- •1. Definition of culture and main approaches in its comprehension
- •2. Correlation between the world culture, ethnoculture, and national culture
- •3. Early forms of religious experience: animism, fetishism, totemism.
- •4. Cucuteni-Trypillian culture: main characteristics
- •7. Functions of culture
- •8. Scythian culture
- •9. Sarmathian culture
- •11 The idea of national culture
- •12 Sources of Ukrainian culture
- •13. Parts of Ukrainian culture
- •14. The differences between Ukrainian ethnoculture and professional culture
- •15. Sources of information about culture of Pre-Slavic and Slavic population in Ukrainian lands
- •16. Peculiarities of Slavic mythology
- •18. Cosmology in Slavic mythology
- •20. General characteristics of Kyivan Rus’ culture
- •21. Origins of Kyivan Rus’
- •22. Christian influence on cultural development of Kyivan Rus’
- •23. Literature of Kyivan Rus’
- •24. Slovo o polku Ihorevi (The Tale of Ihor’s Compaign)
- •27. Iconography in Kyivan Rus’
- •28. Prominent activists of Kyivan Rus’ culture (Ilarion, Nestor the Chronicler, St.Antony of the Caves)
- •29. Renaissance humanism in Europe
- •30. Cultural impulses of Reformation and Contrreformation in Europe
- •31. Religious life after the Church Union of Berestia
- •32. Cultural dimensions of Early Modern civil society
- •33. Brotherhoods as a cultural phenomenon
- •34. Education and Brotherhoods’ activity: general characteristics
- •35. Cultural role of Ostrih Academy
- •36. Kyivan Mohyla Academy
- •37. Ivan Fedorov and book printing activity of Brotherhoods.
- •38. Architecture of Cossack Baroque
- •39. Baroque style in Europe
- •41. Polemic literature and I.Vyshensky
- •42. H.Hrabianka and his Chronicle
- •Th.Prokopovich and his role in Ukrainian culture
- •H.Scovoroda in Ukrainian culture
- •45. Cultural meaning of the Enlightenment
- •46. The process of Russification in Ukrainian lands of Russian Empire: main waves
- •47. An Old Ukrainian tradition: Bard (kobzars, bandurysts, and lirnyks)
- •48. Rococo architecture in Ukraine
- •49 The style of Classicism in Europe
- •51. Classicism literature of Ukraine
- •52. I.Kotliarevsky and the new Ukrainian literature
- •53. Cultural activity of Cyril and Methodius Brotherhood
- •54. Hromada movement and the growth of Ukrainian national consciousness Hromadas
- •55. Realism and Romanticism as the main styles in literature and arts of the 19th century: general characteristics
- •56. Poetry of Ukrainian Romanticism
- •57. Romanticism in Ukrainian music (s.Hulak-Artemovsky, m.Lysenko)
- •58. Peredvizhniki and their role in Ukrainian culture
- •59. Ukrainian civil press of the 2nd half of the 19th century
- •61. Main representatives of Ukrainian theater
- •62.Prominent scholars of the 19th century (m.Maksymovych, m.Kostomarov, V.Antonovych, o.Potebnia)
- •63. Ukrainian writers of the 19th century (p.Kulish, Marko Vovchok, m.Kotsiubynsky, s.Rudansky)
- •64. Creative activity of n.Gogol
- •65. Creative activity of t. Shevchenko
- •67. Creative activity of I.Franko
- •68 Cultural activity of m.Drahomanov
- •70. Modernism in Ukrainian culture: general characteristics
- •71. Socialist realism in the ussr: general characteristics
- •72. Socialist realism in the ussr: main representatives
- •73. Les Kurbas and Berezil
- •74. O.Dovzhenko and Ukrainian cinematograph
- •75. Cubism in Ukrainian painting
- •76. Constructivism in Ukrainian arts
- •77. Ukrainian Impressionist Painters
- •78 Creative activity of o.Archipenko
- •79. Symbolism in Ukrainian literature
- •80. Expressionism in Ukrainian plastic arts
- •82. M.Khvylovy and Vaplite
- •83. M.Zerov and Ukrainian Neoclassicists
- •84. Ukrainian poetry of the 20th century (m.Bazhan, p.Tychina, m.Rylsky)
- •85. Cultural meaning of Shistdesiatnyky
- •86 Shistdesiatnyky: main representatives in Ukrainian literature
4. Cucuteni-Trypillian culture: main characteristics
Cucuteni-Trypillian culture was the first civilization on the territory of Ukraine, discovered at the Romanian village Cucuteni and at Ukrainian Trypillia near Kiev in 1884 and 1896, correspondently The Cucuteni-Trypillian culture, also known as Cucuteni culture (from Romanian), Trypillian culture (from Ukrainian) or Tripolie culture (from Russian).
It was the culture of hunters and food-gatherers with elements of agriculture and domestic livestock, and rudimentary gift economy. Social hierarchy was almost absent. Archeological remains testify the existence of religious cults of totemism and fetishism. Excavated elements of two-storey houses are covered with ornaments. Archeologists found different artifacts, like clay figurines, pottery, weapons, tools, jewelry.
6. Forms of culture: material and spiritual culture
Culture is a single process that can be divided into two areas: material and spiritual.
Material culture is taken to include society's productive forces and everything linked with them, while spiritual culture includes art, religion, science, and philosophy. If we were to attempt to formulate the principle on the basis of which this distinction is made, the following would probably be the best way: materialculture is called upon to satisfy those needs which are common to humans and animals (material needs), while spiritualculture satisfies needs which, we think, are specifically human (spiritual needs). Clearly this distinction does not coincide with the distinction between material and spiritual on the philosophical level.
7. Functions of culture
It fulfils a boundary-defining role; that is, it creates distinctions between one organisation and another.
It conveys a sense of identity for members of the organisation.
It facilitates the generation of commitment to something larger than one's individual self-interest.
It enhances the stability of the organisation's social system.
It provides 'standards' for what employees should say and do.
It defines the 'rules of the game'.
8. Scythian culture
The Scythians or Scyths[1]
Scythian culture is culture, primarily decorative objects, such as jewelry produced by the nomadic tribes in the area known classically as Scythia, which was centred on the Pontic-Caspian steppe and ranged from modern Kazakhstan to the Baltic coast of modern Poland and to Georgia. This art is also known as steppes art and was produced in a period from 7th-3rd century BC to the period when the Scythians were gradually displaced by the Sarmatians in a lengthy process lasting from 4th century BC to 2nd century BC. As the Scythians came in contact with the Greeks, their artwork influenced Greek art, and was influenced by it; also many pieces were made by Greek craftsmen 9.
Scythians, who settled in what is now southern Ukraine (in Crimea and along the Black Sea coast) in the seventh entury b.c.e . Some claim that the prophet Jeremiah refers to them as a “cruel and pitiless” people from a northern land that will “devour your harvest and bread” and “devour your sons and daughters.” In the fifth century b.c.e. , Herodotus, the Greek father of history, visited Scythia and described them as fierce, nomadic tribal people who ritually drank human blood, spoke a Persian language, and were ruled by a type of military aristocracy. In addition to war plunder, they traded with Greek colonies along the Black Sea coast.
