1. Read the text and translate it into Ukrainian.

2. Answer the following questions:

1. What studies and methods did Sigmund Freud stress and develop in psychoanalysis?

2. What particular art movement was influenced by Freud’s ideas?

3. Who was the author of the Surrealist manifesto?

4. What possibilities for the artists did Andre Breton recognize in Freud’s radical ideas?

5. What images did Freud use as a means of decoding past experience?

6. Why did surrealists experiment with “automatic art”?

7. In what ways did Freud’s studies influence Salvador Dali’s paintings?

8. How did Dali begin and develop “The Persistence of Memory” painting?

9. What symbolic images did the artist use in “The Persistence of Memory” painting to depict decay?

10. How were the various forms used in painting interpreted?

3. Give Ukrainian equivalents of the following words and phrases:

to inspire artists

to suggest the inner workings

unconscious mind

repressed desires

alleviating neuroses

hidden meaning

insights

creative possibilities

to decode past experience

to suppress conscious control

to devise a special technique

to simulate the mental confusion

in order to

flux and distortion

to stall

the fading of memories

4. Give English equivalents of the following words and phrases:

призначатися

мати важливий вплив

внутрішній

досліджувати

розвинути низку методів

впливати неминуче

в особливості

поглинати

розшифровувати минулий досвід

приховане значення

володіти фантастичними якостями

незрозуміло

навмисне

низка різноманітних джерел

на власну думку художника

поступове згасання

натякати на щось

5. Make up sentences of your own with the given words and phrases.

6. Match a line in a with a line in b.

A	B
inner	lacking normal sensory awareness of the environment, insensible
unconscious	a flow or discharge, continuous change
inevitably	the act or an instance of twisting or pulling out of shape
to suppress	easy, fine, light, smooth
flux	being or located further inside
distortion	unavoidably, certainly
to strive for	to refer indirectly, briefly, or implicitly
soft	to suggest or imply indirectly
to allude	to make a great and tenacious effort
to hint	to put an end to, prohibit

7.Summarize the text in English text 9 Leonardo da Vinci (1452-1519)

The coming of the sixteenth century saw the rise of great artists in Italy — Raphael, Michelangelo and Leonardo da Vinci, Their names have never lost their enormous fame.

High Renaissance style was founded by one of the most gifted individuals ever born. Leonardo da Vinci, who has always been famous because of the fantastic range of his genius, fulfilled the Renaissance ideal of the Universal Man. He was not only a great painter and sculptor, but also an outstanding architect, an inventor, an engineer, a musician, and the leading physicist, botanist, anatomist, geologist and geographer of his time.

Leonardo's fame as an artist is based on eighteen paintings that came down to us, some of them incomplete, some damaged as a result of his experimental techniques. Leonardo's art surpassed the achievements of his time. In an era when the; continuing power of the Church competed in men's mind with the revived authority of Classical antiquity, for Leonardo there, was no authority higher than that of an eye, which he characterized as «the window of the soul». When Leonardo began his campaign to modernize painting the artist was still a craftsman and a guild member; before the High Renaissance; was over, a great master could live like a prince.

Leonardo da Vinci was born in Tuscany. By 1469 he was Verrocchio's apprentice. In Verrocchio's workshop Leonardo obtained the best education of his time.

The Adoration of the Magi is Leonardo's first masterpiece. It was commissioned in 1481 for a church outside Florence. It was never carried any further than the monochrome underpaint. Leonardo used the pyramidal composition. The groups are based on the actions of the component figures and dissolve as soon as they move. Leonardo did not know it, but this discovery was made in Greece in the 5-th century B.C. In this work Leonardo started with the moment of feeling, form came next.

The Madonna of the Rocks, of 1483, is one of the earliest and the most famous Leonardo's pictures. It was intended for the Oratory of the Immaculate Conception in Milan. The doctrine of the Immaculate Conception means that the Virgin was freed from the taint of the Original Sin. Leonardo has interpreted this doctrine dramatically. He represented Mary in the midst of a dark world of rock forms. In this strange rocky grotto, where the sun never seems to strike and the plants grow thick but colourless, the Christ Child manifests his Divinity as he blesses the infant St. John, himself taken under the Virgin's protection. And, like a prophecy of the Baptism of Christ by St. John in the Jordan, a river winds away among the pale peaks. This painting makes Leonardo a typical artist of the High Renaissance.

The Madonna and Saint Anna was designed in Florence in 1501 and completed many years later in Milan. It represents a revolutionary rethinking of the conventional theme of the Holy Family. Leonardo intertwined the figures to form a pyramidal composition. Leonardo makes the Virgin sit on her mother's lap and merges their bodies in such a way that their heads are like twin heads rising from a single trunk. St. Anna's head mirrors her daughter's image. The Virgin, as in traditional representations of this subject, is shown reaching for the Christ Child, who in his turn attempts to ride upon a lamb, the symbol of his sacrificial death. The background is one of the most impressive mountain pictures ever painted. Valleys, rocks and peaks diminish progressively into the bluish haze of the distance until they can no longer be distinguished.

Leonardo's power as an artist and thinker is evident in the Supper and the Mona Lisa, his two most famous works. Leonardo's Last Supper was painted on the end wall of the refectory of the Monastery of Santa Maria delle Grazie in Milan in 1495. In the fresco Christ discloses to his followers that soon one of their number will betray him and their cause. The composition is the product of the moment of action and meaning. The Apostles are presented in four groups of three each. Each of these numbers has many meanings: the multiplication of the Gospels by the Trinity is only one, and twelve itself is not merely the number of the Apostles but of the months of the year and the hours of the day and of the night. The numerical division helps to throw the fundamental character of each of the Apostles into full relief, from the innocence of John on Christ's right to the horror of James on his left and to the protestation of Philip, who placed his hand on his breast. Only Judas knows, and the light does not shine upon his face. The Last Supper is a humanistic interpretation of the narrative. Leonardo has painted a higher reality, thus making a complete break with the Early Renaissance and establishing the ideal world in which Michelangelo and Raphael later operated. Leonardo painted his masterpiece in an oil-and-tempera emulsion on the dry plaster, and it began rapidly to peel off. As a result the surface is severely damaged.

Although Leonardo's paintings are badly preserved, they are all fascinating. Leonardo created an enigma to which he gives no answer.

From 1503 until 1506 Leonardo was painting a portrait of the wife of the prominent Florentine citizen. The painting is known today as the Mono Lisa. The figure sits in a relaxed position, with hands quietly crossed, before one of Leonardo's richest and most mysterious landscape backgrounds, traversed by roads that lose themselves, bridges to nowhere, crags vanishing in the mists. This attitude of total calm became characteristic for High Renaissance portraits. The face has suffered, in the course of time but nothing has spoiled the sad half smile that plays about the lips.

For a year or (two Leonardo worked for the notorious Cesare Borgia, designing battle engines, siege devices and making maps. The Florentines commissioned Leonardo to paint the Bottle of Anghiari on a wall of a newly constructed Hall of Five Hundred in the Palazzo Vecchio. This painting depicted an event from 15th century history. It was pail of a general programme to celebrate the newly revived republic.

Leonardo's later life was a succession of trips between Florence, Milan and Rome. He painted little in his later years. At his death Leonardo's artistic influence was immense, but much of his scientific work had to await later rediscovery. (Picture13)

TASKS