- •Part one starting out
- •What is linguistics?
- •What is a linguist?
- •How does linguistics differ from traditional grammar?
- •The scope of linguistics
- •Questions
- •What is language?
- •Use of sound signals
- •The Need for Learning
- •Duality
- •Arbitrariness
- •Displacement
- •Creativity (Productivity)
- •Patterning
- •Structure dependence
- •Human language versus animal communication
- •Origin and functions of language
- •Questions
- •The study of language
- •Nineteenth century: historical linguistics
- •Early- to mid-20th century: descriptive linguistics
- •Generative linguistics and the search for universals
- •Questions
- •Deciding where to begin
- •Language as a game
- •Universal and particular
- •Questions
- •The inner circles
- •Sound patterns
- •Sorting out the basic sounds
- •The phonemes of English
- •Allophones
- •Sound combinations
- •Shared properties of phonemes
- •Metrical phonology
- •Questions
- •Words and pieces of words
- •Defining words
- •Morphemes
- •Recognition of morphemes
- •Types of morpheme
- •Allomorphs
- •Phonological conditioning
- •Word classes
- •Major word classes
- •Questions
- •Sentence patterns
- •Linking words together
- •Word order
- •Inflections
- •Function words
- •Constituent analysis
- •Tree diagrams
- •Rewrite rules
- •Identifying constituents
- •Adding in extra patterns
- •Layers of branches
- •Complex sentences
- •Questions
- •Meaning
- •Word meaning
- •Semantic fields
- •Coping with overlaps
- •Synonyms and opposites
- •Classification (inclusion)
- •The meaning of sentences
- •Questions
- •The outer rings
- •Using language
- •The cooperative principle
- •Speech acts
- •Remembered frameworks
- •Discourse analysis
- •Taking it in turns
- •Repairs
- •Politeness
- •Questions
- •Language and society
- •The notion of a language
- •Dialect and accent
- •Stylistic variation
- •Speech versus writing
- •The topic under discussion
- •The language of advertising
- •Change in language styles
- •Charting phonological variation
- •Phonological variation in British English
- •Social networks
- •Language and sex
- •Multilingual communities
- •Pidgins and Creoles
- •Questions
- •Language and mind
- •Psycholinguistic evidence
- •Acquiring language
- •The content-process controversy
- •The rule-governed nature of child language
- •Learning the meaning of words
- •Understanding syntax
- •Recognizing words
- •Speech production
- •Speech disorders
- •Language and the brain
- •Part four changes and comparisons
- •Language change
- •How language changes
- •Spread of change within a language
- •Causes of language change
- •Natural tendencies
- •Therapeutic changes
- •Changes which trigger one another off
- •Interacting changes
- •Reconstruction
- •Questions
- •Genetic similarities
- •Building a family tree
- •Reconstructing the parent language
- •Unreliability of reconstructions
- •Linguistic areas
- •Language types
- •Word order criteria
Speech acts
When a person utters a sequence of words, the speaker is often trying to achieve some effect with those words, an effect which might in some cases have boon accomplished by an alternative action. The words '(Jet back!' might convey the same notion as a push. A judge's statement: '1 sentence you to five years imprisonment' is not a mere string of words, bul lias the same effect as if the judge had inarched a man along In a prison, and locked him up. In brief, a number of utterances behave somewhat like actions. If this line of reasoning is taken further, one could argue that all utterances are acts of some type. Even an ordinary utterance such as 'Violets are blue' might be regarded as a special type of act, the act of making a statement:
(I slate that:) Violets are blue
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This overall approach is known as speech act theory, and it is another method by which philosophers and linguists have tried to classify the ways in which humans use language, in this case by treating it as parallel to other actions which humans perform.
Proponents of speech act theory try, in the first place, to list the various possible speech acts which a speaker might attempt to perform -statements, requests, queries, commands, promises, placing of bets, and so on. The lists vary from writer to writer, though the overall core tends to be similar. At the heart of the list come statements, questions and commands:
(I state that:) It's cold.
(I ask you:) What's the time?
(I command you:) Go away!
These are examples of direct speech acts: the act is expressed overtly by the most obvious linguistic means. But many speech acts are indirect, in that they possess the syntactic structure more usually associated with another act. For example, the following might all be intended as commands, yet only the first has the typical command structure:
Go to bed!
Isn 't it past your bedtime?
You should have been in bed long ago.
The first is therefore a direct speech act, but the second two are indirect speech acts.
But how do people know which speech act is intended, if each act can use the syntactic structure typically associated with one of the others? A possible answer is to specify happiness conditions or felicity conditions - circumstances under which it would be appropriate to interpret something as a particular type of speech act. For example, if a genuine command has been given, the hearer must be physically capable of carrying it out, and must be able to identify the object(s) involved. Even this partial statement of the felicity conditions for commands would probably enable someone to identify 'Pick up that book!' and That book oughtn't to be on the floor' as genuine commands, and ‘Go jump in the lake!' and 'Gird up thy loins!' as pseudo-commands.
If we could fully identify the felicity conditions for each type of speech act, then we would have moved some way towards understanding how humans use language.
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