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4 Korsakov A.K. The Use of Tenses in Modern English Корсаков А.К. Времена в английском языке.doc
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In the passive voice

Relative frequencies of different tense-aspect forms (the data are based on successive selection from 1,000 pages of fiction text and 500 pages of text for each of the other functional styles) are given in Table VI I.

Table VII

Tenses

Relative Frequency in %

F iction

Technical text

L inguistic text

Newspa­pers

Plays

Past Static

62.22

11.6

9.20

44.7

17.9

Present Static

15.80

64.7

73.50

26.5

63.4

Beforepast Static

12.55

0.1

0.07

5.2

1.9

Future Static (incl. Future-

in-the-Past)

2.94

15.0

5.76

6.5

4.9

Beforepresent Static

2.56

7.1

9.64

11.1

9.4

Past Dynamic

2.50

—

—

1.0

0.2

Beforefuture Static (incl. Beforefuture-in-the-Past)

0.68

—

0.06

0.3

—

Present Dynamic

0.14

1.0

1.51

3.5

1.9

54

Only ten tense-aspect forms out of the theoretically possible sixteen (See p. 50) are used in the Passive Voice against fourteen in the Active. Practically not used are the Dynamic Anterior (the Beforepresent Dynamic, Beforefuture Dynamic, Beforepast Dynamic, and the Before-future Dynamic-in-the-Past), the Future Dynamic as well as the Future Dynamic-in-the-Past, that is the tenses that would contain be + being in their structures (the thumb rule: practically no be — be tenses in English), for example:

*He will have been being asked.

This rule, however, is not absolutely airtight, as is witnessed by such extremely rare (three instances, including two infinitives, .per 150,000 pages of text) examples as:

"I shall always be being pushed away from him by her (J. Galsworthy); At the same moment an elephant calf may be being born a mile or two away in the Jungle (J. Williams); "She may have been being blackmailed by someone" (A. Christie).

The relative frequencies of different tense-aspect verb forms are comparable with those of the Active Voice (See Tables II and IV on pp. 51 and 53).

In accordance with the statistic counts (1000 pages of consecutive selection) the Active Voice in fiction is about 9 times more frequent than the Passive. In linguistic text the relation of Active to Passive is about 1.4 to 1.