literature of Kyivan Rus’
- •24. Slovo o polku Ihorevi (The Tale of Ihor’s Compaign)
- •27. Iconography in Kyivan Rus’
- •28. Prominent activists of Kyivan Rus’ culture (Ilarion, Nestor the Chronicler, St.Antony of the Caves)
- •29. Renaissance humanism in Europe
- •30. Cultural impulses of Reformation and Contrreformation in Europe
- •31. Religious life after the Church Union of Berestia
- •32. Cultural dimensions of Early Modern civil society
- •33. Brotherhoods as a cultural phenomenon
- •34. Education and Brotherhoods’ activity: general characteristics
- •35. Cultural role of Ostrih Academy
- •36. Kyivan Mohyla Academy
- •37. Ivan Fedorov and book printing activity of Brotherhoods.
- •38. Architecture of Cossack Baroque
- •39. Baroque style in Europe
- •41. Polemic literature and I.Vyshensky
- •42. H.Hrabianka and his Chronicle
- •Th.Prokopovich and his role in Ukrainian culture
- •H.Scovoroda in Ukrainian culture
- •45. Cultural meaning of the Enlightenment
- •46. The process of Russification in Ukrainian lands of Russian Empire: main waves
- •47. An Old Ukrainian tradition: Bard (kobzars, bandurysts, and lirnyks)
- •48. Rococo architecture in Ukraine
- •49 The style of Classicism in Europe
- •51. Classicism literature of Ukraine
- •52. I.Kotliarevsky and the new Ukrainian literature
- •53. Cultural activity of Cyril and Methodius Brotherhood
- •54. Hromada movement and the growth of Ukrainian national consciousness Hromadas
- •55. Realism and Romanticism as the main styles in literature and arts of the 19th century: general characteristics
- •56. Poetry of Ukrainian Romanticism
- •57. Romanticism in Ukrainian music (s.Hulak-Artemovsky, m.Lysenko)
- •58. Peredvizhniki and their role in Ukrainian culture
- •59. Ukrainian civil press of the 2nd half of the 19th century
- •61. Main representatives of Ukrainian theater
- •62.Prominent scholars of the 19th century (m.Maksymovych, m.Kostomarov, V.Antonovych, o.Potebnia)
- •63. Ukrainian writers of the 19th century (p.Kulish, Marko Vovchok, m.Kotsiubynsky, s.Rudansky)
- •64. Creative activity of n.Gogol
- •65. Creative activity of t. Shevchenko
- •67. Creative activity of I.Franko
- •68 Cultural activity of m.Drahomanov
- •70. Modernism in Ukrainian culture: general characteristics
- •71. Socialist realism in the ussr: general characteristics
- •72. Socialist realism in the ussr: main representatives
- •73. Les Kurbas and Berezil
- •74. O.Dovzhenko and Ukrainian cinematograph
- •75. Cubism in Ukrainian painting
- •76. Constructivism in Ukrainian arts
- •77. Ukrainian Impressionist Painters
- •78 Creative activity of o.Archipenko
- •79. Symbolism in Ukrainian literature
- •80. Expressionism in Ukrainian plastic arts
- •82. M.Khvylovy and Vaplite
- •83. M.Zerov and Ukrainian Neoclassicists
- •84. Ukrainian poetry of the 20th century (m.Bazhan, p.Tychina, m.Rylsky)
- •85. Cultural meaning of Shistdesiatnyky
- •86 Shistdesiatnyky: main representatives in Ukrainian literature
21. Origins of Kyivan Rus’
The question of the origins of Kyivan Rus’ still produces controversy among historians. The oldest, or Normanist theory rests mainly on a literal interpretation of the Primary Chronicle and stresses the role of the Varangians as the first leaders and organizers of the state. Ukrainian historians, beginning with Mykhailo Maksymovych and followed by Mykola Kostomarov, Volodymyr Antonovych, Mykhailo Hrushevsky, Dmytro Bahalii, Dmytro Doroshenko, Mykola Chubaty, and others, have generally downplayed the Varangian influence on the formation of Rus’. The Soviet historiography categorically rejected the Normanist theory, considering it bourgeois. However, it remains, with certain modifications, the basis of Western historiography of Russia and Ukraine.
The issue of the nationality of the inhabitants of the Kyivan state is also a matter of continuing controversy. The discussion was initiated by the Russian historian Mikhail Pogodin, who claimed that the original inhabitants of contemporary Ukraine fled north under pressure from the Mongols, and that they later became the modern Russian nation. The Ukrainians, meanwhile, arrived much later from somewhere in the Carpathian Mountains. Pogodin's views were expanded on by the philologist Aleksei Sobolevsky. This theory was disputed by Ukrainian historians such as Mykhailo Maksymovych, Mykola Dashkevych, Pavlo Zhytetsky, and Ahatanhel Krymsky. Mykhailo Hrushevsky sought to demonstrate that Ukrainians were autochthonous in their territories, and that the Principality of Galicia-Volhynia was the successor to the Kyivan state. Hrushevsky's theories were for the most part adopted by Ukrainian historians and by some others. Because these theories did not correspond to the political objectives of the Soviet leadership, a panel of historians was commissioned in the 1930s by the Communist Party of the Soviet Union to draw up a new historical schema of Eastern Europe; its basic premise was that Kyivan Rus’ had been founded by a single old-Rus’ nationality, out of which Ukrainians, Russians, and Belarusians developed in the 14th and 15th centuries. This theory was given official approbation with the publication of Tezy pro 300-richchia vozz'iednannia Ukraïny z Rosiieiu, 1654–1954 (Theses about the 300th Anniversary of the Reunification of Ukraine with Russia, 1954). The émigré Ukrainian scholarship based itself on Hrushevsky's approach, and continued to expand its corollaries along historical (Mykola Chubaty, Nataliia Polonska-Vasylenko, M. Zhdan, Omeljan Pritsak), archeological (Yaroslav Pasternak), and linguistic (Stepan Smal-Stotsky, George Yurii Shevelov) lines.
22. Christian influence on cultural development of Kyivan Rus’
Christianity brought about positive changes in the outlook of people. If the basis of polytheistic beliefs of ancient Slavs lay the fear of natural forces of nature, hostile and ruling, then Christianity fostered hope pa rescue, capture a sense of the outside world.
In the process of dissemination and promotion of Christianity in Russia is gradually losing the Byzantine form, absorbing elements of a local Slavic customs, rituals, aesthetic needs of the Eastern Slavs. Byzantine church canons gradually adapted to the peculiarities of ancient ethnic group. It should be noted that in the fight against "paganism" Christians destroyed priceless monuments of art of the ancient pagan world, including masterpieces of wooden sculptures, ancient forbidden dances, etc. skomoroshi action.
However, Christianity has had great influence on the intellectual culture of Kievan Rus.As is known, with its introduction of a literary language in Russia became Church Slavonic, established about a hundred years before the adoption of Christianity Bulgarian educators Cyril and Methodius.
