- •1. Definition of culture and main approaches in its comprehension
- •2. Correlation between the world culture, ethnoculture, and national culture
- •3. Early forms of religious experience: animism, fetishism, totemism.
- •4. Cucuteni-Trypillian culture: main characteristics
- •7. Functions of culture
- •8. Scythian culture
- •9. Sarmathian culture
- •11 The idea of national culture
- •12 Sources of Ukrainian culture
- •13. Parts of Ukrainian culture
- •14. The differences between Ukrainian ethnoculture and professional culture
- •15. Sources of information about culture of Pre-Slavic and Slavic population in Ukrainian lands
- •16. Peculiarities of Slavic mythology
- •18. Cosmology in Slavic mythology
- •20. General characteristics of Kyivan Rus’ culture
- •21. Origins of Kyivan Rus’
- •22. Christian influence on cultural development of Kyivan Rus’
- •23. Literature of Kyivan Rus’
- •24. Slovo o polku Ihorevi (The Tale of Ihor’s Compaign)
- •27. Iconography in Kyivan Rus’
- •28. Prominent activists of Kyivan Rus’ culture (Ilarion, Nestor the Chronicler, St.Antony of the Caves)
- •29. Renaissance humanism in Europe
- •30. Cultural impulses of Reformation and Contrreformation in Europe
- •31. Religious life after the Church Union of Berestia
- •32. Cultural dimensions of Early Modern civil society
- •33. Brotherhoods as a cultural phenomenon
- •34. Education and Brotherhoods’ activity: general characteristics
- •35. Cultural role of Ostrih Academy
- •36. Kyivan Mohyla Academy
- •37. Ivan Fedorov and book printing activity of Brotherhoods.
- •38. Architecture of Cossack Baroque
- •39. Baroque style in Europe
- •41. Polemic literature and I.Vyshensky
- •42. H.Hrabianka and his Chronicle
- •Th.Prokopovich and his role in Ukrainian culture
- •H.Scovoroda in Ukrainian culture
- •45. Cultural meaning of the Enlightenment
- •46. The process of Russification in Ukrainian lands of Russian Empire: main waves
- •47. An Old Ukrainian tradition: Bard (kobzars, bandurysts, and lirnyks)
- •48. Rococo architecture in Ukraine
- •49 The style of Classicism in Europe
- •51. Classicism literature of Ukraine
- •52. I.Kotliarevsky and the new Ukrainian literature
- •53. Cultural activity of Cyril and Methodius Brotherhood
- •54. Hromada movement and the growth of Ukrainian national consciousness Hromadas
- •55. Realism and Romanticism as the main styles in literature and arts of the 19th century: general characteristics
- •56. Poetry of Ukrainian Romanticism
- •57. Romanticism in Ukrainian music (s.Hulak-Artemovsky, m.Lysenko)
- •58. Peredvizhniki and their role in Ukrainian culture
- •59. Ukrainian civil press of the 2nd half of the 19th century
- •61. Main representatives of Ukrainian theater
- •62.Prominent scholars of the 19th century (m.Maksymovych, m.Kostomarov, V.Antonovych, o.Potebnia)
- •63. Ukrainian writers of the 19th century (p.Kulish, Marko Vovchok, m.Kotsiubynsky, s.Rudansky)
- •64. Creative activity of n.Gogol
- •65. Creative activity of t. Shevchenko
- •67. Creative activity of I.Franko
- •68 Cultural activity of m.Drahomanov
- •70. Modernism in Ukrainian culture: general characteristics
- •71. Socialist realism in the ussr: general characteristics
- •72. Socialist realism in the ussr: main representatives
- •73. Les Kurbas and Berezil
- •74. O.Dovzhenko and Ukrainian cinematograph
- •75. Cubism in Ukrainian painting
- •76. Constructivism in Ukrainian arts
- •77. Ukrainian Impressionist Painters
- •78 Creative activity of o.Archipenko
- •79. Symbolism in Ukrainian literature
- •80. Expressionism in Ukrainian plastic arts
- •82. M.Khvylovy and Vaplite
- •83. M.Zerov and Ukrainian Neoclassicists
- •84. Ukrainian poetry of the 20th century (m.Bazhan, p.Tychina, m.Rylsky)
- •85. Cultural meaning of Shistdesiatnyky
- •86 Shistdesiatnyky: main representatives in Ukrainian literature
H.Scovoroda in Ukrainian culture
. Hryhorii Savych Skovoroda (Ukrainian: Григорій Савич Сковорода, Russian: Grigory Savvich Skovoroda, Григорий Саввич Сковорода; 3 December 1722 – 9 November 1794) was a Ukrainian philosopher, poet, teacher and composer who lived in the Russian Empire and who made enormous contributions to Russian philosophy and culture. He lived and worked in Ukraine and passionately and consciously identified with its people, differentiating them from those of Russia and condemning Russia's interference in his homeland. Skovoroda was so important for Russian culture and development of Russian philosophical thought, that he is often recognized as a Russian philosopher. He has been referred to as the "Russian Socrates."
Skovoroda received his education at the Kiev-Mohyla Academy in Kiev. Haunted by worldly and spiritual powers, the philosopher led a life of an itinerant thinker-beggar. In his tracts and dialogs, biblical problems overlap with those examined earlier by Plato and the Stoics. Skorovoda`s first book was issued after his death in 1798 in Saint Petersburg. Skorovoda`s complete works were published for the first time in Saint Petersburg in 1861. Before this edition many his works existed only in manuscript form. Skovoroda's works during his life were not printed, because the then censor found their his sacred writings were offensive to Monasticism. Brought up in a spirit of philosophical and religious studies, he became an opponent of dead church scholasticism and spiritual oppression of the Moscow centred Orthodox Church, based in its philosophy to the Bible. "Our kingdom is within us - he wrote - and to know God, you must know yourself." "People should know God like yourself enough to see him in the world." "Belief in God does not mean - belief in his existence - and therefore to give in to him and live according to His law." "Sanctity of life lies in doing good to people."
The official Moscowite stance divided humanity into more or less blessed by God and blessed, and those that are cursed, such as the serfs. Skovoroda taught that "all work is blessed by God", but distribution of wealth outside the circle of God called unforgivable sin. The Muscowite Orthodox clergy was intolerant to Skovoroda's teachings as considered them heretical. Skovoroda taught that the only task of philosophy was to seek the truth and to pursue it. But in terms of human life, this goal is unattainable, and human happiness lies in the fact that everything has to find the truth. This goal can go in different directions, and intolerance of those who think differently, has no justification. Similarly, religious intolerance does not find justification for eternal truth revealed to the world in different forms. In relation to himself he was utterly uncompromising however in complete harmony with their teaching and their lives. He was very gentle and observant in relation to others.
Skovoroda defended the right of the individual in each person, but translated this into concrete political language of the time. This meant a strong democratic trend that was associated with sympathy for enslaved peasant masses, with sharp hostility to the Muscovite oppressors.
It was only in 1798 that his "Narsisis or Know thyself" was published in the Russian Empire and even then without the inclusion of his name. In 1806 the magazine "Zion Vyestnyk" printed some more of his works. Then in Moscow in 1837-1839 a few of his works were published under his name, and only in 1861 the first almost complete collection of his works was published. The best and most complete, was published in 1896 in Kharkiv under the editorship of Professor. D. Bahaliy. Here 16 of his works, with 9 of them appearing for the first time! Also published here Pans biography and some of his poems. Another edition of the works in December. A full academic publication of Skovoroda's works still does not exist, because manuscripts are held in various archives and libraries where access to them is difficult. Three days before he died, he went to the house of one of his closest friends and told him he had come to stay permanently. Every day he left the house early with a shovel, and it turned out that he spent three days digging his own grave. On the third day, he ate dinner, stood up and said, "my time has come." He went into the next room, lay down, and died. He requested the following epitaph to be placed on his tombstone:“ The world tried to catch me, but didn't succeed. ”
